Successful attorney Sam Trask is stunned when a voice from the past threatens to use secrets from Sam's youth to destroy him. The law offers Sam no protection, leaving him one way to save his family and the heart of his life and faith: take the law into his own hands.
How far will a man go to protect his family? Attorney Sam Trask will go farther than he ever dreamed, even in his worst nightmare. Because his worst nightmare is about to come true...
At age forty-seven, attorney Sam Trask finally seems to have his life in order. The dark years of too much drinking and all-consuming ambition have given way to Christian faith. His marriage is strong again. Everything seems finally on the right track.
Then a voice from the past comes back to say hello.
Suddenly Sam faces a danger more real than he ever imagined--danger from someone who will not rest until Sam's life comes crashing down around him. Desperate, Sam seeks protection from the law he's served all his life. But when the threats are turned on his family, and the law seems powerless to protect them, Sam must consider a choice that strikes at the heart of his life and faith--whether to take the law into his own hands.
Bell, a former trial lawyer and Christy Award-winner (Final Witness), offers a disappointing faith suspense story that illustrates this genre's recent preoccupation with sexual violence against women. Attorney Sam Trask has his hands full with his rebellious 17-year-old daughter, Heather, the lead singer of Screech Monk. Nicky Oberlin, a shadowy figure from Sam's college past, shows up unexpectedly, and for reasons that are inexplicable until the closing pages, stalks Sam and his family. More troubles pile up: a dog is poisoned, credit cards are mysteriously maxed out, Sam's law practice suffers, a rattlesnake attacks and a child from out of wedlock is revealed (a stock plot element in Christian fiction). [...] Awkward prose is scattered throughout (e.g., "the lights of the city illuminating the night sky like forbidden candy"), and Bell relies upon heavy back-to-back dialogue to move the plot along. Readers will want to skip this one. (Apr. 13)
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February 28, 2007
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