There is no greater novel in the monster genre than "Frankenstein" and no more well known monster than the one that is at the center of this novel. However, the monster of "Frankenstein" is more than the common lumbering moronic giant that is most often represented. "Frankenstein's" monster is in reality a thinking intelligent being who is tormented by world in which he does not belong. In this depiction Shelley draws upon the universal human themes of creation, the nature of existence, and the need for acceptance. For it is without this acceptance that the true monster, the violent nature of humanity, emerges.
Gr 5-8-These visually appealing, full-color adaptations introduce each title with a well-known quotation from the original work on an illustrated spread that captures the mood and setting of the piece. The stories are retold in panels with text containing an explanation of the characters' motives and a summary of the action taking place positioned beneath each panel. Brief snippets of quotations are enclosed within a few simple speech bubbles. Actual wording from the original works is very limited. Headings at the top of the spreads distill the plot essentials contained on those two pages. Macbeth uses extensive footnotes on each page to define and clarify Shakespearean language. Dramatic outdoor scenes are done in vivid colors, contrasting with night scenes rendered in gray tones. Unique features include historical information on the real King Macbeth and theatrical superstitions associated with what many actors consider an "unlucky play." A somber palette of grays and muted colors sets the mood for Frankenstein. Back matter includes a map of Europe marking the travels of Frankenstein and a chronology of medical and scientific discoveries between the years of 1747 and 1834. These titles might be useful to introduce classics to young readers in a formalized instructional setting.-Barbara M. Moon, Suffolk Cooperative Library System, Bellport, NY Copyright 2009 Reed Business Information.
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October 01, 1988
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