At the height of the ideological antagonism of the Cold War, the U.S. State Department unleashed an unexpected tool in its battle against Communism: jazz. From 1956 through the late 1970s, America dispatched its finest jazz musicians to the far corners of the earth, from Iraq to India, from the Congo to the Soviet Union, in order to win the hearts and minds of the Third World and to counter perceptions of American racism.
Penny Von Eschen escorts us across the globe, backstage and onstage, as Dizzy Gillespie, Louis Armstrong, Duke Ellington, and other jazz luminaries spread their music and their ideas further than the State Department anticipated. Both in concert and after hours, through political statements and romantic liaisons, these musicians broke through the government's official narrative and gave their audiences an unprecedented vision of the black American experience. In the process, new collaborations developed between Americans and the formerly colonized peoples of Africa, Asia, and the Middle East--collaborations that fostered greater racial pride and solidarity.
Though intended as a color-blind promotion of democracy, this unique Cold War strategy unintentionally demonstrated the essential role of African Americans in U.S. national culture. Through the tales of these tours, Von Eschen captures the fascinating interplay between the efforts of the State Department and the progressive agendas of the artists themselves, as all struggled to redefine a more inclusive and integrated American nation on the world stage.
During the Cold War era-when halting the spread of communism in existing and emerging countries was a prominent goal of the U.S. government-jazz was a potent force in both the musical and the political worlds. Dizzy Gillespie, Louis Armstrong, and Duke Ellington, among others, were sent on worldwide goodwill tours to scores of locales, from Africa and the Middle East to the Soviet Union, portraying an image of greater American racial freedom than actually existed. The resulting musical and social influences had a more far-reaching impact than could initially have been imagined. Von Eschen (history & African American studies, Univ. of Michigan) recounts the tours and reveals the intertwining political and social complexities in an absorbing, dynamic narrative. She has created a history with a unique perspective-the performers, places, events, and issues. Her intensive research and analysis make this an exceptionally original book that should be read and reread. Readers will come away with a new vision of jazz, culture, politics, and history. Essential for academic and circulating libraries.-Carol J. Binkowski, Bloomfield, NJ Copyright 2004 Reed Business Information.
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Harvard University Press
September 29, 2006
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