Blood Work

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Overview

Sometimes it takes fresh blood to solve old killings.
After the stunning bestsellers The Poet and Trunk Music, Michael Connelly's readers have come to expect thrillers with almost unbearable drama and unforgettable characters. In Blood Work, Connelly surpasses even his own high standards.

"Blood Work"--that's what Terrell McCaleb used to call his job at the FBI. Until a heart condition forced him to take early retirement, he headed all investigations of serial murders in the Los Angeles area. Now he is recovering from a heart transplant operation and leads a quiet life. His goal is simple: to finish restoring the fishing boat he lives on in Los Angeles Harbor and return to his hometown on Catalina Island.

But McCaleb's calm seas turn rough when a story in the L.A. Times brings him face-to-face with Graciela Rivers, a darkly intriguing woman who hooks him with the story of her sister's unsolved murder.

Against doctor's orders and his own better judgment, McCaleb agrees to take up the case. As he sifts through the evidence, it seems at first like a random crime. But then he notices details that don't make sense--until he looks at the case from a radically unsettling point of view. Soon Terry is on the trail of a killer whose crimes are more baffling and horrifying than anything he has ever encountered. It's a mind-bending, breakneck case that leads McCaleb into the darkest place he's ever known, unsure whether he even wants to survive his own investigation.

Editorial Reviews

Connelly follows up Trunk Music with a tautly paced, seductively involving thriller about a murder that is less random than it seems. Ex-FBI agent Terry McCaleb is recuperating from a heart transplant when beautiful Graciela Rivers walks up to his San Pedro houseboat, tells him that the donor of his new heart, her sister Gloria, was murdered in a convenience-store robbery and asks him to find the killer. Although his doctor warns him against it, McCaleb can't resist the case (any more than he could resist the serial-murder cases that caused his heart attack in the first place). With no license and little cooperation from the police, McCaleb reviews the evidence and connects a second murder to Gloria's killer. But it's only when he discovers that souvenirs have been taken from the victims that McCaleb realizes he is dealing with a type of killer with which he is all too familiar. Even working with seemingly shopworn material, Connelly produces fresh twists and turns, and, as usual, packs his plot with believable, logical surprises. He adds a moral twist by establishing a frightening bond between the hunter and the hunted, intimately connecting his detective to the criminal's guilt. Fans of Connelly's Harry Bosch novels will feel right at home with this beautifully constructed, powerfully resonating thriller, and newcomers will see right away what all the fuss has been about. Author tour. (Mar.) -- PUBLISHERS WEEKLY.

Author Information

Bio of Michael Connelly

MICHAEL CONNELLY decided to become a writer after discovering the books of Raymond Chandler while attending the University of Florida. Once he decided on this direction he chose a major in journalism and a minor in creative writing--a curriculum in which one of his teachers was novelist Harry Crews. After graduating in 1980, Connelly worked at newspapers in Daytona Beach and Fort Lauderdale, Florida, primarily specializing in the crime beat. In Fort Lauderdale he wrote about police and crime during the height of the murder and violence wave that rolled over South Florida during the so-called cocaine wars. In 1986, he and two other reporters spent several months interviewing survivors of a major airline crash. They wrote a magazine story on the crash and the survivors which was later short-listed for the Pulitzer Prize for feature writing. You can read this story at the Sun-Sentinel web site. The magazine story also moved Connelly into the upper echelons of journalism, landing him a job as a crime reporter for the Los Angeles Times, one of the largest papers in the country, and landing him in the city about which Chandler, his literary hero, had written. After three years on the crime beat, Connelly began writing his first novel to feature LAPD Detective Hieronymus Bosch. The novel, The Black Echo, based in part on a true crime that had occurred in Los Angeles, was published in 1992, and later won the Edgar Award for best first novel by the Mystery Writers of America. Connelly followed up with three more Bosch books, The Black Ice, The Concrete Blonde, and The Last Coyote, before publishing The Poet, a thriller with a newspaper reporter as a protagonist, in 1996. In 1997, he went back to Bosch with Trunk Music, and in 1998 another non-series thriller, Blood Work, was published. Blood Work was inspired in part by a friend's receiving of a heart transplant and the attendant "survivor's guilt" the friend experienced, knowing that someone died in order that he have the chance to live. Connelly has been interested and fascinated by those same feelings as expressed by the survivors of the plane crash he wrote about years before. Blood Work is soon to be released as a major motion picture in early fall 2002 starring Clint Eastwood, Anjelica Houston, and Jeff Daniels. Angels Flight was released in 1999 and was another entry in the Harry Bosch series. Void Moon, was released in 2000, and introduced a new character, Cassie Black, a high-stakes Las Vegas thief. His 2001 release, A Darkness More Than Night, united Harry Bosch with Terry McCaleb from Blood Work, and was named one of the Best Books Of 2001 by the Los Angeles Times. Michael Connelly was also one of the creators, writers, and consulting producers of Level 9, a TV show about a task force fighting cyber crime that ran on UPN in the fall of 2000.. Connelly's books have won the Edgar, Anthony, Macavity, Nero, Maltese Falcon (Japan), .38 Caliber (France), and Grand Prix (France) awards. He lives with his wife and daughter. - Bio courtesy of www.michaelconnelly.com

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Additional Info

Imprint

Hachette Book Group USA

Filesize

1.90 MB

Number of Pages

480

eBook ISBN

9780316008518

Excerpt from: Blood Work by Michael Connelly

1
McCALEB SAW HER before she saw him. He was coming down the main dock, past the row of millionaires' boats, when he saw the woman standing in the stern of The Following Sea. It was half past ten on a Saturday morning and the warm whisper of spring had brought a lot of people out to the San Pedro docks. McCaleb was finishing the walk he took every morning--completely around Cabrillo Marina, out along the rock jetty and back. He was huffing by this part of the walk, but he slowed his pace even more as he approached the boat. His first feeling was annoyance--the woman had boarded his boat uninvited. But as he got closer, he put that aside and wondered who she was and what she wanted.
She wasn't dressed for boating. She had on a loose summer dress that came to mid-thigh. The breeze off the water threatened to lift it and so she kept one hand at her side to keep it down. McCaleb couldn't see her feet yet but he guessed by the taut lines of the muscles he saw in her brown legs that she wasn't wearing boat shoes. She had raised heels on. McCaleb's immediate read was that she was there to make some kind of impression on someone.
McCaleb was dressed to make no impression at all. He had on an old pair of jeans ripped by wear, not for style, and a T-shirt from the Catalina Gold Cup tournament a few summers before. The clothes were spattered with stains--mostly fish blood, some of his own blood, marine, polyurethane and engine oil. They had served him as both fishing and work clothes. His plan was to use the weekend to work on the boat and he was dressed accordingly.
He became more self-conscious about his appearance as he drew closer to the boat and could see the woman better. He pulled the foam pads of his portable off his ears and turned off the CD in the middle of Howlin' Wolf singing "I Ain't Superstitious."
"Can I help you?" he asked before stepping down into his own boat.
His voice seemed to startle her and she turned away from the sliding door that led into the boat's salon. McCaleb figured she had knocked on the glass and was waiting, expecting him to be inside.
"I'm looking for Terrell McCaleb."
She was an attractive woman in her early thirties, a good decade or so younger than McCaleb. There was a sense of familiarity about her but he couldn't quite place it. It was one of those vu things. At the same time he felt the stir of recognition, it quickly flitted away and he knew he was mistaken, that he did not know this woman. He remembered faces. And hers was nice enough not to forget. She had mispronounced the name, saying Mc-Cal-ub instead of Mc-Kay-Leb, and used the formal first name that no one ever used except the reporters. That's when he began to understand. He knew now what had brought her to the boat. Another lost soul come to the wrong place.
"McCaleb," he corrected. "Terry McCaleb."
"Sorry. I, uh, I thought maybe you were inside. I didn't know if it was okay to walk on the boat and knock."
"But you did anyway."
She ignored the reprimand and went on. It was as if what she was doing and what she had to say had been rehearsed.
"I need to talk to you."
"Well, I'm kind of busy at the moment."
He pointed to the open bilge hatch she was lucky not to have fallen into and the tools he had left spread out on a drop cloth by the stern transom.