Nory Ryan's Song
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Overview
Nory Ryan's family has lived on Maidin Bay on the west coast of Ireland for generations, raising a pig and a few chickens, planting potatoes, getting by. Every year Nory's father goes away on a fishing boat and returns with the rent money for the English lord who owns their cottage and fields, the English lord bent upon forcing the Irish from their land so he can tumble the cottages and clear the fields for grazing. Times are never easy on Maidin Bay, but this year, a terrible blight attacks the potatoes. No crop means starvation. Twelve-year-old Nory must summon the courage and ingenuity to find food, to find hope, to find a way to help her family survive.
Editorial Reviews
"Giff meticulously re-creates the Great Hunger as she traces a 19th-century Irish girl's struggle to survive," PW wrote. Ages 8-12. (Sept.)
Copyright 2002 Reed Business Information, Inc.
Author Information
Bio of Patricia Reilly Giff
"I always start each day by writing. That's like breathing to me," says Patricia Reilly Giff. In fact, this bestselling author admits: "I wanted to write from the first time I picked up a book and read. I thought it must be the most marvelous thing to make people dance across the pages." Reading and writing have always been an important part of Patricia Reilly Giff's life. As a child, her favorite books included Little Women, The Secret Garden, the Black Stallion books, the Sue Barton books, and the Nancy Drew series. Giff loved reading so much that while growing up, her sister had to grab books out of her hands to get Giff to pay attention to her; later, Giff's three children often found themselves doing the same thing. As a reading teacher for 20 years, the educational consultant for Dell Yearling and Young Yearling books, an adviser and instructor to aspiring writers, and the author of more than 60 books for children, Patricia Reilly Giff has spent her entire life surrounded by books. After earning a B.A. degree from Marymount College, Giff took the advice of the school's dean and decided to become a teacher. She admits, "I loved teaching. It was my world. I only left because I was overwhelmed with three careers--teaching, writing, and my family." During the 20 years of her teaching career, she earned an M.A. from St. John's University, and a Professional Diploma in Reading and a Doctorate of Humane Letters from Hofstra University. Then one morning, Giff told her husband Jim, "I'm going to write a book. I've always wanted to write and now I shall." Jim worked quickly to combine two adjacent closets in their apartment into one cramped workspace and, as Giff jokes, she "began [her] career in a closet." Giff explains, "I want the children to bubble up with laughter, or to cry over my books. I want to picture them under a cherry tree or at the library with my book in their hands. But more, I want to see them reading in the classroom. I want to see children in solitude at their desks, reading, absorbing, lost in a book." Giff tries to write books "that say ordinary people are special." She says, "All of my books are based in some way on my personal experiences, or the experiences of members of my family, or the stories kids would tell me in school." Therefore, when she runs out of ideas for her books, Giff says, "I take a walk and look around. Maybe I spend some time in a classroom and watch the kids for a while. Sometimes I lie on the living room floor and remember my days in second grade or third. If all that doesn't work, I ask Ali, or Jim, or Bill"--Giff's children, whose names often appear in her books. When she's not writing, Patricia Reilly Giff enjoys reading in the bathtub and going to the movies and eating popcorn. She and her husband reside in Weston, Connecticut. They have three children and five grandchildren. In 1990, Giff combined her two greatest loves--children's books and her family--and, with her husband and her children, opened The Dinosaur's Paw, a children's bookstore named after one of her Kids of the Polk Street School novels. This store is part of Giff's quest to bring children and books together. She and her family are trying to "share our love of children's books and writing and to help others explore the whole world of children's books."
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Additional Info
Imprint
Yearling
Filesize
1.42 MB
Number of Pages
176
eBook ISBN
9780307538987
Excerpt from: Nory Ryan's Song by Patricia Reilly Giff
CHAPTER 1
Someone was calling.
"Nor-ry. Nor-ry Ryan."
I was halfway along the cliff road. With the mist coming up from the sea, everything on the path below had disappeared.
"Wait, Nory."
I stopped. "Sean Red Mallon?" I called back, hearing his footsteps now.
"I have something for us," he said as he reached me. He pulled a crumpled bit of seaweed out of his pocket to dangle in front of my nose.
"Dulse." I took a breath. The smell of the sea was in it salty and sweet. I was so hungry I could almost feel the taste of it on my tongue.
"Shall we eat it here?" he asked, grinning, his red hair a mop on his forehead.
"It'll be over and gone in no time," I said, and pointed up. "We'll go to Patrick's Well."
We reached the top of the cliffs with the rain on our heads. "I am Queen Maeve," I sang, twirling away from the edge. "Queen of old Ireland."
I loved the sound of my voice in the fog, but then I loved anything that had to do with music: the Ballilee church bells tolling, the rain pattering on the stones, even the carra-crack of the gannets calling as they flew overhead.
I scrambled up to Mary's Rock. As the wind tore the mist into shreds, I could see the sea, gray as a selkie's coat, stretching itself from Ireland to Brooklyn, New York, America.
Sean came up in back of me. "We will be there one day in Brooklyn."
I nodded, but I couldn't imagine it. Free in Brooklyn. Sean's sister, Mary Mallon, was there right now. Someone had written a letter for her, and Father Harte had read it to us. Horses clopped down the road, she said, bringing milk in huge cans. And no one was ever hungry. Even the sound of it was wonderful. Brook-lyn.
The rain ran along the ends of my hair and into my neck. I shook my head to make the drops fly and thought of my da on a ship, the rain running down his long dark hair too. Da, who was far away, fishing to pay the rent. He had been gone for weeks, and it would be months before he came home again.
I swallowed, wishing for Da so hard I had to turn my head to hide my face from Sean. I blew a secret kiss across the waves; then we picked our way up the steep little path to Patrick's Well.
We sat ourselves down on one of the flat stones around the well and leaned over to look into the water. People with money threw in coins to sink to the bottom. Granda said that might be why it took so long for those prayers to be answered.
But not many people had coins to drop into the well. Instead there was the tree overhead. People tied their prayers to the branches: a piece of tattered skirt, the edge of a collar.
"I see my mother's apron string." Sean pointed up as he tore a bit of dulse in two and handed me half.
I nodded, sucking on a curly edge. I looked up at the tree. A strip of my middle sister Celia's shift was hanging there. Now, what did that one want? She had no shame. There it was, a piece of her underwear left to wag in the wind until it rotted away. Every creature who walked by would be gaping at it.
I stood up quickly, moving around to the other side of the well to look down at our glen. The potato fields were covered with purple blossoms now, and stone walls zigzagged up and down between them.
And then, something else.
"Sean," I said, "what's happening down there?"
Absently he tore the last bit of dulse in two. "Men," he said slowly. "Bailiffs with a battering ram. Someone is being put out of a house."
Someone. I knew who it was. A quick flash of the beggar, Cat Neely, her curly hair covering most of her face. And Cat's mother, who sat in their yard, teeth gone, cheeks sunken, with no money to pay the rent.
"Don't think about it," Sean said, his hand on my shoulder, his face sad. "There's nothing can be done."
"Coins," I said. "If only someone--" I broke off. I knew it myself. No one in the glen had an extra penny. Not Sean's family. Not mine. My older sister Maggie and Sean's brother Francey were saving every bit they could to get married. But even that would take years.
The dulse on my tongue tasted bitter now. Cunningham, the English lord, owned all our land, all our houses; he could put any of us out if he wanted. And now it would be Cat and her mother.
There was someone with a coin, I knew that.
Anna Donnelly.
Sean and I were afraid of her. He had said that one of the sidhe might live under her table. I shuddered, thinking of those beings from the other world. Tangles of gray hair, bony fingers pointing, crouched in the darkness. Anna had her magic, too. She could heal up a wen on the finger, or straighten a bone with her weeds, but only when she wanted to.
And she hadn't saved my mam the day my little brother, Patch, was born.
That Anna Donnelly had a coin.
And I was the only one that knew about it.
I thought of the day I had stopped near her house. The thatch on her roof was old and plants grew green over the top. And there was Anna outside, teetering on a stool, her white hair in wisps around the edge of her cap. She had peered over her shoulder, her face as wrinkled as last year's potatoes, then held something up before she shoved it deep into the thatch.
I had seen the glint of it, the shine.
The coin.
And in my mind now: I could save Cat Neely and her mother. If only Anna would give me that coin.
Suddenly my mouth was dry.
I turned to Sean. "Thank you for the dulse," I said, and left him there, mouth open, as I flew down the path away from the cliff.













