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In Cold Blood

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Overview

With the publication of this book, Capote permanently ripped through the barrier separating crime reportage from serious literature. As he reconstructs the 1959 murder of a Kansas farm family and the investigation that led to the capture, trial, and execution of the killers, Capote generates suspense and empathy. From the Trade Paperback edition.

Editorial Reviews

In the wake of the award-winning film Capote, interest in the author's 1965 true crime masterpiece has spiked. Capote's spellbinding narrative plumbs the psychological and emotional depths of a senseless quadruple murder in America's heartland. In the audio version, narrator Brick keeps up with the master storyteller every step of the way. In fact, Brick's surefooted performance is nothing short of stunning. He settles comfortably into every character on this huge stage-male and female, lawman and murderer, teen and spinster-and moves fluidly between them, generating the feel of a full-cast production. He assigns varying degrees of drawl to the citizens of Finney County, Kans., where the crimes take place, and supplements with an arsenal of tension-building cadences, hard and soft tones, regional and foreign accents, and subtle inflections, even embedding a quiver of grief in the voice of one character. This facile audio actor delivers an award-worthy performance, well-suited for a tale of such power that moves not only around the country but around the territory of the human psyche and heart. Available as a Vintage paperback. (Mar.) Copyright 2006 Reed Business Information. -- PUBLISHERS WEEKLY.

Author Information

Bio of Truman Capote

Truman Capote, 1924 - 1984 Novelist and playwright Truman Streckfus Persons was born in 1924 in New Orleans to a salesman and a 16-year-old beauty queen. His parents divorced when he was four years old and was then raised by relatives for a few years in Monroeville. His mother was remarried to a successful businessman, moved to New York, and Truman adopted his stepfather's surname. Capote's first novel was "Other Voices, Other Rooms" (1948), which told the story of a boy growing up in the Deep South. "The Grass Harp" (1951) is about a young boy and his elderly cousin discovering that some compromise is necessary for people to live together in a community and was adapted to screen in 1996. The play "The House of Flowers" (1954) is a musical set in a West Indies bordello. Capote then wrote, "Breakfast at Tiffanys" (1958), which tells the story of how Holly Golightly goes to New York seeking happiness. Capote became preoccupied with journalism and, sparked by the murder of a wealthy family in Holcomb, Kansas, began interviewing the locals to recreate the lives of the murderers and their victims. The research and writing for this novel, "In Cold Blood" (1966), took six years for him to complete. Other works of Capote's include the classic "A Christmas Memory" (1966), which is an autobiographical account of a seven-year-old boy, his cousin, and an eccentric old lady, "Music for Chameleons" (1981), which is a collection of short pieces, interviews, stories and conversations that were published in several magazines, and "One Christmas" (1982). On August 26, 1984 in Los Angeles, Truman Capote died of liver disease complicated by phlebitis and multiple drug intoxication. Published after his death were "Conversations With Capote" (1985) and "Answered Prayers: The Untitled Novel" (1986), which further damaged his reputation.

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Additional Info

Imprint

Random House

Filesize

650.75 KB

Number of Pages

368

eBook ISBN

9781588361653

Awards

  • Edgar Awards (Edgar Allan Poe Awards)

Excerpt from: In Cold Blood by Truman Capote

The Last to See Them Alive

THE village of Holcomb stands on the high wheat plains of western Kansas, a lonesome area that other Kansans call "out there." Some seventy miles east of the Colorado border, the countryside, with its hard blue skies and desert-clear air, has an atmosphere that is rather more Far West than Middle West. The local accent is barbed with a prairie twang, a ranch-hand nasalness, and the men, many of them, wear narrow frontier trousers, Stetsons, and high-heeled boots with pointed toes. The land is flat, and the views are awesomely extensive; horses, herds of cattle, a white cluster of grain elevators rising as gracefully as Greek temples are visible long before a traveler reaches them.

Holcomb, too, can be seen from great distances. Not that there is much to see--simply an aimless congregation of buildings divided in the center by the main-line tracks of the Santa Fe Railroad, a haphazard hamlet bounded on the south by a brown stretch of the Arkansas (pronounced "Ar-kan-sas") River, on the north by a highway, Route 50, and on the east and west by prairie lands and wheat fields. After rain, or when snowfalls thaw, the streets, unnamed, unshaded, unpaved, turn from the thickest dust into the direst mud. At one end of the town stands a stark old stucco structure, the roof of which supports an electric sign--DANCE--but the dancing has ceased and the advertisement has been dark for several years. Nearby is another building with an irrelevant sign, this one in flaking gold on a dirty window--HOLCOMB BANK. The bank closed in 1933, and its former counting rooms have been converted into apartments. It is one of the town's two "apartment houses," the second being a ramshackle mansion known, because a good part of the local school's faculty lives there, as the Teacherage. But the majority of Holcomb's homes are one-story frame affairs, with front porches.