$8.99 

Want this eBook?

Our Reader™ software is required to purchase and download eBooks. Download it here.Click here to purchase this book!

The price of this eBook was set by Simon & Schuster

The Monstrumologist

Overview

These are the secrets I have kept. This is the trust I never betrayed.

But he is dead now and has been for more than forty years, the one who gave me his trust, the one for whom I kept these secrets.

The one who saved me...and the one who cursed me.

So begins the journal of Will Henry, orphaned assistant to Dr. Pellinore War throp, a man with a most unusual specialty: monstrumology, the study of monsters. In his time with the doctor, Will has met many a mysterious late-night visitor, and seen things he never imagined were real. But when a grave robber comes calling in the middle of the night with a grueso me find, he brings with him their most deadly case yet.

Critically acclaimed author Rick Yancey has written a gothic tour de force that explores the darkest heart of man and monster and asks the question: When does a man become the very thing he hunts?

Author Information

Rick Yancey

Rick Yancey is the author of two books for adults: a memoir and a novel. He is also a produced playwright and former theater critic. This is his first book for young adults. He lives in Knoxville, TN.

Editorial Reviews

In this dark tale constructed as a journal by 12-year-old orphan Will Henry, Yancey (the Alfred Kropp series) presents the story of the boy's apprenticeship to an enigmatic 19th-century "monstrumologist," Doctor Pellinore Warthrop. Purportedly found in 2007 amid the personal effects of the recently deceased Will (at age 131), the memoir opens as a corpse is delivered to Warthrop by a grave-robber one night in 1888. What appears to be a horrific desecration of the body foreshadows a plague of headless, man-eating anthropophagi. Will, left in the doctor's care since his parents' death, is drawn into the effort to save his town and find out how the creatures reached America, and both Will and Warthrop are forced to confront their own family histories and obsessions. Yancey's elegant depiction of an America plagued with monsters, human and otherwise, spares no grisly detail (in describing feeding anthropophagi: "The head is the most coveted prize. The first to reach her seizes it and wrenches it from her neck... a steaming geyser shoots into the air and paints crimson their teeming alabaster bodies"). Horror lovers will be rapt. Ages 14-up. (Sept.)

Customer Reviews

1416984488

Showing 1-10 of the 12 most recent reviews

  • 1.4 stars out of 5Review from
    GoodReads is a social reading site where members can share and review the books they're reading

    Posted May 27, 2011 by Ashlei, The United States

    Horror: The Monstrumologist by Rick Yancy

    …is the story of Will Henry, a 12-year-old apprentice to Doctor Warthrop, a brilliant and self-absorbed monstrumologist—a scientist who studies (and when necessary, kills) monsters. The tale begins in the middle of a spring night in 1888, when Will is roused from sleep by the doctor who tells him to go downstairs, there is someone at the door. This is not the first nocturnal visitor since Will has worked for the doctor, and he knows it is not a social call. A grotesque bundle is delivered and laid on the dissecting table in the lab. It is the corpse of a young woman her dead body partially concealed by a second corpse, a male and one that is noticeably without a head. As the doctor dictates his observations to Will, he notes the exposed bones in the girl’s head and neck and indicates that the damage was caused by the male’s teeth. Will is confused, as he assumed you needed a face to bite anything. As the examination continues the doctor discovers that the male is from the species anthropophagi (a creature similar to humans in stature but lacking a head and neck, with eyes and mouth located in the torso)and really when Will thinks this could not get anymore disturbing, he realizes the anthropophagus was eating the young woman.

    This is not a title for the faint at heart or queasy of stomach. We have just discussed the book through the middle of chapter one and our body count is already at 2. The hunt for the anthropophagi takes Will and the doctor from the dissecting table, to the cemetery, to an asylum and an underground catacomb. There is a lot of the action and most of it is splattered in blood, bone, puss and maggots, all described in great detail. There is a serious gore factor here, let me just say that being eaten alive by an anthropophagus is NOT the worst way to die in this book. If after all of that your lunch is still firmly in your stomach, it is a fun read that has really interesting characters, humor, and lots of action and suspense. It is fun and wild ride! This is definitely my pick if you are looking for substantial amount of murderous mayhem and a high body count.

    BOOKTALK ST.E 6TH & 7TH GRADE 5.26.11
  • 2.3 stars out of 5Review from
    GoodReads is a social reading site where members can share and review the books they're reading

    Posted April 30, 2011 by Audrey, Las Vegas, NV

    A 400+ page Victorian Goosebumps.

    Here are my two favorite bits:
    p. 105: " Creatures not of this Earth but from the very Bowels of Hell. I thought of the thing hanging on a hook in the room over which I stood, of the pale, muscular arm bursting through the loose soil of Eliza Bunton's grave, of the sickening squish of its paw puncturing the leg of the old man, of the mass of sickly white flesh and glittering black eyes and drooling mouths laced with row upon row of triangular teeth glittering in the glow of the April stars, of huge, hulking, headless monstrosities issuing from every shadow, leaping and bounding with enormous strides, of Eliza Bunton's corpse being ripped limb from limb and her head stuffed into the mouth of a creature that any rational man would indeed deem from hell."

    p. 139-141: "'Children, mostly. Twelve- or thirteen-year-old girls. Girls in the prime of their budding womanhood. Sometimes infants, though, squealing babes hurled naked into the hole. For in the center of the temple is a pit connected by a tunnel to the holding chamber. Into the pit the priests throw her; I have seen this, Warthrop; I have seen it! Cast down twenty feet to the bottom, whereupon she hurls herself against the smooth sides of the sacrificial abyss, scratching and clawing for a handhold, but of course there is none. There is no escape! The head priest gives the signal; the great wooden door rolls up; and they come. You smell it first, a rotten stench like death's decay, then the loud huffing and sharp clicks of their fangs snapping, as the doomed innocent erupts into frenzied screams, crying to her insensible judges above to have mercy. Mercy, Warthrop! They star down at her with faces set in stone, and, as the beasts burst into the pit, her terror robs her of her last shred of dignity: Her bladder empties; her bowels let go. She collapses into the dirt, covered in her own filth, as they descend upon her in a mad rush, the bigger brutes leaping thirty feet from the tunnel's mouth to where she lays, the sacrificial lamb beneath those pagan lords whose mad whimsy condemned her to a fate unfit for even the most egregious malefactor. But their bloodthirsty gods demand; and so they supply.
    'The head is the most coveted prize. The first to reach her seizes it and wrenches it from her neck, and her still-beating heart fleshes her blood through that makeshift orifice; a steaming geyser shoots into the air and paints crimson their alabaster bodies. They snarl and snap for a piece of the meat, for meat she be now; human she is no longer. Shredded bits of her are flung far over the rim of the pit, spattering the spectators with the bloody remnants of her maidenly form...'"

    Cool, huh? So, the reason why I only give The Monstrumologist three stars is because it feels sometimes that the rest of the book is simply a vehicle for Yancey to fit in these bloody vignettes. There is a lot of gore and a lot of action, but I felt strangely detached from the characters and the gruesome situations they found themselves in. I didn't get much of a sense of who the narrator was, and there was potential for the monstrumologist himself, Pellinore Warthrop, to be a fantastic character (though his characterization felt very much like Sherlock Holmes... and there is certainly a lot of potential to read between the lines for slash, actually), but it all felt generally superficial. It is a very entertaining novel with some really nice gleefully-written gory scenes but not much more than that. Also, the book can very well stand alone as a single novel, but I am curious enough to read the sequel.
  • 3.3 stars out of 5Review from
    GoodReads is a social reading site where members can share and review the books they're reading

    Posted April 05, 2011 by Elizabeth, Demotte, IN

    "There are monsters that lie in wait under our beds."

    Will Henry is but a 12 year old boy with parents he lost in a fire. However, his life is not as simple as it seems. He is the assistant to a "monstrumologist" who studies monsters as his life practice. Things get strange when an unexpected visitor drops by the house and offers a find so improbable Dr. Warthrop, the monstrumologist, does not know what to make of it. After sleepless days and nights of study, Will Henry and Dr. Warthrop encounter a situation bigger then themselves that is sure to end in death. Written in the form of a diary from the perspective of Will Henry, this story is sure to grab your attention and make you want to keep reading.

    This not a genre I normally do not pick up. However, I actually really enjoyed it. The story read like a horror movie and kept me at the edge of my comfy seat while I read it. It was not what I expected nor anything I have ever experienced before. However, I did think the doctor was a bit bipolar at times, but Will Henry had enough innocence to make me empathize with him. Overall, I would recommend this book to those who love horror films or are wanting to experience a unique genre.
  • 4.3 stars out of 5Review from
    GoodReads is a social reading site where members can share and review the books they're reading

    Posted January 04, 2011 by Loren, The United States

    From ISawLightningFall.com

    THREE-AND-A-HALF STARS

    Give me a few minutes in an unfamiliar library without the guidance of my "To Read" list, and I'll probably default to the young-adult/children's stacks. The quality for such titles seems consistently higher to me than that of the grown-up stuff. Writing for adults can be like double-pleated pants with a waistband an inch-or-so too big; there's room for the material to get all sorts of sloppy. Not so with books for younger readers. Children haven't yet had the intellectual guilt of failing to finish a book foisted on them and thus will simply drop anything that's indulgently long, messily constructed or boring. To be successful, YA scribes must bring their A-game, which is exactly what Rick Yancey does with his horror novel The Monstrumologist.

    Rick Yancey never thought the visit to the retirement center would yield anything but strained pleasantries. It was his duty to thank the center's director, especially since the little man had helped him research his last novel. During his visit, though, Yancey received a manuscript from a recently deceased resident named William James Henry, a resident who claimed to be 131-years old. The story contained therein tells how orphaned Henry grew up as an assistant to the irritable and imperious Dr. Pellinore Warthrop. Now, Warthrop (the manuscript claims) was no ordinary medical man; he was a monstrumologist, a scholar of those strange and macabre creatures dwelling on the border between science and myth. But during the spring of 1888, the existence of one race became incontrovertible -- that of the Anthropophagi. Testified to in ancient sources such as Herodotus and Pliny the Elder, these ravenous beasts possess no head, instead having eyes on their shoulders and rows of razored teeth in their midsections. And in that chilly New England spring, the only thing that stood between them and wholesale slaughter of the town of New Jerusalem was the monstrumologist and his young assistant.

    It is a testament to Yancey's skill that his 434-page novel reads like one half that size. He keeps his prose pleasing, his plot moving and his characters delightfully complex. The challenging relationship alone between lonely Will Henry and self-centered Dr. Warthrop (one composed of equal parts antipathy and grudging adoration) could've anchored The Monstrumologist's orbit. However, the secondary characters prove just as interesting, from the bereaved, mentally broken son of the local pastor to an amoral monster hunter who takes Nietzsche's myth of the superman very seriously to a despicably manipulative sanatorium superintendent who ranks high on my personal list of Extremely Creepy Villains.

    The Monstrumologist only stumbles on two points, but they're significant. The first is its target audience, namely the YA crowd. It isn't an exaggeration to call the novel gore-drenched. Characters end up decapitated, torn limb from limb, slashed open with both claws and knives, internally consumed by worms, immolated, and wracked with maggot-borne bone rot. You get the idea: This ain't one that should be marketed to the kiddos. The second issue lies with the treatment of the problem of evil. By repeatedly juxtaposing human travails with religious content -- one poor bloke gets slaughtered moments after quoting the twenty-third Psalm -- Yancey seems to suggest that suffering itself disproves the existence of a loving God. A monstrously simplistic take in an otherwise excellent book.
  • 5.4 stars out of 5Review from
    GoodReads is a social reading site where members can share and review the books they're reading

    Posted December 30, 2010 by Karissa, Circle Pines, MN

    I got this book on loan from a friend. It sounds like a very intriguing read. In most ways it is an exceptional book, but only for those with strong stomachs. There is another Monstrumologist book coming out October 2010 called The Curse of the Wendigo. This first book is a very complete book and story all by itself.

    Will Henry is young boy who is an apprentice to a monstrumologist, Dr. Warthrop. He is used to strange visitors in the middle of the night, but one late night a visitor brings the Dr. a monster unlike anything Will has ever seen. The monster is an Anthropophagus and its natural prey is humankind. Dr. Warthrop and Will Henry must solve the mystery behind the Anthropophagus's appearance before the monsters eviscerate and eat the whole village.

    This book is set in the late 1880's and has a very dark, gothic tone to it. There are scenes of intense action, but most of the book is reasoning and gory science. The whole concept to this book is that someone found three folio's of stories; this book contains those three folios. The original finders are trying to decide if the folios are fiction or fact. You only hear from the modern day finders in the Prologue and the Epilogue; the rest of the book are the folios from Will's perspective.

    This book is different from any book I have read. It puts science behind monster hunting and prefers a philosophical approach to monster hunting rather than a guns blazing approach. The writing is done in the style of the era it represents; a bit over-descriptive and flowery at time. Dr. Warthrop is at both times brilliant and harsh, but when he contacts fellow monster-hunter Jack Keane then we find out what true harshness is. Jack Keane is an interesting character; he is an overly jaunty Englishman that is almost more of a monster than the monsters he hunts.

    Some of the book is spent on talking about the loneliness of Dr. Warthrop's profession and how this affects Will Henry. Much thought goes into the meaning of death, the fragility of humanity, and the way humanity acts as a whole. Dr. Warthrop often digresses into deep philosophical conversations when Will Henry asks him the simplest of questions: such as "Where is my hat?" leads to a two page rant on the evils of being attached to material objects.

    What will strike most people about this book though is the gore. Nothing nasty, grisly, or gory is left untouched, in fact it is delved into in great detail. I didn't find the book itself to be particularly scary (and I am a wuss about scary books) but the gory detail in which things were described made me physically nauseous a number of times. So readers with a weak stomach should beware.

    The only complaint I have about this book is that it gets a bit wordy at points. I think some of the wordiness could have been cut out and it would have been a better book. That and the extreme goriness bothered me at times. Other than that this is a very creative, spooky, and interesting read. It is a book that manages to give an interesting historical representation of the era, one that touches on deeper aspects of the fragility of humanity and on what it means to be a monster, and it manages to be about plain good ole monster hunting to boot.

    Overall I really enjoyed it. It is very well-written, very creative, and extremely interesting. I personally couldn't read it while eating lunch because of the extreme goriness. As far as it being a young adult book I would recommend it for older young adults. There is a lot of violence, people being torn to shreds, gore and evilness in this book. As an adult it was a bit much for me and this is definitely not a book for younger kids.
  • 6.3 stars out of 5Review from
    GoodReads is a social reading site where members can share and review the books they're reading

    Posted October 25, 2010 by Megan,

    The Monstrumologist is a literary fiction YA horror which also happens to be a Printz Honor.

    What? You wanted more than that for a review? Hmm… The Monstrumologist is well written (yes, yes many people describe it as literary fiction and of course there is the Printz thing.) And it is fantastically gory and bloody (always a plus in horror novels.) Finally it describes a particular adventure of twelve year old orphan Will Henry as he partakes in a hunt for the deadly and ferocious anthropophagi. (Well, yes twelve year old boys and their quests may be found in YA novels.) So… outside of all that, I found the book to be a little lacking. But I’m a girl (er, woman, I suppose at my age) Regardless, I love me some Lifetime Movie Network, romance filled urban fantasy and angst ridden YA books. The Monstrumologist, for all of its well written horrific awesomeness, lacks the emotion, character development, and growth normally seen in YA novels. It does not suffer in any way from this, however I believe it is more of a boy book than a girl book. Lots of macabre adventure and a bit of a mystery, without all that pesky drama getting in the way ;)

    This isn’t a series I plan on continuing. At 400+ pages it was a bit too long and too dry for my taste. And again, there was the whole boy book thing. Really, all of the characters are male. The only females mentioned in this story are a “virgin bride” corpse dressed in white, the corpse of a mother, dressed in white and clutching her dead infant, and a soon to be dead prostitute who is dressed in white. There are two living women in this book, both of whom are slightly older than middle age, frumpy and surly (no mention of them being virgins, whores, mothers or dressed in white.) Perhaps author Rick Yancey has some “female” issues?

    Bottom line: I liked this book, but the writing is not really my style. Anyone who wants a remarkably good and straightforward monster story should give it a chance.
  • 7.5 stars out of 5Review from
    GoodReads is a social reading site where members can share and review the books they're reading

    Posted October 08, 2010 by Orrin, Olathe, KS

    I don't think it's hyperbole to say that The Monstrumologist is one of the most gruesome books I've ever read. Within the first chapter, the fetus of a headless cannibal monster is aborted from the womb of a dead girl, just to give you a taste of the grotesque horrors contained herein. If this were a movie, it would be rated R so hard. It's also one of the best books I've read in some time.

    The story concerns Will Henry, the apprentice to the titular monstrumologist, a scientist who hunts and studies monsters in late-1800s New England. The only monsters that appear in The Monstrumologist are Anthropophagoi (the aforementioned headless cannibal monsters), which provide a nice change of pace from the usual zombies and vampires and werewolves. (Also, I say "only monsters," but that depends very much on your point of view as to what constitutes a monster. The book is also populated by more natural monsters like disease, and some very human monsters as well, depending, again, on what you mean by the word.) It often has the feel of a Hammer horror film, though it's much more gruesome than even the bloodiest of those ever got.

    I waffled back and forth about whether to give this book five stars, and ultimately decided that if I was waffling then it was best not to do so. That said, this is a damned high four stars, and I think it's one of the best books I've read in a long while. The framing device, especially, knocks the whole thing out of the park for me, and it's possible that with some distance this will jump back up to five stars.

    [Edit: It did.]
  • 8.3 stars out of 5Review from
    GoodReads is a social reading site where members can share and review the books they're reading

    Posted October 06, 2010 by karen, Woodside, NY

    okay, so monsters.

    this reads like victorian teen fiction, only with more arterial spray. it's got all the trappings: it is long, and there are orphans and mad scientists, an evil madhouse director, and then there are monsters that eat people.

    there is absolutely no crossover audience between this and twilight. the girls who swoon over edward's restrained bloodlust are going to be horrified by the multiple beheadings and the scene where a child is reduced to a fine mist of blood splatter-painting a living room.

    so why isn't this book awesome?

    years ago, before i was captured and dragged kicking and screaming into the Land of Teen Fiction, i had a certain conception of what teen fiction was "like", and i thought "this is not for me, it is for teens and unbright adults". and then i read some really great teen fiction, and felt ashamed for being so dismissive without having done any actual legwork.

    but this book is pretty much the way i thought teen fiction was before my conversion. it's fine...for kids. it's got a fast pace; even though it is long,you just burn right through it, there are a lot of action sequences, the characters aren't terribly original or developed, but it's all about the monsters, right? and the gore.

    it's not awful, it's just not terribly sophisticated, despite its references to jonathan swift and shakespeare (william) and herotodus and other classical mythologies.... oh, and the kid's name is william henry james. so, there's that..you know, for the kids.

    but, it is probably a fine, quick halloween read. i shrugz.
  • 9.5 stars out of 5Review from
    GoodReads is a social reading site where members can share and review the books they're reading

    Posted August 05, 2010 by Allyson, Pittsburgh, PA

    For anyone who is a true horror fan this is the perfect book for you. Will Henry, a 12 year old monstrumologist assistant-apprentice, goes into rich and often gruesome detail about his life under the tutelage of Dr. Pellinore Warthrop, a doctor of monsters. There were times where I had to stop reading before bed because Will Henry’s accounts of headless carnivorous monsters with thousands of teeth were so vivid and frightening. When I wasn’t frightened, I was repulsed and wanted to gag when Will Henry went into detail about the festering infected bodies and monsters he encountered. When I wasn’t cringing or cowering beneath the covers, I found myself laughing at the sometimes comical relationship between Warthrop and Will Henry.

    The writing was fantastic and I would hardly consider this book teen literature. I think any adult would read this book and be satisfied with the tale and Rick Yancey’s way with words. This book is comparable to Mary Shelley’s Frankenstein and should be considered a classic piece of gothic literature, and in time perhaps it will. If you love monsters, gore, and a great story, or want to be scared this Halloween, I highly recommend this book.
  • 10.2 stars out of 5Review from
    GoodReads is a social reading site where members can share and review the books they're reading

    Posted August 04, 2010 by ± Colleen of the Crawling Chaos ±, Philadelphia, PA

    1 1/2

    A lot of reviewers have talked about the goriness of the story, and there is that. It's not lingered over lovingly like, say, certain Clive Barker stories, but it's definitely there. Personally, I didn't feel like it added much to the story, and I'm not really a fan of gore for the sake of gore. That said, I think 12 to 14 year-old boys, the probable intended audience for this story, would probably love it.

    But the gore wasn't really my issue. There were two things that kept me from really liking the story:

    1) I didn't really like any of the characters. Warthrop starts off as being completely insufferable and annoying, and the constant "Snap to, Will Henry!" made me want to throttle him.

    Now, there is development in the character and in the relationship between him and Will Henry, and, at times, it was even a little bit touching - but that never really stopped Warthrop from generally treating the boy with neglect, at best.

    Will Henry, himself, wasn't that sympathetic of a character because, despite his occasional bouts of woe-is-me, quite understandable under the circumstances, he mostly acted like a kicked puppy who kept coming back for more abuse, so desperate to please his master. I felt for him, but sympathizing with him only made me like Wartrhop even less.

    Kearns, when he is introduced, is an interested character. Enigmatic and charming, in a psychopathic kind of way, but never likable.

    2) And this is probably the real kicked - I was generally bored. A story that is so gruesome and macabre, that should induce a pounding heart and sweaty palms, was just so unrelentingly boring most of the time.

    There were a few brief sections where things started picking up, and I had some hope that the pace would quicken - especially at the beginning of Folio 3 - but then things grew ponderous, again, and ground to, well, not a halt, but certainly not a pulse pounding climax, either. (It was rather anti-climactic, in the end, actually.)

    3) I know I said two points - but I had some issues with the monsters, too, but those are mentioned in the status updates, so I won't go into detail again.

    ***

    That's not to say it was all bad. There were some interesting ideas presented in the story - the nature of good and evil, the objectivity vs. subjectivity of morality, some questions of nature and God, and what, precisely, makes a monster a monster, so on and so forth. They were handled well enough in some places, and a bit ham-handed in others, but it's certainly some interesting questions for a book aimed at a younger audience.

    Anyway, perhaps I'm being a bit overly harsh. I had some high hopes for this book. The blurb made it sound like it was something right up my alley, and I've been looking forward to reading it since October, so perhaps I'm doubly disappointed just to have dashed expectations. But, then, such is the way of things, and we are all, sometimes, disappointed because things are not what we hoped they would be. I'm sure Will Henry would agree.
  1. Previous 
  2. Next
  1. Previous 
  2. Next

Product Details

  • Published by

    Simon & Schuster Books For Young Readers

  • Publish Date

    September 19, 2009 

  • Print ISBN

    1416984488

  • eBook ISBN

    9781439152614

  • Imprint

    Simon & Schuster Books For Young Readers

  • Filesize

    2.16 MB

  • Number of Print Pages*

    448

* Number of eBook pages may differ. Click here for more information.

Excerpt from The Monstrumologist by Rick Yancey

Chapter 1

ONE

"A Singular Curiosity"

These are the secrets I have kept. This is the trust I never betrayed.

But he is dead now and has been for more than forty years, the one who gave me his trust, the one for whom I kept these secrets.

The one who saved me...and the one who cursed me.

I can't recall what I had for breakfast this morning, but I remember with nightmarish clarity that spring night in 1888 when he roused me roughly from my slumber, his hair unkempt, eyes wide and shining in the lamplight, the excited glow upon his finely chiseled features, one with which I had, unfortunately, become intimately acquainted.

"Get up! Get up, Will Henry, and be quick about it!" he said urgently. "We have a caller!"

"A caller?" I murmured in reply. "What time is it?"

"A little after one. Now get dressed and meet me at the back door. Step lively, Will Henry, and snap to!"

He withdrew from my little alcove, taking the light with him. I dressed in the dark and scampered down the ladder in my stocking feet, putting on the last of my garments, a soft felt hat a size too small for my twelve-year-old head. That little hat was all I had left from my life before coming to live with him, and so it was precious to me.

He had lit the jets along the hall of the upper floor, though but a single light burned on the main floor, in the kitchen at the rear of the old house where just the two of us lived, without so much as a maid to pick up after us: The doctor was a private man, engaged in a dark and dangerous business, and could ill afford the prying eyes and gossiping tongue of the servant class. When the dust and dirt became intolerable, about every three months or so, he would press a rag and a bucket into my hands and tell me to "snap to" before the tide of filth overwhelmed us.

I followed the light into the kitchen, my shoes completely forgotten in my trepidation. This was not the first nocturnal visitor since my coming to live with him the year before. The doctor had numerous visits in the wee hours of the morning, more than I cared to remember, and none were cheerful social calls. His business was dangerous and dark, as I have said, and so, on the whole, were his callers.

The one who called on this night was standing just outside the back door, a gangly, skeletal figure, his shadow rising wraithlike from the glistening cobblestones. His face was hidden beneath the broad brim of his straw hat, but I could see his gnarled knuckles protruding from his frayed sleeves, and knobby yellow ankles the size of apples below his tattered trousers. Behind the old man a broken-down nag of a horse stamped and snorted, steam rising from its quivering flanks. Behind the horse, barely visible in the mist, was the cart with its grotesque cargo, wrapped in several layers of burlap.

The doctor was speaking quietly to the old man as I came to the door, a comforting hand upon his shoulder, for clearly our caller was nearly mad with panic. He had done the right thing, the doctor was assuring him. He, the doctor, would take the matter from here. All would be well. The poor old soul nodded his large head, which appeared all the larger with its lid of straw as it bobbed on its spindly neck.

"'Tis a crime. A bloody crime of nature!" he exclaimed at one point. "I shouldn't have taken it; I should have covered it back up and left it to the mercy of God!"

"I take no stances on theology, Erasmus," said the doctor. "I am a scientist. But is it not said that we are his instruments? If that is the case, then God brought you to her and directed you hence to my door."

"So you won't report me?" the old man asked, with a sideways glance toward the doctor.

"Your secret will be as safe with me as I hope mine will be with you. Ah, here is Will Henry. Will Henry, where are your shoes? No, no," he said as I turned to fetch them. "I need you to ready the laboratory."

"Yes, doctor," I responded dutifully, and turned to go a second time.

"And put a pot on. It's going to be a long night."

"Yes, sir," I said. I turned a third time.

"And find my boots, Will Henry."

"Of course, sir."

I hesitated, waiting for a fourth command. The old man called Erasmus was staring at me.

"Well, what are you waiting for?" the doctor said. "Snap to, Will Henry!"

"Yes, sir," I said. "Right away, sir!"

I left them in the alley, hearing the old man ask as I hurried across the kitchen, "He is your boy?"

"He is my assistant," came the doctor's reply.

I set the water on to boil and then went down to the basement. I lit the lamps, laid out the instruments. (I wasn't sure which he might need, but had a strong suspicion the old man's delivery was not alive -- I had heard no sounds coming from the old cart, and there didn't seem to be great urgency to fetch the cargo inside...though this may have been more hope than suspicion.) Then I removed a fresh smock from the closet and rummaged under the stairs for the doctor's rubber boots. They weren't there, and for a moment I stood by the examination table in mute panic. I had washed them the week before and was certain I had placed them under the stairs. Where were the doctor's boots? From the kitchen came the clumping of the men's tread across the wooden floor. He was coming, and I had lost his boots!

I spied the boots just as the doctor and Erasmus began to descend the stairs. They were beneath the worktable, where I had placed them. Why had I put them there? I set them by the stool and waited, my heart pounding, my breath coming in short, ragged gasps. The basement was very cold, at least ten degrees colder than the rest of the house, and stayed that way year round.

The load, still wrapped tightly in burlap, must have been heavy: The muscles in the men's necks bulged with the effort, and their descent was painfully slow. Once the old man cried for a halt. They paused five steps from the bottom, and I could see the doctor was annoyed at this delay. He was anxious to unveil his new prize.

They eventually heaved their burden onto the examining table. The doctor guided the old man to the stool. Erasmus sank down upon it, removed his straw hat, and wiped his crinkled brow with a filthy rag. He was shaking badly. In the light I could see that nearly all of him was filthy, from his mud-encrusted shoes to his broken fingernails to the fine lines and crevasses of his ancient face. I could smell the rich, loamy aroma of damp earth rising from him.

"A crime," he murmured. "A crime!"

"Yes, grave-robbing is a crime," said the doctor. "A very serious crime, Erasmus. A thousand-dollar fine and five years' hard labor." He shrugged into his smock and motioned for his boots. He leaned against the banister to tug them on. "We are coconspirators now. I must trust you, and you in turn must trust me. Will Henry, where is my tea?"

I raced up the stairs. Below, the old man was saying, "I have a family to feed. My wife, she's very ill; she needs medicine. I can't find work, and what use is gold and jewels to the dead?"

They had left the back door ajar. I swung it closed and threw the bolt, but not until I checked the alley. I saw nothing but the fog, which had grown thicker, and the horse, its face dominated by its large eyes that seemed to implore me for help.

I could hear the rise and fall of the voices in the basement as I prepared the tea, Erasmus's with its high-pitched, semi-hysterical edge, the doctor's measured and low, beneath which lurked an impatient curtness no doubt born of his eagerness to unwrap the old man's unholy bundle. My unshod feet had grown quite cold, but I tried my best to ignore the discomfort. I dressed the tray with sugar and cream and two cups. Though the doctor hadn't ordered the second, I thought the old man might need a cup to repair his shattered nerves.

"...halfway to it, the ground just gave beneath me," the old grave-robber was saying as I descended with the tray. "As if I struck a hollow or pocket in the earth. I fell face-first upon the top of the casket. Don't know if my fall cracked the lid or if it was cracked by the...cracked before I fell."

"Before, no doubt," said the doctor.

They were as I had left them, the doctor leaning against the banister, the old man shivering upon the stool. I offered him some tea, and he accepted the proffered cup gladly.

"Oh, I am chilled to my very bones!" he whimpered.

"This has been a cold spring," the doctor observed. He struck me as at once bored and agitated.

"I couldn't just leave it there," the old man explained. "Cover it up again and leave it? No, no. I've more respect than that. I fear God. I fear the judgment of eternity! A crime, Doctor. An abomination! So once I gathered my wits, I used the horse and a bit of rope to haul them from the hole, wrapped them up...brought them here."

"You did the right thing, Erasmus."

"'There's but one man who'll know what to do,' I said to myself. Forgive me, but you must know what they say about you and the curious goings-on in this house. Only the deaf would not know about Pellinore Warthrop and the house on Harrington Lane!"

"Then I am fortunate," said the doctor dryly, "that you are not deaf."

He went to the old man's side and placed both hands on his shoulders.

"You have my confidence, Erasmus Gray. As I'm certain I have yours. I will speak to no one of your involvement in this 'crime,' as you call it, as I'm sure you will keep mum regarding mine. Now, for your trouble..."

He produced a wad of bills from his pocket and stuffed them into the old man's hands. "I don't mean to rush you off, but each moment you stay endangers both you and my work, both of which matter a great deal to me, though one perhaps a bit more than the other," he added with a tight smile. He turned to me. "Will Henry, show our caller to the door." Then he turned back to Erasmus Gray. "You have done an invaluable service to the advancement of science, sir."

The old man seemed more interested in the advancement of his fortunes, for he was staring openmouthed at the cash in his still-quivering hands. Dr. Warthrop urged him to his feet and toward the stairs, instructing me not to forget to lock the back door and find my shoes.

"And don't lollygag, Will Henry. We've work to last us the rest of the night. Snap to!"

Old Erasmus hesitated at the back door, a dirty paw upon my shoulder, the other clutching his tattered straw hat, his rheumy eyes straining against the fog, which had now completely engulfed his horse and cart. Its snorts and stamping against the stones were the only evidence of the beast's existence.

"Why are you here, boy?" he asked suddenly, giving my shoulder a hard squeeze. "This is no business for children."

"My parents died in a fire, sir," I answered. "The doctor took me in."

"The doctor," Erasmus echoed. "They call him that -- but what exactly is he a doctor of?"

The grotesque, I might have answered. The bizarre. The unspeakable. Instead I gave the same answer the doctor had given me when I'd asked him not long after my arrival at the house on Harrington Lane. "Philosophy," I said with little conviction.

"Philosophy!" Erasmus cried softly. "Not what I would call it, that be certain!"

He jammed the hat upon his head and plunged into the fog, shuffling forward until it engulfed him.

A few minutes later I was descending the stairs to the basement laboratory, having thrown the bolt to the door and having found my shoes, after a moment or two of frantic searching, exactly where I had left them the night before. The doctor was waiting for me at the bottom of the stairs, impatiently drumming his fingers upon the rail. Apparently he did not think there was enough "snap" in my "to." As for myself, I was not looking forward to the rest of the evening. This was not the first time someone had called at our back door in the middle of the night bearing macabre packages, though this certainly was the largest since I had come to live with the doctor.

"Did you lock the door?" the doctor asked. I noticed again the color high in his cheeks, the slight shortness of breath, the excited quaver in his voice. I answered that I had. He nodded. "If what he says is true, Will Henry, if I have not been taken for a fool -- which would not be the first time -- then this is an extraordinary find. Come!"

We took our positions, he by the table where lay the bundle of muddy burlap, I behind him and to his right, manning the tall rolling tray of instruments, with pencil and notebook at the ready. My hand was shaking slightly as I wrote the date across the top of the page, April 15, 1888.

He donned his gloves with a loud pop! against his wrists and stamped his boots on the cold stone floor. He pulled on his mask, leaving just the top of his nose and his intense dark eyes exposed.

"Are we ready, Will Henry?" he breathed, his voice muffled by the mask. He drummed his fingers in the empty air.

"Ready, sir," I replied, though I felt anything but.

"Scissors!"

I slapped the instrument handle-first into his open palm.

"No, the big ones, Will Henry. The shears there."

He began at the narrow end of the bundle, where the feet must have been, cutting down the center of the thick material, his shoulders hunched, the muscles of his jaw bunching with the effort. He paused once to stretch and loosen his cramping fingers, then returned to the task. The burlap was wet and caked with mud.

"The old man trussed it tighter than a Christmas turkey," the doctor muttered.

After what seemed like hours, he reached the opposite end. The burlap had parted an inch or two along the cut, but no more. The contents remained a mystery and would remain so for a few more seconds. The doctor handed me the shears and leaned against the table, resting before the final, awful climax. At last he straightened, pressing his hands upon the small of his back. He took a deep breath.

"Very well, then," he said softly. "Let's have it, Will Henry."

He peeled away the material, working it apart in the same direction as he had cut it. The burlap fell back on either side, draping over the table like the petals of a flower opening to welcome the spring sun.

Over his bent back I could see them. Not the single corpulent corpse that I had anticipated, but two bodies, one wrapped about the other in an obscene embrace. I choked back the bile that rushed from my empty stomach, and willed my knees to be still. Remember, I was twelve years old. A boy, yes, but a boy who had already seen his fair share of grotesqueries. The laboratory had shelves along the walls that held large jars wherein oddities floated in preserving solution, extremities and organs of creatures that you would not recognize, that you would swear belonged to the world of nightmares, not our waking world of comfortable familiarity. And, as I've said, this was not the first time I had assisted the doctor at his table.

But nothing had prepared me for what the old man delivered that night. I daresay your average adult would have fled the room in horror, run screaming up the stairs and out of the house, for what lay within that burlap cocoon laid shame to all the platitudes and promises from a thousand pulpits upon the nature of a just and loving God, of a balanced and kind universe, and the dignity of man. A crime, the old grave-robber had called it. Indeed there seemed no better word for it, though a crime requires a criminal...and who or what was the criminal in this case?

Upon the table lay a young girl, her body partially concealed by the naked form wrapped around her, one massive leg thrown over her torso, an arm draped across her chest. Her white burial gown was stained with the distinctive ochre of dried blood, the source of which was immediately apparent: Half her face was missing, and below it I could see the exposed bones of her neck. The tears along the remaining skin were jagged and triangular in shape, as if someone had hacked at her body with a hatchet.

The other corpse was male, at least twice her size, wrapped as I said around her diminutive frame as a mother nestles with her child, the chest a few inches from her ravaged neck, the rest of its body pressed tightly against hers. But the most striking thing was not its size or even the startling fact of its very presence.

No, the most remarkable thing about this most remarkable tableau was that her companion had no head.

"Anthropophagi," the doctor murmured, eyes wide and glittering above the mask. "It must be...but how could it? This is most curious, Will Henry. That he's dead is curious enough, but more curious by far is that he's here in the first place!...Specimen is male, approximately twenty-five to thirty years of age, no signs of exterior injury or trauma.... Will Henry, are you writing this down?"

He was staring at me. I in turn stared back at him. The stench of death had already filled the room, causing my eyes to sting and fill with tears. He pointed at the forgotten notebook in my hand. "Focus upon the task at hand, Will Henry."

I nodded and wiped away the tears with the back of my hand. I pressed the lead point against the paper and began to write beneath the date.

"Specimen appears to be of the genus Anthropophagi," the doctor repeated. "Male, approximately twenty-five to thirty years of age, with no signs of exterior injury or trauma...."

Focusing on the task of reporter helped to steady me, though I could feel the tug of morbid curiosity, like an outgoing tide pulling on a swimmer, urging me to look again. I nibbled on the end of the pencil as I struggled with the spelling of "Anthropophagi."

"Victim is female, approximately seventeen years of age, with evidence of denticulated trauma to the right side of the face and neck. The hyoid bone and lower mandible are completely exposed, exhibiting some scoring from the specimen's teeth...."

Teeth? But the thing had no head! I looked up from the pad. Dr. Warthrop was bent over their torsos, fortuitously blocking my view. What sort of creature could bite if it lacked the mouth with which to do it? On the heels of that thought came the awful revelation: The thing had been eating her.

He moved quickly to the other side of the table, allowing me an unobstructed view of the "specimen" and his pitiful victim. She was a slight girl with dark hair that curled upon the table in a fall of luxurious ringlets. The doctor leaned over and squinted at the chest of the beast pressed against her, peering across the body of the young girl whose eternal rest was broken by this unholy embrace, this death grip of an invader from the world of shadows and nightmare.

"Yes!" he called softly. "Most definitely Anthropophagi. Forceps, Will Henry, and a tray, please -- No, the small one there, by the skull chisel. That's the one."

I somehow found the will to move from my spot, though my knees were shaking badly and I literally could not feel my feet. I kept my eyes on the doctor and tried my best to ignore the nearly overwhelming urge to vomit. I handed him the forceps and held the tray toward him, arms shaking, breathing as shallowly as possible, for the reek of decay burned in my mouth and lay like a scorching ember at the back of my throat.

Dr. Warthrop reached into the thing's chest with the forceps. I heard the scraping of the metal against something hard -- an exposed rib? Had this creature also been partially consumed? And, if it had, where was the other monster that had done it?

"Most curious. Most curious," the doctor said, the words muffled by the mask. "No outward signs of trauma, clearly in its prime, yet dead as a doornail.... What killed you, Anthropophagus, hmmm? How did you meet your fate?"

As he spoke, the doctor tapped thin strips of flesh from the forceps into the metal tray, dark and stringy, like halfcured jerky, a piece of white material clinging to one or two of the strands, and I realized he wasn't peeling off pieces of the monster's flesh: The flesh belonged to the face and neck of the girl.

I looked down between my outstretched arms, to the spot where the doctor worked, and saw he had not been scraping at an exposed rib.

He had been cleaning the thing's teeth.

The room began to spin around me. The doctor said, in a calm, quiet voice, "Steady, Will Henry. You're no good to me unconscious. We have a duty this night. We are students of nature as well as its products, all of us, including this creature. Born of the same divine mind, if you believe in such things, for how could it be otherwise? We are soldiers for science, and we will do our duty. Yes, Will Henry? Yes, Will Henry?"

"Yes, Doctor," I choked out. "Yes, sir."

"Good boy." He dropped the forceps into the metal tray. Flecks of flesh and bits of blood speckled the fingers of his glove. "Bring me the chisel."

Gladly I returned to the instrument tray. Before I brought him the chisel, however, I paused to steel myself, as a good foot soldier for science, for the next assault.

Though it lacked a head, the Anthropophagus was not missing a mouth. Or teeth. The orifice was shaped like a shark's, and the teeth were equally sharklike: triangular, serrated, and milky white, arranged in rows that marched toward the front of the mouth from the inner, unseen cavity of its throat. The mouth itself lay just below the enormous muscular chest, in the region between the pectorals and the groin. It had no nose that I could see, though it had not been blind in life: Its eyes (of which I confess I had seen only one) were located on the shoulders, lidless and completely black.

"Snap to, Will Henry!" the doctor called. I was taking too long to steel myself. "Roll the tray closer to the table; you'll wear yourself out trotting back and forth."

When the tray and I were in position, he reached out his hand, and I smacked the chisel into his palm. He slipped the instrument a few inches into the monster's mouth and pushed upward, using the chisel as a pry bar to spread the jaws.

"Forceps!"

I slapped them into his free hand and watched as they entered the fang-encrusted maw...deeper, then deeper still, until the doctor's entire hand disappeared. The muscles of his forearm bulged as he rotated his wrist, exploring the back of the thing's throat with the tips of the forceps. Sweat shone on his forehead. I patted it dry with a bit of gauze.

"Would have dug a breathing hole -- so it didn't suffocate," he muttered. "No visible wounds...deformities...outward sign of trauma.... Ah!" His arm became still. His shoulder jerked as he pulled on the forceps. "Stuck tight! I'll need both hands. Take the chisel and pull back, Will Henry. Use both hands if you must, like this. Don't let it slip, now, or I shall lose my hands. Yes, that's it. Good boy. Ahhhh!"

He fell away from the table, left hand flailing to regain his balance, in his right the forceps, and in the forceps, a tangled strand of pearls, stained pink with blood. Finding his balance, the monstrumologist held high his hard-won prize.

"I knew it!" he cried. "Here is our culprit, Will Henry. He must have torn it off her neck in his frenzy. It lodged in his throat and choked him to death."

I let go the chisel, stepped back from the table, and stared at the crimson strand dangling from the doctor's hand. Light danced off its coating of blood and gore, and I felt the very air tighten around me, refusing to fully fill my lungs. My knees began to give way. I sank onto the stool, struggling to breathe. The doctor remained oblivious to my condition. He dropped the necklace into a tray and called for the scissors. To the devil with him, I thought. Let him fetch his own scissors. He called again, his back to me, hand outstretched, bloody fingers flexing and curling. I rose from the stool with a shuddering sigh and pressed the scissors into his hand.

"A singular curiosity," he muttered as he cut down the center of the girl's burial gown. "Anthropophagi are not native to the Americas. Northern and western Africa, the Caroli Islands, but not here. Never here!"

Gingerly, almost tenderly, he parted the material, exposing the girl's perfect alabaster skin.

Dr. Warthrop pressed the end of his stethoscope upon her belly and listened intently as he slowly moved the instrument toward her chest, then down again, across her belly button, until, back where he began, he paused, eyes closed, barely breathing. He remained frozen this way for several seconds. The silence was thundering.

Finally he tugged the 'scope from his ears. "As I suspected." He gestured toward the worktable. "An empty jar, Will Henry. One of the big ones."

He directed me to remove the lid and place the open container on the floor beside him.

"Hold on to the lid, Will Henry," he instructed. "We must be quick about this. Scalpel!"

He bent to his work. Should I confess that I looked away? That I could not will my eyes to remain upon that glittering blade as it sliced into her flawless flesh? For all my desire to please and impress him with my steely resolve as a good foot soldier in the service of science, nothing could bring me to watch what came next.

"They are not natural scavengers," he said. "Anthropophagi prefer fresh kill, but there are drives even more powerful than hunger, Will Henry. The female can breed, but she cannot bear. She lacks a womb, you see, for that location of her anatomy is given to another, more vital organ: her brain.... Here, take the scalpel."

I heard a soft squish as he plunged his fist into the incision. His right shoulder rotated as his fingers explored inside the young girl's torso.

"But nature is ingenious, Will Henry, and marvelously implacable. The fertilized egg is expelled into her mate's mouth, where it rests in a pouch located along his lower jaw. He has two months to find a host for their offspring, before the fetus bursts from its protective sac and he swallows it or chokes upon it.... Ah, this must be it. Ready now with the lid."

His body tensed, and all became still for a moment. Then with a single dramatic flourish, he yanked from the split-open stomach a squirming mass of flesh and teeth, a doll-size version of the beast curled about the girl, encased in a milky white sac that burst open as the thing inside fought against the doctor's grasp, spewing a foul-smelling liquid that soaked his coat and splattered around his rubber boots. He nearly dropped it, holding it against his chest while it twisted and flailed its tiny arms and legs, its mouth, armed with tiny razor-sharp teeth, snapping and spitting.

"The jar!" he cried. I slid it toward his feet. He dropped the thing into the container, and I did not need his urging to slap on the lid.

"Screw it tight, Will Henry!" he gasped. He was covered head to toe in the blood-flecked goop, the smell of it more pungent than that of the rotting flesh upon the table. The tiny Anthropophagus flipped and smacked inside the jar, smearing the glass with amniotic fluid, clawing at its prison with needle-size fingernails, mouth working furiously in the middle of its chest, like a landed fish gasping upon the shore. Its mewling cries of shock and pain were loud enough to penetrate the thick glass, a haunting, inhuman sound that I am doomed to remember to my last day.

Dr. Warthrop picked up the jar and placed it on the workbench. He soaked some cotton in a mixture of halothane and alcohol, dropped it into the jar, and screwed the lid back on. The infant monster attacked the cotton, stripping the fibers apart with its little teeth and swallowing chunks of it whole. Its aggression hastened the effects of the euthanizing agent: In less than five minutes the unholy spawn was dead.