Our Friends from Frolix 8
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Overview
For all the strange worlds borne of his vast and vivid imagination, Philip K. Dick was largely concerned with humanity's most achingly familiar heartaches and struggles. In Our Friends From Frolix 8, he clashes private dreams against public battles in a fast-paced and provocative tale that ultimately addresses our salvation both as individuals and a whole.
Nick Appleton is a menial laborer whose life is a series of endless frustrations. Willis Gram is the despotic oligarch of a planet ruled by big-brained elites. When they both fall in love with Charlotte Boyer, a feisty black marketer of revolutionary propaganda, Nick seems destined for doom. But everything takes a decidedly unpredictable turn when the revolution's leader, Thors Provoni, returns from ten years of intergalactic hiding with a ninety-ton protoplasmic slime that is bent on creating a new world order.
Winner of both the Hugo and John W. Campbell awards for best novel, widely regarded as the premiere science fiction writer of his day, and the object of cult-like adoration from his legions of fans, Philip K. Dick has come to be seen in a literary light that defies classification in much the same way as Borges and Calvino. With breathtaking insight, he utilizes vividly unfamiliar worlds to evoke the hauntingly and hilariously familiar in our society and ourselves.
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Author Information
Bio of Philip K. Dick
Philip K. Dick's (1928-1982) writing career spanned three decades, during which he wrote and published thirty-six science fiction novels and one hundred twenty-one short stories. The main themes of his work, which still resonate today, explore the essence of what makes man human in contrast to androids and aliens; at what point do centralized powers such as government and business become a threat rather than benign and beneficial; and toward the end of his life, he explored deeply personal metaphysical questions about the essence of God and the nature of reality itself. Some of his most well known, critically acclaimed and award winning titles include: The Man in the High Castle (1963 Hugo Award) A Scanner Darkly (Grand Prix du Festival at Metz, France 1979), Ubik (Time Magazine selection of 100 best English-language novels 1923 - 2006), Flow My Tears, the Policeman Said (John W. Campbell Award), The Three Stigmata of Palmer Eldritch and VALIS. His work has been published in 27 counties and translated into 25 languages. In addition to his individual works receiving honors, Dick was inducted into the Science Fiction Hall of Fame in 2005, and in 2007 four of his novels from the 1960s (The Man in the High Castle, The Three Stigmata of Palmer Eldritch, Do Androids Dream of Electric Sheep? and Ubik) were published by the Library of America, achieving literary canonization with the likes of William Faulkner and Ernest Hemingway. The majority of his short fiction was collected in a five-volume set published by Underwood Miller in 1987. Nine of his novels and short stories have been adapted to film, most notably: Blade Runner (1982) based on the novel Do Androids Dream of Electric Sheep?, Total Recall (1990), based on the short story, "We Can Remember It for You Wholesale," Minority Report (2002) and A Scanner Darkly (2006), both based on works of the same name.
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Additional Info
Imprint
Vintage
Filesize
1.83 MB
Number of Pages
224
eBook ISBN
9780307497192
Excerpt from: Our Friends from Frolix 8 by Philip K. Dick
PART ONE ONE Bobby said. 'I don't want to take the test.' But you must, his father thought. If there is going to be any hope for our family as it extends itself into the future. Into periods lying long after my death--mine and Kleo's. 'Let me explain it this way,' he said aloud, as he moved along the crowded sliding sidewalk in the direction of the Federal Bureau of Personnel Standards. 'Different people have different ability.' How well he knew that. 'My ability, for example, is very limited; I can't even qualify for a government G-one rating, which is the lowest rating of all.' It hurt to admit this, but he had to; he had to make the boy understand how vital this was. 'So I'm not qualified at all. I've got a little nongovernment job . . . nothing, really. Do you want to be like me when you grow up?' 'You're okay,' Bobby said, with the majestic assurance of his twelve years. 'I'm not,' Nick said. 'To me you are.' He felt baffled. And, as so many times of late, on the edge of despair. 'Listen,' he said, 'to the facts of how Terra is run. Two entities maneuver around each other, with first one ruling and then the other. These entities--' 'I'm not either one,' his son said. 'I'm an Old and a Regular. I don't want to take the test; I know what I am. I know what you are and I'm the same.' Within him, Nick felt his stomach dry and shrink, and because of that he felt acute need. Looking around, he made out a drugbar on the far side of the street, beyond the traffic of squib cars and the larger, rotund public-transit vehicles. He led Bobby up a ped-ramp, and ten minutes later they had reached the far sidewalk. 'I'm going into the bar for a couple of minutes,' Nick said. 'I'm not well enough to take you to the Federal Building, at this particular junction of time and space.' He led his son past the eye of the door, into the dark interior of Donovan's Drugbar--a bar which he had never visited before but liked on first impact. 'You can't bring that boy in here,' the bartender informed him. He pointed to the sign on the wall. 'He's not eighteen. Do you want it to look like I sell nibbles to minors?' 'At my regular bar--' Nick began, but the bartender cut him brusquely off. 'This isn't your regular bar,' he declared, and stumped off to wait on a customer at the far end of the shadow-clouded room. Nick said, 'You look in the shop windows next door.' He nudged his son, indicating the door through which they had just entered. 'I'll meet you in three or four minutes.' 'You always say that,' Bobby said, but he trudged off, out onto the midday sidewalk with its legions of squashed-together humanity . . . for a moment he paused, glancing back, and then he continued on, out of sight. Seating himself on a bar stool, Nick said, 'I'd like fifty milligrams of phenmetrazine hydrochloride and thirty of stelladrine, with a sodium acetyl-salicylate chaser.' The bartender said, 'The stelladrine will make you dream of many and far-off stars.' He placed a tiny plate before Nick, got the pills and then the sodium acetyl-salicylate solution in a plastic glass; laying everything before Nick he stood back, scratching his ear reflectively. 'I hope it does.' Nick swallowed the three meagre pills--he could not afford any more this late in the month--and downed the brackish chaser. 'Taking your son for a Federal test?' As he got out his wallet he nodded. 'You think they're rigged?' the bartender inquired. 'I don't know,' Nick said briefly. The bartender, resting his elbows on the polished surface of the bar, leaned toward him and said, 'I think they are.' He took Nick's money; turned to the cash register to ring it up. 'I see folks going by here fourteen, fifteen times. Unwilling to accept the fact that they -- or as in your case, your kid -- isn't going to pass. They keep trying and it comes out the












