In this risk-taking book, a major feminist philosopher engages the work of the actor and director who has progressed from being the stereotypical �man�s man� to pushing the boundaries of the very genres�the Western, the police thriller, the war or boxing movie�most associated with American masculinity. Cornell�s highly appreciative encounter with the films directed by Clint Eastwood revolve around the questions �What is it to be a good man?� and �What is it to be, not just an ethical person, but specifically an ethical man?� Focusing on Eastwood as a director rather than as an actor or cultural icon, she studies Eastwood in relation to major philosophical and ethical themes that have been articulated in her own life�s work.In her fresh and revealing readings of the films, Cornell takes up pressing issues of masculinity as it is caught up in the very definition of ideas of revenge, violence, moral repair, and justice. Eastwood grapples with this involvement of masculinity in and through many of the great symbols of American life, including cowboys, boxing, police dramas, and ultimately war�perhaps the single greatest symbol of what it means (or is supposed to mean) to be a man.
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Fordham University Press
May 12, 2009
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