The Enchantress of Florence: A Novel

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Overview

A tall, yellow-haired, young European traveler calling himself "Mogor dell'Amore," the Mughal of Love, arrives at the court of the Emperor Akbar, lord of the great Mughal empire, with a tale to tell that begins to obsess the imperial capital, a tale about a mysterious woman, a great beauty believed to possess powers of enchantment and sorcery, and her impossible journey to the far-off city of Florence.

The Enchantress of Florence is the story of a woman attempting to command her own destiny in a man's world. It is the story of two cities, unknown to each other, at the height of their powers-the hedonistic Mughal capital, in which the brilliant Akbar the Great wrestles daily with questions of belief, desire, and the treachery of his sons, and the equally sensual city of Florence during the High Renaissance, where Niccol? Machiavelli takes a starring role as he learns, the hard way, about the true brutality of power.

Vivid, gripping, irreverent, bawdy, profoundly moving, and completely absorbing, The Enchantress of Florence is a dazzling book full of wonders by one of the world's most important living writers.

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Author Information

Bio of Salman Rushdie

Salman Rushdie was born in India, raised in Pakistan, and educated in England, where he now lives. His Rabelaisian skill for telling stories teeming with fantasy and history, and the virtuosity of his style, with its sly transliterations of Indo-English idioms, won him a delighted audience with the publication of Midnight's Children in 1980. However, it was the urgency with which he returned to the lands of his birth and childhood to write of a world where politics and the individual are inseparably connected that won him wide acclaim as a brilliant new novelist and intellectual. He manages to stand both inside and outside the world of developing nations and tell their stories. His fantastical retelling of the story of Islam set in a London peopled by immigrants from around the world, The Satanic Verses (1988), is his last full-length novel: its publication raised the anger of Muslims in Britain, South Asia, and the Middle East who asked that the novel be banned. In February 1989, Iran's Ayatollah Khomeini decreed a fatwa pronouncing the death sentence on him, and Rushdie has since lived in hiding. Subsequently, he offered several published explanations and apologies to Muslims (collected in Imaginary Homelands, 1991), and he also wrote a children's story, Haroun and the Sea of Stories (1990). 020

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Additional Info

Imprint

Random House

Filesize

962.96 KB

Number of Pages

368

eBook ISBN

9781588367587

Excerpt from: The Enchantress of Florence by Salman Rushdie

In the day's last light the glowing lake

In the day's last light the glowing lake below the -palace-city looked like a sea of molten gold. A traveler coming this way at sunset --this traveler, coming this way, now, along the lakeshore road--might believe himself to be approaching the throne of a monarch so fabulously wealthy that he could allow a portion of his treasure to be poured into a giant hollow in the earth to dazzle and awe his guests. And as big as the lake of gold was, it must be only a drop drawn from the sea of the larger fortune--the traveler's imagination could not begin to grasp the size of that -mother--ocean! Nor were there guards at the golden water's edge; was the king so generous, then, that he allowed all his subjects, and perhaps even strangers and visitors like the traveler himself, without hindrance to draw up liquid bounty from the lake? That would indeed be a prince among men, a veritable Prester John, whose lost kingdom of song and fable contained impossible wonders. Perhaps (the traveler surmised) the fountain of eternal youth lay within the city walls--perhaps even the legendary doorway to Paradise on Earth was somewhere close at hand? But then the sun fell below the horizon, the gold sank beneath the water's surface, and was lost. Mermaids and serpents would guard it until the return of daylight. Until then, water itself would be the only treasure on offer, a gift the thirsty traveler gratefully accepted.

The stranger rode in a -bullock--cart, but instead of being seated on the rough cushions therein he stood up like a god, holding on to the rail of the cart's latticework wooden frame with one insouciant hand. A -bullock--cart ride was far from smooth, the -two--wheeled cart tossing and jerking to the rhythm of the animal's hoofs, and subject, too, to the vagaries of the highway beneath its wheels. A standing man might easily fall and break his neck. Nevertheless the traveler stood, looking careless and content. The driver had long ago given up shouting at him, at first taking the foreigner for a fool--if he wanted to die on the road, let him do so, for no man in this country would be sorry! Quickly, however, the driver's scorn had given way to a grudging admiration. The man might indeed be foolish, one could go so far as to say that he had a fool's overly pretty face and wore a fool's unsuitable clothes--a coat of colored leather lozenges, in such heat!--but his balance was immaculate, to be wondered at. The bullock plodded forward, the cart's wheels hit potholes and rocks, yet the standing man barely swayed, and managed, somehow, to be graceful. A graceful fool, the driver thought, or perhaps no fool at all. Perhaps someone to be reckoned with. If he had a fault, it was that of ostentation, of seeking to be not only himself but a performance of himself as well, and, the driver thought, around here everybody is a little bit that way too, so maybe this man is not so foreign to us after all. When the passenger mentioned his thirst the driver found himself going to the water's edge to fetch the fellow a drink in a cup made of a hollowed and varnished gourd, and holding it up for the stranger to take, for all the world as if he were an aristocrat worthy of service.