Fury: A Novel

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Overview

"Life is fury. Fury-sexual, Oedipal, political, magical, brutal- drives us to our finest heights and coarsest depths. This is what we are, what we civilize ourselves to disguise-the terrifying human animal in us, the exalted, transcendent, self-destructive, untrammeled lord of creation. We raise each other to the heights of joy. We tear each other limb from bloody limb."Malik Solanka, historian of ideas and dollmaker extraordinaire, steps out of his life one day, abandons his family without a word of explanation, and flees London for New York. There's a fury within him, and he fears he has become dangerous to those he loves. He arrives in New York at a time of unprecedented plenty, in the highest hour of America's wealth and power, seeking to "erase" himself. Eat me, America, he prays, and give me peace.

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Author Information

Bio of Salman Rushdie

Salman Rushdie was born in India, raised in Pakistan, and educated in England, where he now lives. His Rabelaisian skill for telling stories teeming with fantasy and history, and the virtuosity of his style, with its sly transliterations of Indo-English idioms, won him a delighted audience with the publication of Midnight's Children in 1980. However, it was the urgency with which he returned to the lands of his birth and childhood to write of a world where politics and the individual are inseparably connected that won him wide acclaim as a brilliant new novelist and intellectual. He manages to stand both inside and outside the world of developing nations and tell their stories. His fantastical retelling of the story of Islam set in a London peopled by immigrants from around the world, The Satanic Verses (1988), is his last full-length novel: its publication raised the anger of Muslims in Britain, South Asia, and the Middle East who asked that the novel be banned. In February 1989, Iran's Ayatollah Khomeini decreed a fatwa pronouncing the death sentence on him, and Rushdie has since lived in hiding. Subsequently, he offered several published explanations and apologies to Muslims (collected in Imaginary Homelands, 1991), and he also wrote a children's story, Haroun and the Sea of Stories (1990). 020

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Additional Info

Imprint

Random House Inc

Filesize

646.79 KB

Number of Pages

272

eBook ISBN

9781588360588

Awards

  • New York Times Notable Books of the Year

Excerpt from: Fury by Salman Rushdie

1
Professor Malik Solanka, retired historian of ideas, irascible dollmaker, and since his recent fifty-fifth birthday celibate and solitary by his own (much criticized) choice, in his silvered years found himself living in a golden age. Outside his window a long, humid summer, the first hot season of the third millennium, baked and perspired. The city boiled with money. Rents and property values had never been higher, and in the garment industry it was widely held that fashion had never been so fashionable. New restaurants opened every hour. Stores, dealerships, galleries struggled to satisfy the skyrocketing demand for ever more recherch? produce: limited-edition olive oils, three-hundred-dollar corkscrews, customized Humvees, the latest anti-virus software, escort services featuring contortionists and twins, video installations, outsider art, featherlight shawls made from the chin-fluff of extinct mountain goats. So many people were doing up their apartments that supplies of high-grade fixtures and fittings were at a premium. There were waiting lists for baths, doorknobs, imported hardwoods, antiqued fireplaces, bidets, marble slabs. In spite of the recent falls in the value of the Nasdaq index and the value of Amazon stock, the new technology had the city by the ears: the talk was still of start-ups, IPOs, interactivity, the unimaginable future that had just begun to begin. The future was a casino, and everyone was gambling, and everyone expected to win.

On Professor Solanka's street, well-heeled white youths lounged in baggy garments on roseate stoops, stylishly simulating indigence while they waited for the billionairedom that would surely be along sometime soon. There was a tall, green-eyed young woman with steeply slanting Central European cheekbones who particularly caught his sexually abstinent but still roving eye. Her spiky strawberry-blond hair stuck out clown-fashion from under a black D'Angelo Voodoo baseball cap, her lips were full and sardonic, and she giggled rudely behind a perfunctory palm as old-world, dandyish, cane-twirling little Solly Solanka in straw Panama hat and cream linen suit went by on his afternoon walk. Solly: the college identity he'd never cared for but had not entirely managed to lose.

"Hey, sir? Sir, excuse me?" The blonde was calling out to him, in imperious tones that insisted on a reply. Her satraps became watchful, like a Praetorian guard. She was breaking a rule of big-city life, breaking it brazenly, sure of her power, confident of her turf and posse, fearing nothing. This was just pretty-girl chutzpah; no big deal. Professor Solanka paused and turned to face the lounging goddess of the threshold, who proceeded, unnervingly, to interview him. "You walk a lot. I mean, five or six times a day, I see you walking someplace. I'm sitting here, I see you come, I see you go, but there's no dog, and it's not like you come back with lady friends or produce. Also, the hours are strange, it can't be that you're going to a job. So I'm asking myself, Why is he always out walking alone? There's a guy with a lump of concrete hitting women on the head across town, maybe you heard that, but if I thought you were a weirdo, I wouldn't be talking to you. And you have a British accent, which makes you interesting too, right. A few times there we even followed you, but you weren't going anywhere, just wandering, just covering ground. I got the impression you were looking for something, and it crossed my mind to ask you what that might be. Just being friendly, sir, just being neighborly. You're kind of a mystery. To me you are, anyhow."