On a wild, windy April day in Manhattan, when Mary first meets John Keane, she cannot know what lies ahead of her. A marriage, a fleeting season of romance, and the birth of four children will bring John and Mary to rest in the safe embrace of a traditional Catholic life in the suburbs. But neither Mary nor John, distracted by memories and longings, can feel the wind that is buffeting their children, leading them in directions beyond their parents' control. Michael and his sister Annie are caught up in the sexual revolution. Jacob, brooding and frail, is drafted to Vietnam. And the youngest, Clare, commits a stunning transgression after a childhood spent pleasing her parents. As John and Mary struggle to hold on to their family and their faith, Alice McDermott weaves an elegant, unforgettable portrait of a world in flux-and of the secrets and sorrows, anger and love, that lie at the heart of every family.
- Pulitzer Prize
A master at capturing Irish-Catholic American suburban life, particularly in That Night (1987) and the National Book Award-winning Charming Billy (1998), McDermott returns for this sixth novel with the Keane family of Long Island, who get swept up in the wake of the Vietnam War. When John and Mary Keane marry shortly after WWII, she's on the verge of spinsterhood, and he's a vet haunted by the death of a young private in his platoon. Jacob, their first-born, is given the dead soldier's name, an omen that will haunt the family when Jacob is killed in Vietnam (hauntingly underplayed by McDermott). In vignette-like chapters, some of which are stunning set pieces, McDermott probes the remaining family's inner lives. Catholic faith and Irish heritage anchor John and Mary's feelings, but their children experience their generation's doubt, rebellion and loss of innocence: next eldest Michael, who had always dominated Jacob, drowns his guilt and regret in sex and drugs; Anne quits college and moves to London with a lover; Clare, a high school senior, gets pregnant. The story of '60s and '70s suburbia has been told before, and McDermott has little to say about the Vietnam War itself. But she flawlessly encapsulates an era in the private moments of one family's life. (Sept.)
Copyright (c) Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition. -- PUBLISHERS WEEKLY.
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September 24, 2007
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Excerpt from After This by Alice McDermott
LEAVING THE CHURCH, she felt the wind rise, felt the pinprick of pebble and grit against her stockings and her cheeks--the slivered shards of mad sunlight in her eyes. She paused, still on the granite steps, touched the brim of her hat and the flying hem of her skirt--felt the wind rush up her cuffs and rattle her sleeves.
And all before her, the lunch-hour crowd bent under the April sun and into the bitter April wind, jackets flapping and eyes squinting, or else skirts pressed to the backs of legs and jacket hems pressed to bottoms. And trailing them, outrunning them, skittering along the gutter and the sidewalk and the low gray steps of the church, banging into ankles and knees and one another, scraps of paper, newspapers, candy wrappers, what else?--office memos? shopping lists? The paper detritus that she had somewhere read, or had heard it said, trails armies, or was it (she had seen a photograph) the scraps of letters and wrappers and snapshots that blow across battlefields after all but the dead have fled?
She squinted against the sunlight on taxi hoods and bus windows, heard the rushing now of air and of taxis, wheezing buses, and underneath it all something banging--a loosened street sign, a trapped can, a distant hammer--rhythmic and methodical. The march of time.
And then George approaching, his hand stuck to his hat and the hat bent into the onslaught. She went down the steps just in front of him, drawn more by forward momentum than by any desire to meet up with, or to avoid, her brother's latest best pal.
The cold wind made it difficult to breathe, as if it could snatch your next breath before you had time to swallow it, and she bent her head, too, hand to her hat, submerged in wind and beginning to imagine herself slowly losing ground with each step forward, slowly beginning to stall, and then to sail backward--a quick scramble to regain ground and then another sailing backward. In church she had prayed for contentment. She was thirty, with no husband in sight. A good job, an aging father, a bachelor brother, a few nice friends. At least, she had asked--so humbly, so earnestly, so seriously--let me be content.
And now a slapstick windstorm fit for Harold Lloyd or Buster Keaton.
It was either God's reply or just April again, in the wind tunnel that was midtown Manhattan. The scent of it, the Easter scent of April in the city, all around her, in the cold air itself as well as on the shoulders of the crowd; the smell of sunlight and dirt, something warming at the heart of it all.
And then she felt his hand on her shoulder and he shouted, "Mary Rose," which bound him forever to her brother and her father and her life at home since nowhere else did she tolerate the double name. His head was still lowered, his hand still on his hat--he might have been waiting for the right opportunity to doff it--and he peered around at her from under its brim as if from under the rock of another life.
And she, her hand on the back of her own hat, did the same.
"Hello, George," she said. She could feel the crunch of city grit between her back teeth.
"Some wind," he said. He had one eye closed against it, the other was watery.
"You're telling me," she said.
They walked together to the corner and as they stepped off the curb, he suddenly reached up and took her raised elbow--the one that led to the hand she held against her hat--and kept it between his fingers as they crossed. She thought he must look like a man attached to a subway strap. At the next corner, he did the same; a gesture that was either brotherly or proprietary, but awkward either way, as if one of them were blind or doddering, or as if both were involved in some odd, raised-elbow folk dance. At Forty-sixth, the light was against them and the wind paused enough for her to take her hand off her hat while they waited with the crowd.
She turned to him--was he going to speak? His eyes were teary from the wind, red-rimmed and bloodshot. His nose was running and there were tears on his windblown cheeks. She clicked open the purse that hung on her arm and found her handkerchief, but he refused it, reaching into his overcoat for his own. He mopped his face and blew his nose before the crowd got them moving again and as they got to the curb, she placed her left hand on her hat so he could reach her elbow at a more convenient angle--which he did, guiding her across the street as if she were a novice pedestrian, and this time, perhaps, putting a little more pressure behind the fingertips that held her.
"Where are you headed, George?" she asked him. He shouted something unintelligible into the wind.
"Have you eaten yet?" she asked, because it was only polite. And then the wind paused completely, as it will in April, a sudden silence and maybe even the hint of warmth from the sun, so that he replied with odd gentleness, "Yeah, I had my lunch."