The Overlook: A Novel

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Overview

A body has been found on the overlook near Mulholland Drive. The victim, identified as Dr. Stanley Kent, has two bullet holes in the back of his head from what looks like an execution-style shooting. LAPD detective Harry Bosch is called out to investigate. It is the case he has been waiting for, his first since being recruited to the city's Homicide Special squad. As soon as Bosch begins retracing Dr. Kent's steps, contradictions emerge. While Kent doesn't seem to have had ties to organized crime, he did have access to dangerous radioactive substances from just about every hospital in Los Angeles County. What begins as a routine homicide investigation opens up before Bosch into something much larger, more dangerous - and much more urgent. Breaking in a new rookie partner and chasing his first fresh case in years, Bosch is soon in conflict not just with the LAPD brass but also with FBI hotshots who are convinced that the case is too important for the likes of the LAPD. Harry's onetime lover Rachel Walling is among the federal agents frantically working the case, making Bosch's job all the more complicated. Guarding one slim advantage, he relentlessly follows his own instincts, hoping they are still true enough to solve the crime - and to save all of Los Angeles from a deadly hazard.

Editorial Reviews

Bestseller Connelly's dazzling 13th Harry Bosch novel (after 2006's Echo Park) reunites Bosch with his former flame, FBI agent Rachel Walling. Bosch must break in a new partner, rookie Iggy Ferras, when they're called to look into the execution of physicist Stanley Kent on a Mulholland Drive overlook. When a special FBI unit, headed by Walling, arrives and tries to usurp his case, claiming it's a matter of national security, Bosch refuses to back down. Walling's focus on the potential theft of radioactive material from the hospital where Kent was lending his expertise to cancer treatment and her unwillingness to share information only make Bosch more determined to solve the case. This is a quick read, almost half the length of Connelly's previous novels, but he spares no punches when it comes to complexity and suspense. The scramble to investigate threats to national security, justified or otherwise, is a timely subject and one on which Connelly puts a brilliant new spin. (May 22) Copyright 2007 Reed Business Information. -- PUBLISHERS WEEKLY.

Author Information

Bio of Michael Connelly

MICHAEL CONNELLY decided to become a writer after discovering the books of Raymond Chandler while attending the University of Florida. Once he decided on this direction he chose a major in journalism and a minor in creative writing--a curriculum in which one of his teachers was novelist Harry Crews. After graduating in 1980, Connelly worked at newspapers in Daytona Beach and Fort Lauderdale, Florida, primarily specializing in the crime beat. In Fort Lauderdale he wrote about police and crime during the height of the murder and violence wave that rolled over South Florida during the so-called cocaine wars. In 1986, he and two other reporters spent several months interviewing survivors of a major airline crash. They wrote a magazine story on the crash and the survivors which was later short-listed for the Pulitzer Prize for feature writing. You can read this story at the Sun-Sentinel web site. The magazine story also moved Connelly into the upper echelons of journalism, landing him a job as a crime reporter for the Los Angeles Times, one of the largest papers in the country, and landing him in the city about which Chandler, his literary hero, had written. After three years on the crime beat, Connelly began writing his first novel to feature LAPD Detective Hieronymus Bosch. The novel, The Black Echo, based in part on a true crime that had occurred in Los Angeles, was published in 1992, and later won the Edgar Award for best first novel by the Mystery Writers of America. Connelly followed up with three more Bosch books, The Black Ice, The Concrete Blonde, and The Last Coyote, before publishing The Poet, a thriller with a newspaper reporter as a protagonist, in 1996. In 1997, he went back to Bosch with Trunk Music, and in 1998 another non-series thriller, Blood Work, was published. Blood Work was inspired in part by a friend's receiving of a heart transplant and the attendant "survivor's guilt" the friend experienced, knowing that someone died in order that he have the chance to live. Connelly has been interested and fascinated by those same feelings as expressed by the survivors of the plane crash he wrote about years before. Blood Work is soon to be released as a major motion picture in early fall 2002 starring Clint Eastwood, Anjelica Houston, and Jeff Daniels. Angels Flight was released in 1999 and was another entry in the Harry Bosch series. Void Moon, was released in 2000, and introduced a new character, Cassie Black, a high-stakes Las Vegas thief. His 2001 release, A Darkness More Than Night, united Harry Bosch with Terry McCaleb from Blood Work, and was named one of the Best Books Of 2001 by the Los Angeles Times. Michael Connelly was also one of the creators, writers, and consulting producers of Level 9, a TV show about a task force fighting cyber crime that ran on UPN in the fall of 2000.. Connelly's books have won the Edgar, Anthony, Macavity, Nero, Maltese Falcon (Japan), .38 Caliber (France), and Grand Prix (France) awards. He lives with his wife and daughter. - Bio courtesy of www.michaelconnelly.com

Customer Reviews

  • 2 stars out of 5Same old, Same old

    Posted September 21, 2009 by love2travel2gthr, Scottsdale, AZ

    I actually read this book twice in a short period of time and could barely remember the first time I read it. It is just an o.k. book. The story is so ordinary, nothing really special or intriguing. You can guess what is going to happen every step of the way. Cannot say that I would recommend it.

Additional Info

Imprint

Hachette Book Group USA

Filesize

426.27 KB

Number of Pages

240

eBook ISBN

031600524X

Excerpt from: The Overlook by Michael Connelly

ONE

The call came at midnight. Harry Bosch was awake and sitting in the living room in the dark. He liked to think that he was doing this because it allowed him to hear the saxophone better. By masking one of the senses he accentuated another.

But deep down he knew the truth. He was waiting.

The call was from Larry Gandle, his supervisor in Homicide Special. It was Bosch's first call out in the new job. And it was what he had been waiting for.

"Harry, you up?"

"I'm up."

"Who's that you got playing?"

"Frank Morgan, live at the Jazz Standard in New York. That's George Cables you're hearing now on piano."

"Sounds like 'All Blues.' "

"You nailed it."

"Good stuff. I hate to take you away from it."

Bosch used the remote to turn the music off.

"What's the call, Lieutenant?"

"Hollywood wants you and Iggy to come out and take over a case. They've already caught three today and can't handle a fourth. This one also looks like it might become a hobby. It looks like an execution."

The Los Angeles Police Department had seventeen geographic divisions, each with its own station and detective bureau, including a homicide squad. But the divisional squads were the first line and couldn't get bogged down on long-running cases. When a murder came with any sort of political, celebrity or media attachment, it was usually shuttled down to Homicide Special, which operated out of the Robbery-Homicide Division in Parker Center. Any case that appeared to be particularly difficult and time-consuming -- that would invariably stay active like a hobby -- would also be an immediate candidate for Homicide Special. This was one of those.

"Where is it?" Bosch asked.

"Up on that overlook above the Mulholland Dam. You know the place?"

"Yeah, I've been up there."

Bosch got up and walked to the dining room table. He opened a drawer designed for silverware and took out a pen and a small notebook. On the first page of the notebook he wrote down the date and the location of the murder scene.

"Any other details I should know?" Bosch asked.

"Not a lot," Gandle said. "Like I said, it was described to me as an execution. Two in the back of the head. Somebody took this guy up there and blew his brains out all over that pretty view."

Bosch let this register a moment before asking the next question.

"Do they know who the dead guy is?"

"The divisionals are working on it. Maybe they'll have something by the time you get over there. It's practically in your neighborhood, right?"

"Not too far."

Gandle gave Bosch more specifics on the location of the crime scene and asked if Harry would make the next call out to his partner. Bosch said he would take care of it.

"Okay, Harry, get up there and see what's what, then call me and let me know. Just wake me up. Everybody else does."

Bosch thought it was just like a supervisor to complain about getting woken up to a person he would routinely wake up over the course of their relationship.

"You got it," Bosch said.

Bosch hung up and immediately called Ignacio Ferras, his new partner. They were still feeling their way. Ferras was more than twenty years younger and from another culture. The bonding would happen, Bosch was sure, but it would come slowly. It always did.

Ferras was awakened by Bosch's call but became alert quickly and seemed eager to respond, which was good. The only problem was that he lived all the way out in Diamond Bar, which would put his ETA at the crime scene at least an hour off. Bosch had talked to him about it the first day they had been assigned as partners but Ferras wasn't interested in moving. He had a family support system in Diamond Bar and wanted to keep it.