Faith and Betrayal: A Pioneer Woman's Passage in the American West
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Overview
The richly told story of a nineteenth-century woman-the author's great-great-grandmother-whose religious faith was betrayed and regained on a journey across the American West.
In the 1850s, Jean Rio was a recently widowed English mother of seven. Rich, well educated, musically gifted, deeply spiritual, and increasingly dismayed by the social injustices she saw around her, she was moved by the promises of Mormon missionaries and set out from England for Utah. On her fifty-six-day Atlantic crossing, she began keeping a diary, and this extraordinary chronicle is the basis of Sally Denton's book.
We follow Jean Rio from New Orleans, where she disembarks, up the Mississippi by riverboat, and, finally, westward by wagon train. We see her family transformed by necessity-mastering frontier skills, surviving storms, finding their own food, overcoming illness and injury-during the five months it takes them to reach Zion.
We see her initial enthusiasm turn to disillusionment: She is forced to surrender her money to the church. She realizes she has been lied to about polygamy-Mormons do practice it-which she detests. Acts of Mormon violence against nonbelievers repel her. Her musical skills are buried beneath the daily rigors of farming. Two of her sons flee to California. We witness her seventeen-year struggle to make peace with her situation before she, too, escapes to California-to freedom, a career as a midwife, and a new religion that fulfills her.
Dramatic and powerful, Faith and Betrayal is the moving account of one woman's gamble in an emerging America, and a valuable addition to the history of both the Mormon experience and the long saga of immigrant pioneer women.
Editorial Reviews
Denton, a journalist who previously explored Mormon history in American Massacre, relays and interprets a British ancestor's experiences in crossing an ocean and a continent to join the Latter-day Saints in Utah. Jean Rio Baker was, by Denton's assessment, a wealthy Victorian woman who "fell sway" to the message of Mormon missionaries in the 1840s. Not long after her husband died, she packed up her children and other members of her extended family and embarked from England on the arduous voyage to Utah. This short biography is at its best when it adheres closely to Rio Baker's own journal of her experiences on the ocean (where she tragically buried a child at sea) and the plains, which she vividly describes in fascinating detail. But for the long stretches of Rio Baker's life where she either did not keep a journal or it has not survived, readers are left with Denton's own rather angry assessment of how her great-great-grandmother was deceived and betrayed by the Mormons. Unfortunately, the book is riddled with numerous factual errors about 19th-century Mormonism and the Book of Mormon, which may cause readers to question other elements in the biography. Despite the sloppy research and some unfair caricatures, Denton portrays her ancestor as a resourceful, independent mother and midwife who heroically survived her religious disillusionment. (Apr. 28)
Copyright (c) Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. -- PUBLISHERS WEEKLY.
Author Information
Bio of Sally Denton
Sally Denton is the author of American Massacre: The Tragedy at Mountain Meadows, September 1857; The Bluegrass Conspiracy: An Inside Story of Power, Greed, Drugs, and Murder; and, with Roger Morris, The Money and the Power: The Making of Las Vegas and Its Hold on America, 1947-2000. She received Western Heritage Awards in 2002 and 2004, a Lannan Literary grant in 2000, and, for her body of work, the Nevada Silver Pen Award of 2003 for distinguished literary achievement. Her award-winning investigative reporting has appeared in The New York Times, The Washington Post, and American Heritage. She lives with her three children in New Mexico.
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Additional Info
Imprint
Random House
Filesize
1.22 MB
Number of Pages
240
eBook ISBN
9780307425836
Excerpt from: Faith and Betrayal by Sally Denton
September 23, 1873. Jean Rio delivers the Ayer baby girl at five-fifteen p.m., after a relatively easy labor, and the mother sleeps quietly for the next several hours. "Had a good night," Jean Rio records in her midwife's notebook. ("The baby grows nicely [and] all seemed to enjoy themselves," she notes nearly a month later, after the mother brings the newborn and the rest of her children to pay a visit.)
It is not always as easy as it might seem. Even the uncomplicated births like Mrs. Ayer's are trials, the mother usually moaning and screaming in desperation through a long, painful labor to the final agony and then the sudden release of delivery. Often there are tests and horrors Jean Rio must face and somehow cope with, using only her hands and her self-taught skills, experience, and inherent fortitude--hemorrhaging or mortally ill mothers; distressed, deformed, or stillborn babies--a bloody life-and-death struggle no less of a test than any battle faced by a man.
When she cleans up afterward, changing one plain dress--now stained--for another, washing the blood and afterbirth from her hands and arms, she removes her rings, a fine gold band and an exquisite small sapphire set in platinum. They are hardly the rings of a hardworking midwife on the raw California frontier of the late nineteenth century. She might seem a plain, even ordinary, woman of her time and place. But the unexpected grace and beauty of the rings match her own dignity and gentility. The rings signal that she is something other than an ordinary woman.
In her diary entry for October 23, she allows herself one of the rare references these days to the past that the rings echo. "Clear and lovely as a spring morning in England," she writes. "This summer was worth a long walk to see." How long a walk it has been, what a dramatic journey full of trust and betrayal, faith and disillusion, defeat and triumph, loss and gain! None of her new friends and neighbors in this rural hamlet can imagine it.
Only the rings and her obvious refinement and intellect, partially obscured by her unpretentious bearing, give a hint of the stark contrast between her past and present. Once she wore the finest gowns of European couture--a wardrobe so vast it had taken nearly an entire wagon to transport. Here she dresses in homespun. Once she performed the classics of song on the stages of Paris and London. Now she performs the exhausting rites of life and death, work no woman of her former station would have deigned to do. Most dramatically, once she was a prize convert to a powerful faith. Now she lives as a discreet fugitive from the betrayal of all that brought her here.
Chapter Two
A Wine Cask on the Channel
Tumbrils filled with entire families rolled along the cobblestone streets of Paris toward the guillotine amid howls and screams. All day, every day during 1792, the killing device was busy, corpses piling up faster than they could be disposed of. More than forty thousand people went to their deaths in those small carts. The decapitation was swift, taking less than half a second from the blade drop to the rolling head--the guillotine was "an instrument adopted by the Revolutionists for the more scientific and humane beheading of the condemned." Almost all the members of the Rio family from Lamballe, Brittany--renamed Cotes-du-Nord by the revolutionary government--were among them. "Hourly, the hideous instrument of torture claimed its many victims--old men, young women, tiny children--until the day when it would finally demand the head of a King and of a beautiful young Queen," as one fictional account put it.
Entire generations were eliminated, as victims of all ages were placed facedown on a bench. "The mechanism falls like lightning; the head flies off; the blood spurts; the man no longer exists," Dr. Joseph-Ignace Guillotin once explained to a nervous audience. The instrument, however, wasn't always that efficient.
Many of the Rios, like thousands of others, had tried to flee--to England, Belgium, Scotland, Holland, Canada, or the United States. At least one small Rio girl would be delivered from the bloodbath.
In Paris in the summer of 1789, during the earliest phase of the French Revolution--the "Great Fear"--a manservant long devoted to a wealthy French couple from the Rio clan placed their infant daughter in a wine cask. Thus concealed, the baby was smuggled across the English Channel. Her parents and every known family member are believed to have stayed behind, and to have become victims of the revolutionists. Once in England, the guardian christened his tiny refugee with the name Susanna Ann Burgess while providing her with protection in a new land.














