The Graveyard Book
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Overview
Bod is an unusual boy who inhabits an unusual place-he's the only living resident of a graveyard. Raised from infancy by the ghosts, werewolves, and other cemetery denizens, Bod has learned the antiquated customs of his guardians' time as well as their timely ghostly teachings-like the ability to Fade. Can a boy raised by ghosts face the wonders and terrors of the worlds of both the living and the dead? And then there are things like ghouls that aren't really one thing or the other. This chilling tale is Neil Gaiman's first full-length novel for middle-grade readers since the internationally bestselling and universally acclaimed Coraline. Like Coraline, this book is sure to enchant and surprise young readers as well as Neil Gaiman's legion of adult fans.
Editorial Reviews
Editorial Reviews for this product are not available at this time.
Author Information
Bio of Neil Gaiman
Bestselling author Neil Gaiman has long been one of the top writers in modern comics, and has also penned many books for readers of all ages, including American Gods, Anansi Boys, Coraline, and M Is for Magic. He is listed in the Dictionary of Literary Biography as one of the top ten living post-modern writers, and is a prolific creator of works of prose, poetry, film, journalism, comics, song lyrics, and drama. He has written multiple New York Times bestselling books, and is a Hugo, Nebula, Bram Stoker, SFX, and Locus Award winner. He has also worked in support of First Amendment rights, and was awarded the Defender of Liberty Award in August 1997 by the Comic Book Legal Defense Fund for his efforts. Born and raised in England, Neil now lives near Minneapolis, Minnesota. He has somehow reached his forties and tends to always need a haircut.
Bio of Dave McKean
No bio available for Dave McKean.
Customer Reviews
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Hard to get throughPosted September 22, 2009 by J D, Indiana
Especially in the beginning it felt like I had to force myself to keep reading. There wasn't anything that kept me intrigued or wanting to come back for more. Towards the end I just wanted to finish to wrap the story up.
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Thorougly enjoyablePosted October 27, 2009 by cer10, Dallas, TX
I couldn't disagree more with the other review of this book. I enjoyed it very much and did not find it boring at all.
Additional Info
Imprint
HarperCollins Publishers
Filesize
1.51 MB
Number of Pages
552
eBook ISBN
9780061709432
Awards
- Newbery Medal
Excerpt from: The Graveyard Book by Neil Gaiman
Chapter One How Nobody Came to the Graveyard There was a hand in the darkness, and it held a knife. The knife had a handle of polished black bone, and a blade finer and sharper than any razor. If it sliced you, you might not even know you had been cut, not immediately. The knife had done almost everything it was brought to that house to do, and both the blade and the handle were wet. The street door was still open, just a little, where the knife and the man who held it had slipped in, and wisps of nighttime mist slithered and twined into the house through the open door. The man Jack paused on the landing. With his left hand he pulled a large white handkerchief from the pocket of his black coat, and with it he wiped off the knife and his gloved right hand which had been holding it; then he put the handkerchief away. The hunt was almost over. He had left the woman in her bed, the man on the bedroom floor, the older child in her brightly colored bedroom, surrounded by toys and half-finished models. That only left the little one, a baby barely a toddler, to take care of. One more and his task would be done. He flexed his fingers. The man Jack was, above all things, a professional, or so he told himself, and he would not allow himself to smile until the job was completed. His hair was dark and his eyes were dark and he wore black leather gloves of the thinnest lambskin. The toddler's room was at the very top of the house. The man Jack walked up the stairs, his feet silent on the carpeting. Then he pushed open the attic door, and he walked in. His shoes were black leather, and they were polished to such a shine that they looked like dark mirrors: you could see the moon reflected in them, tiny and half full. The real moon shone through the casement window. Its light was not bright, and it was diffused by the mist, but the man Jack would not need much light. The moonlight was enough. It would do. He could make out the shape of the child in the crib, head and limbs and torso. The crib had high, slatted sides to prevent the child from getting out. Jack leaned over, raised his right hand, the one holding the knife, and he aimed for the chest . . . . . . and then he lowered his hand. The shape in the crib was a teddy bear. There was no child. The man Jack's eyes were accustomed to the dim moonlight, so he had no desire to turn on an electric light. And light was not that important, after all. He had other skills. The man Jack sniffed the air. He ignored the scents that had come into the room with him, dismissed the scents that he could safely ignore, honed in on the smell of the thing he had come to find. He could smell the child: a milky smell, like chocolate chip cookies, and the sour tang of a wet, disposable, nighttime diaper. He could smell the baby shampoo in its hair, and something small and rubbery—a toy, he thought, and then, no, something to suck—that the child had been carrying. The child had been here. It was here no longer. The man Jack followed his nose down the stairs through the middle of the tall, thin house. He inspected the bathroom, the kitchen, the airing cupboard, and, finally, the downstairs hall, in which there was nothing to be seen but the family's bicycles, a pile of empty shopping bags, a fallen diaper, and the stray tendrils of fog that had insinuated themselves into the hall from the open door to the street. The man Jack made a small noise then, a grunt that contained in it both frustration and also satisfaction. He slipped the knife into its sheath in the inside pocket of his long coat, and he stepped out into the street. There was moonlight, and there were streetlights, but the fog stifled everything, muted light and muffled sound and made the night shadowy and treacherous. He looked down the hill towards the light of the closed shops, then up the street, where the last high houses wound up the hill on their way to the darkness of the old graveyard. The man Jack sniffed the air. Then, without hurrying, he began to walk up the hill. Ever since the child had learned to walk he had been his mother's and father's despair and delight, for there never was such a boy for wandering, for climbing up things, for getting into and out of things. That night, he had been woken by the sound of something on the floor beneath him falling with a crash. Awake, he soon became bored, and had begun looking for a way out of his crib. It had high sides, like the walls of his playpen downstairs, but he was convinced that he could scale it. All he needed was a step . . . He pulled his large, golden teddy bear into the corner of the crib, then, holding the railing in his tiny hands, he put his foot onto the bear's lap, the other foot up on the bear's head, and he pulled himself up into a standing position, and then he half-climbed, half-toppled over the railing and out of the crib. He landed with a muffled thump on a small mound of furry, fuzzy toys, some of them presents from relations from his first birthday, not six months gone, some of them inherited from his older sister. He was surprised when he hit the floor, but he did not cry out: if you cried they came and put you back in your crib. He crawled out of the room.











