Written in Bone

CHAPTER 1


GIVEN THE RIGHT temperature, everything burns. Wood. Clothing.

People.

At 250 Celsius, flesh will ignite. Skin blackens and splits. The subcutaneous fat starts to liquefy, like grease in a hot pan. Fuelled by it, the body starts to burn. Arms and legs catch first, acting as kindling to the greater mass of the torso. Tendons and muscle fibres contract, causing the burning limbs to move in an obscene parody of life. Last to go are the organs. Cocooned in moistness, they often remain even after the rest of the soft tissue has been consumed.

But bone is, quite literally, a different matter. Bone stubbornly resists all but the hottest fires. And even when the carbon has burned from it, leaving it as dead and lifeless as pumice, bone will still retain its shape. Now, though, it is an insubstantial ghost of its former self that will easily crumble; the final bastion of life transformed to ash. It's a process that, with few variations, follows the same inexorable pattern.

Yet not always.

The peace of the old cottage is broken by a footfall. The rotting door is pushed open, its rusted hinges protesting the disturbance. Daylight falls into the room, then is blocked out as a shadow fills the doorway. The man ducks his head to see into the darkened interior. The old dog with him hesitates, its senses already alerting it to what's within. Now the man, too, pauses, as though reluctant to cross the threshold. When the dog begins to venture inside he recalls it with a word.

'Here.'

Obediently, the dog returns, glancing nervously at the man with eyes grown opaque with cataracts. As well as the scent from inside the cottage, the animal can sense its owner's nervousness.

'Stay.'

The dog watches, anxiously, as the man advances further into the derelict cottage. The odour of damp envelops him. And now another smell is making itself known. Slowly, almost reluctantly, the man crosses to a low door set in the back wall. It has swung shut. He puts out his hand to push it open, then pauses again. Behind him, the dog gives a low whine. He doesn't hear it. Gently, he eases open the door, as though fearful of what he's going to see.

But at first he sees nothing. The room is dim, the only light coming from a small window whose glass is cracked and cobwebbed with decades of dirt. In the mean light that bleeds through, the room retains its secrets for a few moments longer. Then, as the man's eyes adjust, details begin to emerge.

And he sees what's lying in the room.

He sucks in a breath as though punched, taking an involuntary step backwards.

'Oh, Jesus Christ.'

The words are soft, but seem unnaturally loud in the still confines of the cottage. The man's face has paled. He looks around, as if fearful he'll find someone there with him. But he's alone.

He backs out of the doorway, as if reluctant to turn away from the object on the floor. Only when the warped door has creaked shut again, cutting off his view of the other room, does he turn his back.

His gait is unsteady as he goes outside. The old dog greets him, but is ignored as the man reaches inside his coat and fumbles out a pack of cigarettes. His hands are trembling, and it takes three attempts for him to ignite the lighter. He draws the smoke deep into his lungs, a nub of glowing ash chasing the paper back towards the filter. By the time the cigarette is finished his trembling has steadied.

He drops the stub on to the grass and treads it out before bending down to retrieve it. Then, slipping it into his coat pocket, he takes a deep breath and goes to make the phone call.


I was on my way to Glasgow airport when the call came. It was a foul February morning, brooding grey skies and a depressing mizzle driven by cold winds. The east coast was being lashed by storms, and although they hadn't worked their way this far inland yet, it didn't look promising.

I only hoped the worst would hold off long enough for me to catch my flight. I was on my way back to London, having spent the previous week first recovering then examining a body from a moorland grave out on the Grampian highlands. It had been a thankless task. The crystalline frost had turned the moors and peaks to iron, as breathtakingly cold as it was beautiful. The mutilated victim had been a young woman, who still hadn't been identified. It was the second such body I'd been asked to recover from the Grampians in recent months. As yet it had been kept out of the press, but no one on the investigating team was in any doubt that the same killer was responsible for both. One who would kill again if he wasn't caught, and at the moment that wasn't looking likely. What made it worse was that, although the state of decomposition made it hard to be sure, I was convinced that the mutilations weren't post-mortem.