Will Bertie ever get away from his overbearing mother? And will we say goodbye to a Scotland Street resident Angus Lordie and his gold-toothed dog Cyril as a jaunt to the hills of Tuscany beckons? They star alongside the familiar cast of favourites, as we follow their daily pursuit of a little happiness. With customary charm and deftness, Alexander McCall Smith has given us another instalment to this popular series that is as clever, witty and as delightful as the rest.
With the arrival of the sixth novel (after Bertie Plays the Blues) in his 44 Scotland Street series, McCall Smith again shows his mastery of light comedy. The residents of 44 Scotland Street are quickly introduced: art dealer Matthew and his new bride, Elspeth; Irene Pollock, husband Stuart, precocious son Bertie, and pretentiously named baby Ulysses; painter Angus Lordie (and his faithful, heroic dog, Cyril); the "private scholar" and freelance anthropologist Domenica Macdonald; plus other, minor characters, notably the philosophizing cafe proprietress Big Lou. The plot lines are many: Elspeth's pregnancy; Angus and Domenica might be falling in love; and Bertie, approaching the titular important age, needs to feel like a boy, though his monstrous but well-meaning mother is too busy introducing him to the poetry of W.H. Auden and creating Oedipal issues. McCall's brilliance lies in his ability to juggle so much in a way that feels seamless, even if the narrative arcs themselves tend to the fanciful. The drama may be slight, but what pulls the reader in is the good natures of (almost) all the characters and McCall's uncanny ability to see their world as they do, and to render their worries, pleasures, and musings with charm, grace, and geniality. Agent: Robin Straus. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved.
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August 20, 2012
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