"One of America's greatest novelists" dazzlingly reinvents the coming-of-age story in his most passionate and surprising book to date
Sinuously constructed in four interlocking parts, Paul Auster's fifteenth novel opens in New York City in the spring of 1967, when twenty-year-old Adam Walker, an aspiring poet and student at Columbia University, meets the enigmatic Frenchman Rudolf Born and his silent and seductive girfriend, Margot. Before long, Walker finds himself caught in a perverse triangle that leads to a sudden, shocking act of violence that will alter the course of his life.
Three different narrators tell the story of Invisible, a novel that travels in time from 1967 to 2007 and moves from Morningside Heights, to the Left Bank of Paris, to a remote island in the Caribbean. It is a book of youthful rage, unbridled sexual hunger, and a relentless quest for justice. With uncompromising insight, Auster takes us into the shadowy borderland between truth and memory, between authorship and identity, to produce a work of unforgettable power that confirms his reputation as "one of America's most spectacularly inventive writers."
- New York Times Notable Books of the Year
In his latest, Auster is in classic form, perhaps too perfectly satisfying the contention of his wearied protagonist: "there is far more poetry in the world than justice." Adam Walker, a poetry student at Columbia in the spring of 1967, is Auster's latest everyman, revealed in four parts through the diary entries of a onetime admirer, the confessions of his once-close friend, the denials of his sister and Walker's own self-made frame. With crisp, taut prose, Auster pushes the tension and his characters' peculiar self-awareness to their limits, giving Walker a fractured, knowing quality that doesn't always hold. The best moments from Walker's disparate, disturbing coming-of-age come in lush passages detailing Walker's conflicted, incestuous love life (paramount to his "education as a human being," but a violation of his self-made promise to live "as an ethical human being"). As the plot moves toward a Heart of Darkness-style journey into madness, the limits of Auster's formalism become more apparent, but this study of a young poet doomed to life as a manifestation of poetry carries startling weight. (Nov.)
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Henry Holt and Co.
October 25, 2009
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