Available to American readers for the first time, this landmark collection gathers four groundbreaking fantasy classics from the acclaimed author of Light. Set in the imagined city of Viriconium, here are the masterworks that revolutionized a genre and enthralled a generation of readers: The Pastel City, A Storm of Wings, In Viriconium, and Viriconium Nights. Back in print after a long absence, these singular tales of a timeless realm and its enigmatic inhabitants are now reborn and compiled to captivate a whole new generation.
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October 23, 2005
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Excerpt from Viriconium by John Harrison
tegeus-Cromis, sometime soldier and sophisticate of Viriconium, the Pastel City, who now dwelt quite alone in a tower by the sea and imagined himself a better poet than swordsman, stood at early morning on the sand dunes that lay between his tall home and the grey line of the surf. Like swift and tattered scraps of rag, black gulls sped and fought over his downcast head. It was a catastrophe that had driven him from his tower, something that he had witnessed from its topmost room during the night.
He smelled burning on the offshore wind. In the distance, faintly, he could hear dull and heavy explosions: and it was not the powerful sea that shook the dunes beneath his feet.
Cromis was a tall man, thin and cadaverous. He had slept little lately, and his green eyes were tired in the dark sunken hollows above his high, prominent cheekbones.
He wore a dark green velvet cloak, spun about him like a cocoon against the wind; a tabard of antique leather set with iridium studs over a white kid shirt; tight mazarine velvet trousers and high, soft boots of pale blue suede. Beneath the heavy cloak, his slim and deceptively delicate hands were curled into fists, weighted, as was the custom of the time, with heavy rings of nonprecious metals intagliated with involved cyphers and sphenograms. The right fist rested on the pommel of his plain long sword, which, contrary to the fashion of the time, had no name. Cromis, whose lips were thin and bloodless, was more possessed by the essential qualities of things than by their names; concerned with the reality of Reality, rather than with the names men gave it.
He worried more, for instance, about the beauty of the city that had fallen during the night than he did that it was Viriconium, the Pastel City. He loved it more for its avenues paved in pale blue and for its alleys that were not paved at all than he did for what its citizens chose to call it, which was often Viricon the Old and The Place Where the Roads Meet.
He had found no rest in music, which he loved, and now he found none on the pink sand.
For a while he walked the tideline, examining the objects cast up by the sea: paying particular attention to a smooth stone here, a translucent spiny shell there, picking up a bottle the colour of his cloak, throwing down a branch whitened and peculiarly carved by the water. He watched the black gulls, but their cries depressed him. He listened to the cold wind in the rowan woods around his tower, and he shivered. Over the pounding of the high tide, he heard the dull concussions of falling Viriconium. And even when he stood in the surf, feeling its sharp acid sting on his cheek, lost in its thunder, he imagined it was possible to hear the riots in the pastel streets, the warring factions, and voices crying for Young Queen, Old Queen.
He settled his russet shovel hat more firmly; crossed the dunes, his feet slipping in the treacherous sand; and found the white stone path through the rowans to his tower, which also had no name: though it was called by some after the stretch of seaboard on which it stood, that is, Balmacara. Cromis knew where his heart and his sword lay--but he had thought that all finished with and he had looked forward to a comfortable life by the sea.
When the first of the refugees arrived, he knew who had won the city, or the shell of it that remained, but the circumstances of his learning gave him no pleasure.
It was before noon, and he had still not decided what to do.
He sat in his highest room (a circular place, small, the walls of which were lined with leather and shelves of books; musical and scientific objects, astrolabes and lutes, stood on its draped stone tables; it was here that he worked at his songs), playing softly an instrument that he had got under strange circumstances some time ago, in the East. Its strings were taut and harsh, and stung his finger ends; its tone was high and unpleasant and melancholy, but that was his mood. He played in a mode forgotten by all but himself and certain desert musicians, and his thoughts were not with the music.
From the curved window of the room he could see out over the rowans and the gnarled thorn to the road that ran from the unfortunate city to Duirinish in the Northeast. Viriconium itself was a smoke haze above the eastern horizon and an unpleasant vibration in the foundations of the tower. He saw a launch rise out of that haze, a speck like a trick of the eye.
It was well-known in the alleys of the city, and in remoter places, that, when tegeus-Cromis was nervous or debating within himself, his right hand strayed constantly to the pommel of his nameless sword: then was hardly the time to strike, and there was no other. He had never noticed it himself. He put down his instrument and went over to the window.