In the quiet of Hog's Hollow, each member of the River family pursues a dream. Old Man River sets out to build a fallout shelter in case the war in Vietnam "brings the end of everything;" his wife Flo, who collects Gone with the Wind dolls, attempts to pen her own Southern saga; Beau, their older son, suffers from "space fever" and aspires to be an astronaut. As for Danny, the younger River boy, well, he just dreams of having a dog. Then in the spring of 1965 tragedy befalls the Rivers--a tragedy that makes the Old Man wish he'd never started building the shelter, stops Flo from finishing her bestseller, and leaves Beau grounded rather than airborne. But the tragedy does finally bring a dog into Danny's life. And not just any old dog. Danny comes to believe that the mixed-breed stray embodies the spirit of someone he dearly loves. He won't allow anyone to separate him from the dog, not even after it bites the neighborhood bully and the police are sent to take it away. Together Danny and his dog run off, heading toward Cape Caneveral, where the Gemini missions blast off from, and where dreams come true.
Lawrence (Ghost Boy) creates a poignant family drama that will pull the heartstrings of anyone who has looked up to an older sibling or has fallen in love with a dog. The story opens in the summer of 1964 in rural Hog's Hollow and focuses on young Danny River, who longs for a dog but isn't allowed to have one. The other members of Danny's family have dreams of their own. His mother wants to write a novel. His older brother Beau wants to become an astronaut. His father, convinced that the Vietnam conflict is going to escalate into nuclear war, obsessively digs a fallout shelter in their front yard. Soon tragedy strikes: Beau falls into the dugout and dies. Danny will not be consoled until he becomes convinced that a bedraggled stray dog that arrives at the Rivers' door is his brother brought back to life. Readers will empathize with the young hero as he unsuccessfully tries to persuade his parents and others that what he believes about the dog is true. The book's sharply delineated characters and dramatic tension (much of it emanating from the villainous Creepy and Dopey Colvig) will keep pages turning, and the love among family members will be strongly felt. If some events (as when Danny meets Gus Grissom and rides in the famous astronaut's plane) appear a bit strained, they pave the way for a gratifying conclusion. Ages 8-12. (Oct.) Copyright 2006 Reed Business Information.
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October 09, 2006
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Excerpt from Gemini Summer by Iain Lawrence
The sheriff leaned back with his feet on the desk, watching the blond-haired boy. He was a little man with a sunburned face, with white eyebrows that looked strange on all the redness of his forehead. His cowboy boots had shiny snakeskin tops, and he sat tapping the toes together. There was a blob of blue bubble gum squashed onto one of the soles.
He watched the boy for a long time before he said, quite suddenly, "You ever heard of fingerprints, kid?"
The boy looked up.
"I could take you into the back there and print you," said the sheriff, "and I'd get what I want like that." He snapped his fingers. "I'd know your whole name and your address and everything."
The blond-haired boy had a dog beside him. He was petting the dog as he sat in front of the sheriff's desk, in a wooden chair with arms. The ceiling fan that turned slowly above him trailed shreds of cobwebs round and round.
"Now, is that the route you want to take?" said the sheriff.
"How could you know my name and address from fingerprints?" asked the boy. He looked at his fingers. "I don't think you can do that."
"Oh, you don't think I can do that," said the sheriff. "A real little Perry Mason, aren't you?"
The boy said nothing. He had said hardly a word in an hour and twenty minutes.
The sheriff sighed. He tapped the toes of his boots together. "Say, that's a nice dog you got," he said. "What do you call him, sonny?"
The blond-haired boy didn't answer.
"Aw, come on!" The sheriff swung his feet to the floor and slammed a hand on the desk. "Holy moley, what's the harm in telling me the name of your dog?"
The boy shrugged. "Maybe you should fingerprint him."
"Oh, that's funny. Yeah, that's just hysterical." The sheriff opened a drawer in his desk and took out a key. "You want to sit in the cage and tell jokes to yourself? Is that what you want?"
"I don't care," said the boy.
"Then that's what you'll do."
When the sheriff stood up the boy stood up, and the dog stood up beside him. They walked in a line through the office, past the table where the lady had sat typing till dinnertime. There was a police radio there, and a teletype machine, and a shiny kettle that reflected the whole room and the turning fan.
The dog's claws ticked on the floor. The boy wished the lady would come back, because the lady had seemed nice. She had smiled at him all the time--just smiled and typed and talked on the radio.
"You had your chance, sonny," said the sheriff. He took the boy and the dog down a flight of concrete steps, down to a corridor with a jail cell on each side. He put his key in a lock and opened a cell, sliding the bars across with a rattle of metal. There was a bed in there, and a toilet, and that was all.
"Empty out your pockets," said the sheriff.
The boy did as he was told, embarrassed by the things that came out. There was a rubber band and a bit of string, a bottle cap, an old penny, a plastic man without a head. The sheriff took it all in one hand. "In you go," he said.
The boy went into the cell. The dog followed behind him.
The sheriff drew the bars into place, then turned his key and pulled it out. "When you're ready to tell me where your home is, just holler," he said. He went up the stairs in his snakeskin boots.
The boy stretched out on the bed. His dog climbed up beside him, settling down with its head on his chest.
"Don't worry," said the boy. His hand touched the dog's neck, and his fingers buried themselves in the black fur. "We'll get to the Cape, and it'll be okay. It'll all work out when we get to the Cape."
The dog fell asleep. But the blond-haired boy lay awake, staring at the bars and the bricks. "We gotta keep going," he told the sleeping dog. " 'Cause we can't go back. That's the thing--we can't ever go home again."
He looked at the lightbulb on the ceiling. Then he squinted and tried to imagine that it was the sun, and that he was lying outside on the grass with his dog. He thought about his home.
The Rivers lived in an old gray house in a valley named Hog's Hollow. All around, in every direction, the city stretched for miles and miles. To the west was an airport, to the north an industrial park. To the south were glass towers and skyscrapers and freeways choked with cars. But down in the Hollow, it was quiet and calm.
There was a single street laid out like a worm on the valley floor, and only nine houses, all sturdy and aged like the great nests of American eagles. There were seventeen people, but only three children. There were six cats and one dog.
A narrow stream called Highland Creek flowed southward through the Hollow, creeping past the cottonwoods. Danny River liked to play there, building dams of sticks and mud. Beau, his brother, sometimes helped him smash them.
Their father's name was Charlie. But the boys and their friends talked of him as Old Man River. They imagined that he never knew, though Charlie had used the same name for his own father when he was the age of his sons.