It's 1988 and Dexter Mayhew and Emma Morley have only just met. They both know that the next day, after college graduation, they must go their separate ways. But after only one day together, they cannot stop thinking about one another. As the years go by, Dex and Em begin to lead separate lives--lives very different from the people they once dreamed they'd become. And yet, unable to let go of that special something that grabbed onto them that first night, an extraordinary relationship develops between the two.
Over twenty years, snapshots of that relationship are revealed on the same day--July 15th--of each year. Dex and Em face squabbles and fights, hopes and missed opportunities, laughter and tears. And as the true meaning of this one crucial day is revealed, they must come to grips with the nature of love and life itself.
Part of the Honeymoon Reads Collection
- New York Times Notable Books of the Year
Showing 1-10 of the 11 most recent reviews
1 . I HATED this book!
Posted February 08, 2012 by AJ , Baltimore, MDNormally I can find some sort of redeeming quality in a book, however that was not the case with this one. I tried my hardest, but this is the most awful book I've ever read! The characters were selfish, unlikable and shallow. I went back and forth between thinking these have to be the 2 stupidest people in the world, and thinking these people just deserve each other! It was so awful I was unmoved by the "tragic" end. I still can't believe I wasted the time and energy to finish this one! I kept thinking it just HAS to get better. It didn't. Please take my advice and do not waste your time, energy, or money on this book. It isn't even worth getting a copy from the library.
2 . best love/tragic story
Posted July 29, 2011 by Erika , DoverOne Day is a book i would definitely recommend! Once I started reading it, I was hooked on it...I couldn't stop reading to see what would happen with lives of the two protagonist, Emma and Dexter. I was intrigued by how the author would write about their lives on the same exact day, for every year that passed by. They start off as miraculously friends, in which one night being together, changes everything. As you read along, you start to feel as if your in Dex's and Em's lives, looking at things from their perspective and feeling what their feeling.
As you read along year by year, you'll experience joy, love, happiness, tragedy, and fun. The author is very detailed, that you feel as if you're there. And in the end, you'll feel as if you've learned a valuable lesson, to enjoy every day of your life, cause it might be your last..*spoiler...the ending might get you very sad, and disappointed..
But Overall, I recommend this book. And even though you see their lives the same day, for every year..its still something i know you'll get attached too..
P.S: the movie will be coming out soon XD. which I'm sure after reading the book, you'll want to see it just as much, as I do.
3 . Amazing Love Story
Posted July 22, 2011 by Nicky , NYCThis book is definitely one of my favorite reads of all time. The author does a FANTASTIC job of charachter development which I started to realize when their joy became my joy and their pain became my pain.
I truly empathized with the plight of the main characters and. A wonderful (yet sad) love story, told in a wonderfully creative way.
So happy that someone recommended this treasure to me!
4 . One Day
Posted July 20, 2011 by Andy Ryan , NJThis is one of the very few novels that has genuinely broken my heart.
5 . Couldn't wait for it to end...
Posted June 11, 2011 by SLK , Chino, CAThis is my first review - I wanted to read before the movie was released, the one trailer for the movie on TV makes it sound like an interesting romantic comedy. This read is far from it, not even sure I want to see the movie now. As dull and unexciting as the book is it would be a waste of money. I was disapointed from the first and hoped it would get better but it did not.
6 . Tedious
Posted March 09, 2011 by Lana403 , Calgary, ABThis book was recommended by friend. Now I’m wondering does she really like me.
Book was so dragged out and boring I had to force myself to finish it. I really wanted to like it so I kept pushing myself thinking it will get better. I just got me angrier. Descriptions are dragged out without adding anything to the story. That said book could have been half the size without story losing because of it. I hated the main characters. They both should be slapped. Never in my life was I so irritated and annoyed by two people. They had so much going for them, but no – they made their own lives miserable. This book will go in the same trash can with Eat, Pray, Love – never to be seen by the light of day again. I only wish I could get back the hours of my life wasted on reading this.
7 . Great characters
Posted February 08, 2011 by cb , Vancouver, BCThe characters are very well detailed and it's a great journey to follow them along in their lives. It's compelling and the connection between them is always well understood. However, the end of the novel left me wanting a more complex conclusion. Not very confident they will manage to make this novel into a great movie, but I will watch and find out!
8 . So worth reading
Posted December 31, 2010 by Pam G. , Santa FeI have waited a long time for a book like this; was starved for it, in fact. It was a little hard to get into at first but I'm glad I took the time. So lovely and bittersweet ... a terrific find ... a beautiful love story and a great portrayal of love in its most real state. I think I said the word love enough here but, all in all, I loved it.
9 . an anatomy of a relationship
Posted September 21, 2010 by Ben , BaltimoreBecause the book takes place over a span of 20-plus years and the story is told from the rotating point-of-view of the main characters, we are able to truly know who they are as individuals. The book was very moving, funny, and deeply sad. It just seemed so true to life, the way it dissected the evolution of the relationship between Emma and Dex, like I've known of or have even experienced a relationship like this personally. It isn't one of my favorite books of all time, but definitely one of the best I've read this year.
10 . Hard to put down
Posted August 10, 2010 by jenreads , Palatine, ILI read it in one day too.
June 14, 2010
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Excerpt from One Day by David Nicholls
Friday 15TH July 1988
Rankeillor Street, Edinburgh
'I suppose the important thing is to make some sort of difference,' she said. 'You know, actually change something.'
'What, like "change the world", you mean?'
'Not the whole entire world. Just the little bit around you.'
They lay in silence for a moment, bodies curled around each other in the single bed, then both began to laugh in low, pre-dawn voices. 'Can't believe I just said that,' she groaned. 'Sounds a bit corny, doesn't it?'
'A bit corny.'
'I'm trying to be inspiring! I'm trying to lift your grubby soul for the great adventure that lies ahead of you.' She turned to face him. 'Not that you need it. I expect you've got your future nicely mapped out, ta very much. Probably got a little flow-chart somewhere or something.'
'So what're you going to do then? What's the great plan?'
'Well, my parents are going to pick up my stuff, dump it at theirs, then I'll spend a couple of days in their flat in London, see some friends. Then France-'
'Then China maybe, see what that's all about, then maybe onto India, travel around there for a bit-'
'Traveling,' she sighed. 'So predictable.'
'What's wrong with travelling?'
'Avoiding reality more like.'
'I think reality is over-rated,' he said in the hope that this might come across as dark and charismatic.
She sniffed. 'S'alright, I suppose, for those who can afford it. Why not just say "I'm going on holiday for two years"? It's the same thing.'
'Because travel broadens the mind,' he said, rising onto one elbow and kissing her.
'Oh I think you're probably a bit too broad-minded as it is,' she said, turning her face away, for the moment at least. They settled again on the pillow. 'Anyway, I didn't mean what are you doing next month, I meant the future-future, when you're, I don't know...' She paused, as if conjuring up some fantastical idea, like a fifth dimension. '...Forty or something. What do you want to be when you're forty?'
'Forty?' He too seemed to be struggling with the concept. 'Don't know. Am I allowed to say "rich"?'
'Just so, so shallow.'
'Alright then, "famous".' He began to nuzzle at her neck. 'Bit morbid, this, isn't it?'
'It's not morbid, it's...exciting.'
' 'Exciting!' ' He was imitating her voice now, her soft Yorkshire accent, trying to make her sound daft. She got this a lot, posh boys doing funny voices, as if there was something unusual and quaint about an accent, and not for the first time she felt a reassuring shiver of dislike for him. She shrugged herself away until her back was pressed against the cool of the wall.
'Yes, exciting. We're meant to be excited, aren't we? All those possibilities. It's like the Vice-Chancellor said, "the doors of opportunity flung wide..."'
'"Yours are the names in tomorrow's newspapers..."'
'Not very likely.'
'So, what, are you excited then?'
'Me? God no, I'm crapping myself.'
'Me too. Christ...' He turned suddenly and reached for the cigarettes on the floor by the side of the bed, as if to steady his nerves. 'Forty years old. Forty. Fucking hell.'
Smiling at his anxiety, she decided to make it worse. 'So what'll you be doing when you're forty?'
He lit his cigarette thoughtfully. 'Well the thing is, Em-'
'"Em"? Who's "Em"?'
'People call you Em. I've heard them.'
'Yeah, friends call me Em.'
'So can I call you Em?'
'Go on then, Dex.'
'So I've given this whole "growing old" thing some thought and I've come to the decision that I'd like to stay exactly as I am right now.'
Dexter Mayhew. She peered up at him through her fringe as he leant against the cheap buttoned vinyl headboard and even without her spectacles on it was clear why he might want to stay exactly this way. Eyes closed, the cigarette glued languidly to his lower lip, the dawn light warming the side of his face through the red filter of the curtains, he had the knack of looking perpetually posed for a photograph. Emma Morley thought 'handsome' a silly, nineteenth-century word, but there really was no other word for it, except perhaps 'beautiful'. He had one of those faces where you were aware of the bones beneath the skin, as if even his bare skull would be attractive. A fine nose, slightly shiny with grease, and dark skin beneath the eyes that looked almost bruised, a badge of honour from all the smoking and late nights spent deliberately losing at strip poker with girls from Bedales. There was something feline about him: eyebrows fine, mouth pouty in a self-conscious way, lips a shade too dark and full, but dry and chapped now, and rouged with Bulgarian red wine. Gratifyingly his hair was terrible, short at the back and sides, but with an awful little quiff at the front. Whatever gel he used had worn off, and now the quiff looked pert and fluffy, like a silly little hat.
Still with his eyes closed, he exhaled smoke through his nose. Clearly he knew he was being looked at because he tucked one hand beneath his armpit, bunching up his pectorals and biceps. Where did the muscles come from? Certainly not sporting activity, unless you counted skinny- dipping and playing pool. Probably it was just the kind of good health that was passed down in the family, along with the stocks and shares and the good furniture. Handsome then, or beautiful even, with his paisley boxer shorts pulled down to his hip bones and somehow here in her single bed in her tiny rented room at the end of four years of college. 'Handsome'! Who do you think you are, Jane Eyre? Grow up. Be sensible. Don't get carried away.
She plucked the cigarette from his mouth. 'I can imagine you at forty,' she said, a hint of malice in her voice. 'I can picture it right now.'
He smiled without opening his eyes. 'Go on then.'
'Alright-' She shuffled up the bed, the duvet tucked beneath her armpits. 'You're in this sports car with the roof down in Kensington or Chelsea or one of those places and the amazing thing about this car is it's silent, 'cause all the cars'll be silent in, I don't know, what - 2006?'
He scrunched his eyes to do the sum. '2004-'
'And this car is hovering six inches off the ground down the King's Road and you've got this little paunch tucked under the leather steering wheel like a little pillow and those backless gloves on, thinning hair and no chin. You're a big man in a small car with a tan like a basted turkey-'
'So shall we change the subject then?'
'And there's this woman next to you in sunglasses, your third, no, fourth wife, very beautiful, a model, no, an ex-model, twenty-three, you met her while she was draped on the bonnet of a car at a motor- show in Nice or something, and she's stunning and thick as shit-'
'Well that's nice. Any kids?'
'No kids, just three divorces, and it's a Friday in July and you're heading off to some house in the country and in the tiny boot of your hover car are tennis racquets and croquet mallets and a hamper full of fine wines and South African grapes and poor little quails and asparagus and the wind's in your widow's peak and you're feeling very, very pleased with yourself and wife number three, four, whatever, smiles at you with about two hundred shiny white teeth and you smile back and try not to think about the fact that you have nothing, absolutely nothing, to say to each other.'
She came to an abrupt halt. You sound insane, she told herself. Do try not to sound insane. 'Course if it's any consolation we'll all be dead in a nuclear war long before then!' she said brightly, but still he was frowning at her.
'Maybe I should go then. If I'm so shallow and corrupt-'
'No, don't go,' she said, a little too quickly. 'It's four in the morning.'
He shuffled up the bed until his face was a few inches from hers. 'I don't know where you get this idea of me, you barely know me.'
'I know the type.'
'I've seen you, hanging round Modern Languages, braying at each other, throwing black-tie dinner parties-'
'I don't even own black-tie. And I certainly don't bray-'
'Yachting your way round the Med in the long hols, ra ra ra-'
'So if I'm so awful-' His hand was on her hip now.
'-which you are.'
'-then why are you sleeping with me?' His hand was on the warm soft flesh of her thigh.
'Actually I don't think I have slept with you, have I?'
'Well that depends.' He leant in and kissed her. 'Define your terms.' His hand was on the base of her spine, his leg slipping between hers.
'By the way,' she mumbled, her mouth pressed against his.
'What?' He felt her leg snake around his, pulling him closer.
'You need to brush your teeth.'
'I don't mind if you don't.'
'S'really horrible,' she laughed. 'You taste of wine and fags.'
'Well that's alright then. So do you.'
Her head snapped away, breaking off the kiss. 'Do I?'
'I don't mind. I like wine and fags.'
'Won't be a sec.' She flung the duvet back, clambering over him.
'Where are you going now?' He placed his hand on her bare back.
'Just the bog,' she said, retrieving her spectacles from the pile of books by the bed: large, black NHS frames, standard issue.
'The "bog", the "bog"...sorry I'm not familiar...'
She stood, one arm across her chest, careful to keep her back to him. 'Don't go away,' she said, padding out of the room, hooking two fingers into the elastic of her underpants to pull the material down at the top of her thighs. 'And no playing with yourself while I'm gone.'
He exhaled through his nose and shuffled up the bed, taking in the shabby rented room, knowing with absolute confidence that somewhere in amongst the art postcards and photocopied posters for angry plays there would be a photograph of Nelson Mandela, like some dreamy ideal boyfriend. In his last four years he had seen any number of bedrooms like this, dotted round the city like crime scenes, rooms where you were never more than six feet from a Nina Simone album, and though he'd rarely seen the same bedroom twice, it was all too familiar. The burnt out nightlights and desolate pot plants, the smell of washing powder on cheap, ill-fitting sheets. She had that arty girl's passion for photomontage too; flash-lit snaps of college friends and family jumbled in amongst the Chagalls and Vermeers and Kandinskys, the Che Guevaras and Woody Allens and Samuel Becketts. Nothing here was neutral, everything displayed an allegiance or a point of view. The room was a manifesto, and with a sigh Dexter recognised her as one of those girls who used 'bourgeois' as a term of abuse. He could understand why 'fascist' might have negative connotations, but he liked the word 'bourgeois' and all that it implied. Security, travel, nice food, good manners, ambition; what was he meant to be apologising for?
He watched the smoke curl from his mouth. Feeling for an ashtray, he found a book at the side of the bed. The Unbearable Lightness of Being, spine creased at the 'erotic' bits. The problem with these fiercely individualistic girls was that they were all exactly the same. Another book: The Man Who Mistook His Wife for a Hat. Silly bloody fool, he thought, confident that it was not a mistake he would ever make.
At twenty-three, Dexter Mayhew's vision of his future was no clearer than Emma Morley's. He hoped to be successful, to make his parents proud and to sleep with more than one woman at the same time, but how to make these all compatible? He wanted to feature in magazine articles, and hoped one day for a retrospective of his work, without having any clear notion of what that work might be. He wanted to live life to the extreme, but without any mess or complications. He wanted to live life in such a way that if a photograph were taken at random, it would be a cool photograph. Things should look right. Fun; there should be a lot of fun and no more sadness than absolutely necessary.
It wasn't much of a plan, and already there had been mistakes. Tonight, for instance, was bound to have repercussions: tears and awkward phone-calls and accusations. He should probably get out of here as soon as possible, and he glanced at his discarded clothes in preparation for his escape. From the bathroom came the warning rattle and bang of an ancient toilet cistern, and he hurriedly replaced the book, finding beneath the bed a small yellow Colman's mustard tin that he flipped open to confirm that, yes, it did contain condoms, along with the small grey remains of a joint, like a mouse dropping. With the possibility of sex and drugs in a small yellow tin he felt hopeful again, and decided that he might stay a little longer at least.
In the bathroom, Emma Morley wiped the crescents of toothpaste from the corner of her mouth and wondered if this was all a terrible mistake. Here she was, after four romantically barren years, finally, finally in bed with someone she really liked, had liked since she'd first seen him at a party in 1984, and in just a few hours he'd be gone. Forever probably. He was hardly likely to ask her to go to China with him, and besides she was boycotting China. And he was alright, wasn't he? Dexter Mayhew. In truth she suspected he wasn't all that bright, and a little too pleased with himself, but he was popular and funny and - no point fighting it - very handsome. So why was she being so stroppy and sarcastic? Why couldn't she just be self-confident and fun, like those scrubbed, bouncy girls he usually hung around with? She saw the dawn light at the tiny bathroom window. Sobriety. Scratching at her awful hair with her fingertips, she pulled a face, then yanked the chain of the ancient toilet cistern and headed back into the room.
From the bed, Dexter watched her appear in the doorway, wearing the gown and mortar board that they'd been obliged to hire for the graduation ceremony, her leg hooked mock-seductively around the doorframe, her rolled degree certificate in one hand. She peered over her spectacles and pulled the mortar board down low over one eye. 'What d'you think?'
'Suits you. I like the jaunty angle. Now take it off and come back to bed.'