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Anansi Boys: A Novel

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Overview

One of fiction's most audaciously original talents, Neil Gaiman now gives us a mythology for a modern age -- complete with dark prophecy, family dysfunction, mystical deceptions, and killer birds. Not to mention a lime.

Anansi Boys
God is dead. Meet the kids.

When Fat Charlie's dad named something, it stuck. Like calling Fat Charlie "Fat Charlie." Even now, twenty years later, Charlie Nancy can't shake that name, one of the many embarrassing "gifts" his father bestowed -- before he dropped dead on a karaoke stage and ruined Fat Charlie's life.

Editorial Reviews

Editorial Reviews for this product are not available at this time.

Author Information

Bio of Neil Gaiman

Bestselling author Neil Gaiman has long been one of the top writers in modern comics, and has also penned many books for readers of all ages, including American Gods, Anansi Boys, Coraline, and M Is for Magic. He is listed in the Dictionary of Literary Biography as one of the top ten living post-modern writers, and is a prolific creator of works of prose, poetry, film, journalism, comics, song lyrics, and drama. He has written multiple New York Times bestselling books, and is a Hugo, Nebula, Bram Stoker, SFX, and Locus Award winner. He has also worked in support of First Amendment rights, and was awarded the Defender of Liberty Award in August 1997 by the Comic Book Legal Defense Fund for his efforts. Born and raised in England, Neil now lives near Minneapolis, Minnesota. He has somehow reached his forties and tends to always need a haircut.

Customer Reviews

  • 3 stars out of 5

    Posted July 06, 2007 by jefferson, USA

    It has the story and odd godly magic of a Tim Robbins novel, yet lacks a meaning to any of it.

Additional Info

Imprint

HarperCollins

Filesize

1.13 MB

Number of Pages

416

eBook ISBN

9780061160622

Awards

  • Alex Awards
  • Locus Awards
  • Mythopoeic Fantasy Award for Adult Literature

Excerpt from: Anansi Boys by Neil Gaiman

Chapter One
Which is Mostly About
Names and Family Relationships

It begins, as most things begin, with a song.

In the beginning, after all, were the words, and they came with a tune. That was how the world was made, how the void was divided, how the lands and the stars and the dreams and the little gods and the animals, how all of them came into the world.

They were sung.

The great beasts were sung into existence, after the Singer had done with the planets and the hills and the trees and the oceans and the lesser beasts. The cliffs that bound existence were sung, and the hunting grounds, and the dark.

Songs remain. They last. The right song can turn an emperor into a laughing stock, can bring down dynasties. A song can last long after the events and the people in it are dust and dreams and gone. That's the power of songs.

There are other things you can do with songs. They do not only make worlds or recreate existence. Fat Charlie Nancy's father, for example, was simply using them to have what he hoped and expected would be a marvelous night out.

Before Fat Charlie's father had come into the bar, the barman had been of the opinion that the whole karaoke evening was going to be an utter bust; but then the little old man had sashayed into the room, walked past the table of several blonde women with the fresh sunburns and smiles of tourists, who were sitting by the little makeshift stage in the corner. He had tipped his hat to them, for he wore a hat, a spotless green fedora, and lemon-yellow gloves, and then he walked over to their table. They giggled.