Seventeen-year-old Gwen is preparing to audition for New York City's top music schools when her grandfather mysteriously disappears, leaving Gwen only a phone message telling her not to worry. But there's nothing more stressful than practicing for her auditions, not knowing where her grandfather is, and being forced to lie about his whereabouts when her insistent great-uncle demands an audience with him. Then Gwen meets Robert, also in town for music auditions, and the two pair up to brave the city without supervision. As auditions approach and her great-uncle becomes more aggressive, Gwen and Robert make a startling discovery. Suddenly Gwen's hopes are turned upside down, and she and Robert are united in ways neither of them could have foretold. . . .
Clements hits no false notes in this beguiling sequel to Things Not Seen. Narrator Gwen left her West Virginia home two years earlier to live with her ailing grandfather in Manhattan to attend a music academy on scholarship. The disciplined 17-year-old plays her violin many hours each day, practicing for auditions for a prestigious music college. But her attention is diverted when she receives a phone message from Grampa, who says he is going away for awhile and that Gwen should carry on and tell no one about his disappearance especially his brother (who co-owns the building in which he and Gwen live and is trying to pressure Grampa into selling it). After she meets Robert (the temporarily invisible Bobby from Things Not Seen), Gwen senses she has found a kindred spirit in this kind, trumpet-playing teen who shares her musical aspirations. She tells him her secret and, after the two notice a man's shadow that has no visible body casting it, Robert confides to her the story of his experience turning invisible. The novel's mysterious strain reaches a crescendo when Robert, in a heartstopping scene, opens the basement freezer looking for steaks and finds something else instead. In her credible, likable voice, Gwen observes that she wants her complicated story to have a tidy ending with "that wonderful last burst of symphonic harmony." This haunting novel's denouement has just that. Not since Frindle has Clements's writing achieved such near perfect pitch. Ages 10-up. (Sept.) Agent, Writers House. Copyright 2006 Reed Business Information.
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April 16, 2008
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