Bite Me Not, or Fleur de Fur

List Price: $1.49

Save 5.0%

You Pay: $1.42

Tell a Friend

Overview

In the tradition of young girls and windows, the young girl looks out of this one. It is difficult to see anything. The panes of the window are heavily leaded, and secured by a lattice of iron. The stained glass of lizard-green and storm-purple is several inches thick. There is no red glass in the window. The colour red is forbidden in the castle. Even the sun, behind the glass, is a storm sun, a green-lizard sun.

Editorial Reviews

Editorial Reviews for this product are not available at this time.

Author Information

Bio of Tanith Lee

Tanith Lee, September 19, 1947 - Tanith Lee was born on September 19, 1947 in London, England, the daughter of ballroom dancers. She attended various primary schools and had a variety of jobs, from file clerk and assistant librarian to shop assistant and waitress. Lee attended an art college for one year, but felt she would be better writing her ideas than painting them. Her first professional sale was "Eustace," a 90 page vignette which appeared in The Ninth Pan Book of Horror Stories in 1968. While Lee was working as an assistant librarian, she wrote a children's story that was accepted for publication. Others of her stories were also bought but never published. In 1971, Macmillan published "The Dragon Hoard," another children's book, which was followed by "Animal Castle" and "Princess Hynchatti and Other Stories" in 1972. Lee had been looking for a British publisher for her book "The Birthgrave," but has been denied at every House she went. She then wrote to American publisher DAW, known for it's fantasy and horror selections, who immediately accepted her manuscript and published the book in 1975. Thus began a partnership between the two that lasted till 1989 and resulted in 28 books. After the publication of her third book by DAW, Lee quit her job and became a full time freelance writer. Lee has been nominated for the World Fantasy Award, the August Derleth Award and the Nebula. She has had more than 40 novels published, along with over 200 short stories.

Customer Reviews

There are no customer reviews available at this time. To add your review, Register or Sign In to your account using our free eBook Library Software.

Additional Info

Imprint

Tekno Books

Filesize

214.99 KB

Number of Pages

N/A

eBook ISBN

9781435514089

Excerpt from: Bite Me Not, or Fleur de Fur by Tanith Lee

"The scullery maid turns from the window and runs to have her ears boxed and a broom thrust into her hands.
Meanwhile, the Cursed Duke is prowling his chamber, high in the East Turret carved with swans and gargoyles. The room is lined with books, swords, lutes, scrolls, and has two eerie portraits, the larger of which represents his wife, and the smaller his daughter. Both ladies look much the same with their pale egg-shaped faces, polished eyes, clasped hands. They do not really look like his wife or daughter, nor really remind him of them.
There are no windows at all in the turret, they were long ago bricked up and covered with hangings. Candles burn steadily. It is always night in the turret. Save, of course, by night there are particular sounds all about it, to which the Duke is accustomed, but which he does not care for. By night, like most of his court, the Cursed Duke closes his ears with softened tallow. However, if he sleeps, he dreams, and hears in the dream the beating of wings... Often, the court holds loud revel all night long.
The Duke does not know Rohise the scullery maid has been thinking of him. Perhaps he does not even know that a scullery maid is capable of thinking at all.
Soon the Duke descends from the turret and goes down, by various stairs and curving passages, into a large, walled garden on the east side of the castle.
It is a very pretty garden, mannered and manicured, which the gardeners keep in perfect order. Over the tops of the high, high walls, where delicate blooms bell the vines, it is just possible to glimpse the tips of sun-baked mountains. But by day the mountains are blue and spiritual to look at, and seem scarcely real. They might only be inked on the sky.
A portion of the Duke's court is wandering about in the garden, playing games or musical instruments, or admiring painted sculptures, or the flora, none of which is red. But the Cursed Duke's court seems vitiated this noon. Nights of revel take their toll.
As the Duke passes down the garden, his courtiers acknowledge him deferentially. He sees them, old and young alike, all doomed as he is, and the weight of his burden increases.
At the farthest, most eastern end of the garden, there is another garden, sunken and rather curious, beyond a wall with an iron door. Only the Duke possesses the key to this door. Now he unlocks it and goes through. His courtiers laugh and play and pretend not to see. He shuts the door behind him."