From Melville to Madoff, the Confidence Man is an essential American archetype. George Roy Hill's 1973 filmThe Stingtreats this theme with a characteristic dexterity. The movie was warmly received in its time, winning seven Academy Awards, but there were some who thought the movie was nothing more than a slight throwback. Pauline Kael, among others, felt Hill's film was mechanical and contrived: a callow and manipulative attempt to recapture the box-office success of Robert Redford and Paul Newman's prior pairing,Butch Cassidy & The Sundance Kid. Matthew Specktor's passionate, lyric meditation turnsThe Stingon its head, on its side, and right-side-up in an effort to unpack the film's giddy complexity and secret, melancholic heart. Working off interviews with screenwriter David S. Ward and producer Tony Bill, and tacking from nuanced interpretation of its arching moods and themes to gimlet-eyed observation of its dizzying sleights-of-hand, Specktor opensThe Stingup to disclose the subtle and stunning dimensions-sexual, political, and aesthetic-of Hill's best film. Through Specktor's lens,The Stingreveals itself as both an enduring human drama and a meditation on art-making itself, an ode to the necessary pleasure of being fooled at the movies.
There are no customer reviews available at this time. Would you like to write a review?
Soft Skull Press
April 30, 2011
Number of Print Pages*
Adobe DRM EPUB
* Number of eBook pages may differ. Click here for more information.