Animator and vampire hunter Anita Blake is about to discover that some secrets are better left buried-and some people better off dead...
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Posted December 01, 2009 by Lynne , DedhamLove the Anita Blake novels - extremely addicting.
March 02, 2004
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Excerpt from The Laughing Corpse by Laurell K. Hamilton
HAROLD GAYNOR'S HOUSE sat in the middle of intense green lawn and the graceful sweep of trees. The house gleamed in the hot August sunshine. Bert Vaughn, my boss, parked the car on the crushed gravel of the driveway. The gravel was so white, it looked like handpicked rock salt. Somewhere out of sight the soft whir of sprinklers pattered. The grass was absolutely perfect in the middle of one of the worst droughts Missouri has had in over twenty years. Oh, well. I wasn't here to talk with Mr. Gaynor about water management. I was here to talk about raising the dead.
Not resurrection. I'm not that good. I mean zombies. The shambling dead. Rotting corpses. Night of the living dead. That kind of zombie. Though certainly less dramatic than Hollywood would ever put up on the screen. I am an animator. It's a job, that's all, like selling.
Animating had only been a licensed business for about five years. Before that it had just been an embarrassing curse, a religious experience, or a tourist attraction. It still is in parts of New Orleans, but here in St. Louis it's a business. A profitable one, thanks in large part to my boss. He's a rascal, a scalawag, a rogue, but damn if he doesn't know how to make money. It's a good trait for a business manager.
Bert was six-four, a broad-shouldered, ex-college football player with the beginnings of a beer gut. The dark blue suit he wore was tailored so that the gut didn't show. For eight hundred dollars the suit should have hidden a herd of elephants. His white-blond hair was trimmed in a crew cut, back in style after all these years. A boater's tan made his pale hair and eyes dramatic with contrast.
Bert adjusted his blue and red striped tie, mopping a bead of sweat off his tanned forehead. "I heard on the news there's a movement there to use zombies in pesticide-contaminated fields. It would save lives."
"Zombies rot, Bert, there's no way to prevent that, and they don't stay smart enough long enough to be used as field labor."
"It was just a thought. The dead have no rights under law, Anita."
It was wrong to raise the dead so they could slave for us. It was just wrong, but no one listens to me. The government finally had to get into the act. There was a nationwide committee being formed of animators and other experts. We were supposed to look into the working conditions of local zombies.
Working conditions. They didn't understand. You can't give a corpse nice working conditions. They don't appreciate it anyway. Zombies may walk, even talk, but they are very, very dead.
Bert smiled indulgently at me. I fought an urge to pop him one right in his smug face. "I know you and Charles are working on that committee," Bert said. "Going around to all the businesses and checking up on the zombies. It makes great press for Animators, Inc."
"I don't do it for good press," I said.
"I know. You believe in your little cause."
"You're a condescending bastard," I said, smiling sweetly up at him.
He grinned at me. "I know."
I just shook my head; with Bert you can't really win an insult match. He doesn't give a damn what I think of him, as long as I work for him.
My navy blue suit jacket was supposed to be summer weight but it was a lie. Sweat trickled down my spine as soon as I stepped out of the car.
Bert turned to me, small eyes narrowing. His eyes lend themselves to suspicious squints. "You're still wearing your gun," he said.
"The jacket hides it, Bert. Mr. Gaynor will never know." Sweat started collecting under the straps of my shoulder holster. I could feel the silk blouse beginning to melt. I try not to wear silk and a shoulder rig at the same time. The silk starts to look indented, wrinkling where the straps cross. The gun was a Browning Hi-Power 9mm, and I liked having it near at hand.