The Woman in White

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Overview

Wilkie Collins's aim in The Woman in White was, according to a friend, to inspire 'the "creepy" effect, as of pounded ice dropped down the back'. Since the novel's first publication in 1860, generations of readers have experienced just this sensation.

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Author Information

Bio of Wilkie Collins

Collins, Wilkie (1824 AD - 1889 AD) British author whose writings paved the way for suspense and detective fiction. Collins' pen also produced insightful observations on various social issues of his times including the condition of women. His early successes include The Woman in White (1860), and The Moonstone (1868). The central figure of the latter, Sergeant Cuff, is regarded as English fiction's first detective hero. Collins penned many stories and novels, the most celebrated of which are Basil: A Story of Modern Life (1852), Hide and Seek (1854), No Name (1862), Man and Wife (1870), The Haunted Hotel (1879), The Black Robe (1881), and The Legacy of Cain (1889). His collaboration with his close friend Charles Dickens produced The Holy-Inn Tree (1885), The Wreck of the Golden Mary (1856), and The Two Apprentices (1857). His last novel, Blind Love, was finished by Walter Besant and published posthumously in 1890. Due to their great popularity, Collins' works continue to be published even today.

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Additional Info

Imprint

Penguin

Filesize

708.55 KB

Number of Pages

656

eBook ISBN

9781429504614

Excerpt from: The Woman in White by Wilkie Collins

This is the story of what a Woman's patience can endure, and what a Man's resolution can achieve.

If the machinery of the Law could be depended on to fathom every case of suspicion, and to conduct every process of inquiry, with moderate assistance only from the lubricating influences of oil of gold, the events which fill these pages might have claimed their share of the public attention in a Court of Justice.

But the Law is still, in certain inevitable cases, the pre-engaged servant of the long purse; and the story is left to be told, for the first time, in this place. As the Judge might once have heard it, so the Reader shall hear it now. No circumstance of importance, from the beginning to the end of the disclosure, shall be related on hearsay evidence. When the writer of these introductory lines (Walter Hartright, by name) happens to be more closely connected than others with the incidents to be recorded, he will describe them in his own person. When his experience fails, he will retire from the position of narrator; and his task will be continued, from the point at which he has left it off, by other persons who can speak to the circumstances under notice from their own knowledge, just as clearly and positively as he has spoken before them.

Thus, the story here presented will be told by more than one pen, as the story of an offence against the laws is told in Court by more than one witness -- with the same object, in both cases, to present the truth always in its most direct and most intelligible aspect; and to trace the course of one complete series of events, by making two persons who have been most closely connected with them, at each successive stage, relate their own experience, word for word.

Let Walter Hartright, teacher of drawing, aged twenty-eight years, be heard first.