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The Dark Tower IV Wizard and Glass

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Overview

In 1978, Stephen King introduced the world to the last gunslinger, Roland of Gilead. Nothing has been the same since. More than twenty years later, the quest for the Dark Tower continues to take readers on a wildly epic ride. Through parallel worlds and across time, Roland must brave desolate wastelands and endless deserts, drifting into the unimaginable and the familiar. A classic tale of colossal scope-crossing over terrain from The Stand, The Eyes of the Dragon, Insomnia, The Talisman, Black House, Hearts in Atlantis, 'Salem's Lot, and other familiar King haunts-the adventure takes hold with the turn of each page.

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Author Information

Bio of Stephen King

Stephen Edwin King was born in Portland, Maine in 1947, the second son of Donald and Nellie Ruth Pillsbury King. After his parents separated when Stephen was a toddler, he and his older brother, David, were raised by his mother. Parts of his childhood were spent in Fort Wayne, Indiana, where his father's family was at the time, and in Stratford, Connecticut. When Stephen was eleven, his mother brought her children back to Durham, Maine, for good. Her parents, Guy and Nellie Pillsbury, had become incapacitated with old age, and Ruth King was persuaded by her sisters to take over the physical care of the elderly couple. Other family members provided a small house in Durham and financial support. After Stephen's grandparents passed away, Mrs. King found work in the kitchens of Pineland, a nearby residential facility for the mentally challenged. Stephen attended the grammar school in Durham and then Lisbon Falls High School, graduating in 1966. From his sophomore year at the University of Maine at Orono, he wrote a weekly column for the school newspaper, THE MAINE CAMPUS. He was also active in student politics, serving as a member of the Student Senate. He came to support the anti-war movement on the Orono campus, arriving at his stance from a conservative view that the war in Vietnam was unconstitutional. He graduated from the University of Maine at Orono in 1970, with a B.A. in English and qualified to teach on the high school level. A draft board examination immediately post-graduation found him 4-F on grounds of high blood pressure, limited vision, flat feet, and punctured eardrums. Stephen made his first professional short story sale ("The Glass Floor") to Startling Mystery Stories in 1967. Throughout the early years of his marriage, he continued to sell stories to men's magazines. Many of these were later gathered into the Night Shift collection or appeared in other anthologies. In the spring of 1973, Doubleday & Co. accepted the novel Carrie for publication. On Mother's Day of that year, Stephen learned from his new editor at Doubleday, Bill Thompson, that a major paperback sale would provide him with the means to leave teaching and write full-time. Carrie was published in the spring of 1974. That same fall, the Kings left Maine for Boulder, Colorado. They lived there for a little less than a year, during which Stephen wrote The Shining, set in Colorado. Returning to Maine in the summer of 1975, the Kings purchased a home in the Lakes Region of western Maine. At that house, Stephen finished writing The Stand, much of which also is set in Boulder. The Dead Zone was also written in Bridgton. In 1977, the Kings spent three months of a projected year- long stay in England, cut the sojourn short and returned home in mid-December, purchasing a new home in Center Lovell, Maine. After living there one summer, the Kings moved north to Orrington, near Bangor, so that Stephen could teach creative writing at the University of Maine at Orono. The Kings returned to Center Lovell in the spring of 1979. In 1980, the Kings purchased a second home in Bangor, retaining the Center Lovell house as a summer home. Because their children have become adults, Stephen and Tabitha now spend winters in Florida and the remainder of the year at their Bangor and Center Lovell homes. The Kings have three children: Naomi Rachel, Joe Hill and Owen Phillip, and three grandchildren. He has put some of his college dramatic society experience to use doing cameos in several of the film adaptations of his works as well as a bit part in a George Romero picture, Knightriders. Joe Hill King also appeared in Creepshow, which was released in 1982. Stephen made his directorial debut, as well as writing the screenplay, for the movie Maximum Overdrive (an adaptation of his short story "Trucks") in 1985.

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Additional Info

Imprint

Signet

Filesize

2.16 MB

Number of Pages

720

eBook ISBN

9780786570744

Excerpt from: The Dark Tower IV Wizard and Glass by Stephen King

PROLOGUE

THE SAILOR

The gunslinger came awake from a confused dream which seemed to consist of a single image: that of the Sailor in the Tarot deck from which the man in black had dealt (or purported to deal) the gunslinger's own moaning future.

He drowns, gunslinger, the man in black was saying, and no one throws out the line. The boy Jake.

But this was no nightmare. It was a good dream. It was good because he was the one drowning, and that meant he was not Roland at all but Jake, and he found this a relief because it would be far better to drown as Jake than to live as himself, a man who had, for a cold dream, betrayed a child who had trusted him.

Good, all right, I'll drown, he thought, listening to the roar of the sea. Let me drown. But this was not the sound of the open deeps; it was the grating sound of water with a throatful of stones. Was he the Sailor? If so, why was land so close? And, in fact, was he not on the land? It felt as if--

Freezing cold water doused his boots and ran up his legs to his crotch. His eyes flew open then, and what snapped him out of the dream wasn't his freezing balls, which had suddenly shrunk to what felt like the size of walnuts, nor even the horror to his right, but the thought of his guns . . . his guns, and even more important, his shells. Wet guns could be quickly disassembled, wiped dry, oiled, wiped dry again, oiled again, and re-assembled; wet shells, like wet matches, might or might not ever be usable again.

The horror was a crawling thing which must have been cast up by a previous wave. It dragged a wet, gleaming body laboriously along the sand. It was about four feet long and about four yards to the right. It regarded Roland with bleak eyes on stalks. Its long serrated beak dropped open and it began to make a noise that was weirdly like human speech: plaintive, even desperate questions in an alien tongue. "Did-a-chick? Dum-a-chum? Dad-a-cham? Ded-a-check?"

The gunslinger had seen lobsters. This wasn't one, although lobsters were the only things he had ever seen which this creature even vaguely resembled. It didn't seem afraid of him at all. The gunslinger didn't know if it was dangerous or not. He didn't care about his own mental confusion -- his temporary inability to remember where he was or how he had gotten there, if he had actually caught the man in black or if all that had only been a dream. He only knew he had to get away from the water before it could drown his shells.