A Face at the Window
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Overview
Back in the day, Jacobia "Jake" Tiptree turned profits managing the fortunes of Manhattan's most fortunate. Then she fled the rat race for a stately old fixer-upper in easygoing Eastport, Maine. But now a rat from an even darker corner of Jake's past has turned up...a killer with a blueprint for demolishing her new life.
As a home repair enthusiast, Jake knows that nothing lasts forever--not windows or doors, not plaster or plumbing. And not good fortune.
After more than three decades eluding justice, the man who murdered her mother is finally about to stand trial--until he vanishes into thin air. Jake has a terrible foreboding of where Ozzie Campbell will turn up next. And while the local police chief is sure she's overreacting, the truth is far worse than even Jake's worst fears.
With her normally full house empty for at least another week, Jake has been looking forward to the unaccustomed peace and quiet. Now her cozy, well-loved home feels more like a big empty death trap ready to snap shut. First a pair of out-of-towners clearly not in Eastport for vacation turn up asking questions about her. And if she has any doubt they're connected to Campbell, those doubts are erased when he calls her with a grim warning.
But exactly what Campbell wants from her isn't clear, only that he'll stop at nothing to hurt those closest to Jake. And his first victims are the most defenseless of all. Suddenly Jake can't help but feel that her house--and her life--has far too many windows. And in any one of them she might see the face of her killer.
Editorial Reviews
Ozzie Campbell disappears just before he's about to go on trial for murdering Jacobia Jake Tiptree's mother in front of the then three-year-old Jake in Graves's engrossing 12th mystery to feature the handywomanand former Manhattan financial manager who's resettled in Eastport, Maine (after 2007's The Book of Old Houses). Jake's instincts go on high alert after a pair of obvious out-of-towners show up in Eastport, asking questions about her. Then someone abducts Leonora, the little girl Jake has been caring for while her mother is on vacation in Europe, and Leonora's teenage babysitter, Helen Nevelson. The narrative twists around Helen's desperate escape and survival story, and Jake's own tale of capture and rescue as they both battle heartless kidnappers, the harsh terrain and puppet master Campbell's efforts to force Jake to recant her witness statement. Relentless pacing, an appealing heroine and perfectly loathsome antagonists will more than satisfy series fans. (Dec.)
Copyright (c) Reed Business Information, a division of Reed Elsevier Inc.
Author Information
Bio of Sarah Graves
Sarah Graves lives with her husband in an 1823 Federal-style house in Eastport, Maine, where her mystery novels are set. When she is not scraping, painting, glazing, sanding, hammering, or otherwise repairing (or failing to repair!) the old house, she is working on her fourteenth Home Repair Is Homicide novel.
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Additional Info
Imprint
Bantam Books
Filesize
867.78 KB
Number of Pages
320
eBook ISBN
9780553906080
Excerpt from: A Face at the Window by Sarah Graves
Chapter One Discovering that Marky Larson had brought a gun along on the trip to Maine changed everything for Anthony Colapietro. "Shut up," snarled Marky. It was the hundredth time he'd said it, or maybe the thousandth, since the two of them left New Jersey in Marky's old dark blue Monte Carlo nine hours earlier. "I didn't say anything," Anthony protested. Not yet six in the morning, they'd been on the road all night, and his eyes felt sore and gritty from lack of sleep. "You don't have to," retorted Marky from behind the wheel. "I can hear you thinking. You think I don't know what a punk like you is thinking? Quit thinking, you punk." Marky believed, because he was a hardened twenty-four years old to Anthony's wet-behind-the-ears twenty-one, that he could call Anthony a punk. "Got your face stuck up to the freakin' window," said Marky. "What if a cop drives by, gets a load of your face?" There were no cops around here. But there was also no sense trying to tell Marky that. Anthony had wondered how he got picked for this job, but now he figured someone must've thought he could put up with Marky without blowing a gasket. He stared at the water that appeared intermittently between the tall trees as the Monte rounded another curve in the narrow blacktop. The ocean was blue and glittery, flat as a plate; as he watched, a big bird lifted from it with a slow rhythm of wings. "I just never saw it before is all," said Anthony. Marky glanced over at him in contempt. "Never saw the ocean? What're you, a dope? Lived a coupla miles from it all your life, you never freakin' even been on the boardwalk?" Anthony shook his head. "Uh-uh. Ma wouldn't let me." Not as a little kid, anyway, and by the time she died he'd been in the juvie home six months already. From there, visiting the boardwalk was about as likely as visiting Mars. Marky grimaced, showing small, even, white teeth. He was a good-looking guy with thick, curly black hair, a small, tightly constructed body, and what the girls called bedroom eyes. Anthony didn't call them that, though, not even in his head. When he met Marky's gaze, which he'd already learned not to do very often, he got the strong, unmistakable sense that something unpleasant was in there, peering out at him. Unpleasant and . . . different. Several times Anthony had looked over from the passenger seat at Marky and glimpsed something that chilled him. A lizard, maybe, cold-blooded and primitive, dressed in a Marky Larson suit. But that must be just his imagination. Some jealousy too, maybe, because Marky was flash, Anthony had to admit. Thick gold chains hung over the white T-shirt he wore under a black leather jacket; stolen, probably, along with the fancy wristwatch. Crisp new blue jeans, new sneakers on his feet; Air Jordans, it used to be, back when Anthony was helping boost them off of trucks, the drivers standing by knowing the score. But that was years ago. Anthony's own jacket was a Jersey Devils warm-up he'd bought at a thrift shop for a few bucks, only because it was warm and cheap. He didn't even know what the in-demand sneaker was now. He'd never read a map before, either, and it was this that had Marky so annoyed. "I think we should turn here," Anthony said as they came up on an intersection. Well, not a real intersection like he was used to. More like a crossroads. Intersections had street signs. Stop lights. And traffic. Other cars and people, neither of which were in evidence here on this empty, tree-lined road out in the middle of nowhere. This crossroads only had an old stone mile-marker. No wonder there were no cops. "Well, should I or shouldn't I?" Marky demanded. "I mean who the freak've I got navigating for me, here, Chuckles












