October Suite: A Novel

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Overview

"The air cools to crisp, carries sound farther. Last pears ripen and fall, ferment on the ground; the aroma of their wine mixes with the pungency of leaf smoke from nowhere and everywhere. At nightfall, the wing-song shrill of crickets announces that this season has a natural pathos to it, the brief and flaming brilliance of everything at the climax of life moving toward death. "October Brown had named herself for all of that." So begins this beautifully written coming-of-age story about a young woman who struggles to overcome her family's frightening legacy and keep her own child from similar emotional harm. It is 1950 and October Brown is a twenty-three-year-old first-year teacher thanking her lucky stars that she found a room in the best boardinghouse for Negro women teachers in Wyandotte County, Kansas. October falls in love with an unhappily married handyman, James Wilson, but when she becomes pregnant, James deserts her. Stunned, and believing that James will eventually come back to her, October decides to have the baby.

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Author Information

Bio of Maxine Clair

Teaches writing at George Washington University. She is the author of Rattlebone, which won the Chicago Tribune's 1994 Heartland Prize for fiction, the American Library Association's Black Caucus Award, and the Friends of American Literature Award. She lives in Maryland. 010

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Additional Info

Imprint

Random House

Filesize

654.6 KB

Number of Pages

563

eBook ISBN

9781588360595

Awards

  • Hurston/Wright Legacy Award

Excerpt from: October Suite by Maxine Clair

CHAPTER 1

In the Midwest, October comes in when the pale coverlet of sky lifts away, exposing an eternity of deep and certain blue. The sun no longer stares, merely glances and makes long shadows much like the uneven fading of green from trees just before the lesser pigments fire-light the whole outdoors. The air cools to crisp, carries sound farther. Last pears ripen and fall, ferment on the ground; the aroma of their wine mixes with the pungency of leaf smoke from nowhere and everywhere. At nightfall, the wing-song shrill of crickets announces that this season has a natural pathos to it, the brief and flaming brilliance of everything at the climax of life moving toward death.

October Brown had named herself for all of that. Unwittingly at first. When she began occasionally calling herself October, she was only ten years old. Others said it was ridiculous, said she was nobody trying to be somebody. But she made convincing noises about given names, how you could give one to yourself, how it could be more like you than your real name. She never dared say she hated the name that her father had saddled on her, never said the new name had anything to do with the memory of her mother, who had lost her life. Instead she had mentioned all the strange names of people they knew, like Daybreak Honor, and a classmate ' s aunt, Fourteen. The pastor of their church had named his daughter Dainty. Usually that fact had made people stop and consider.

Then when she was girl-turned-grown-seventeen, struck by her own strangeness and by the whole idea of seasons, she had put it on like a coat and fastened it around her. October was her name.

Midmorning, on a flaming day in that season ' a Saturday ' October sat in the upstairs kitchenette at Pemberton House, sewing on her black iron Singer. It was 1950. She was twenty-three, and thanking her lucky stars for a room in the best house for Negro women teachers in Wyandotte County. Situated in the middle of the block on Oceola Avenue, the two-story white clapboard set the standard for decent, with its deep front yard and arborlike pear trees, its clipped hedges and the painted wicker chairs on the porch.

From her window she could look down on the backyard and see Mrs. Pemberton ' s precious marigolds bunched along the back fence, and in front of them, a few wilting tomato plants and short rows of collards that waited to be tenderized by the first frost in Mr. Pemberton ' s garden.