Bones: Buried Deep

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Overview

Tempe's work at the Jeffersonian Institute is put on hold when Special Agent Seeley Booth, stalled on a case deposing a Chicago mob family, calls her in to assist with a bizarre discovery: a plastic bag of skeletal remains -- and a chilling note -- left on the steps of a federal building. Tempe determines the bones are from different corpses, suggesting a serial killer's handiwork. A suspect is quickly taken into custody, but Tempe senses the case is far from closed. And as Booth's Mafia case heats up with violent twists and bloody discoveries, including ties to one of Chicago's most gruesome and notorious killers, Tempe must unravel the story of the bones, where the truth lies buried -- in order to stay alive.

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Author Information

Bio of Max Allan Collins

Max Allen Collins was born in 1948 in Muscatine, Iowa. He is a two-time winner of the Private Eye Writer's of America's Shamus Award for his Nathaniel Heller historical thrillers "True Detective" and "Stolen Away". Collins also wrote the Dick Tracy comic strip begining in 1977 and ending in the early 1990s. He has contributed to a number of other comics, including Batman. Collins created his first independent feature film, Mommy, following a nightmarish experience as screenwriter on the cable movie The Expert. Collins has been contracted by DC Comics to write three tie-ins to his critically acclaimed graphic novel "The Road to Perdition", which was adapted into the feature film. Author of other such move tie-in bestsellers as "In the Line of Fire" and "Air Force One", he is also the screenwriter/director of the cult favorite suspense films "Mommie" and "Mommie's Day".

Bio of Kathy Reichs

Kathy Reichs, like her character Temperance Brennan, is a forensic anthropologist, formerly for the Office of the Chief Medical Examiner in North Carolina and currently for the Laboratoire de sciences judiciaires et de medecine legale for the province of Quebec. A professor in the department of anthropology at the University of North Carolina at Charlotte, she is one of only seventy-nine forensic anthropologists ever certified by the American Board of Forensic Anthropology, is past Vice President of the American Academy of Forensic Sciences, and serves on the National Police Services Advisory Board in Canada. Reichs's first book, Deja Dead, catapulted her to fame when it became a New York Times bestseller and won the 1997 Ellis Award for Best First Novel. Her novel, Devil Bones, was a #1 New York Times bestseller.

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Additional Info

Imprint

Pocket

Filesize

455.10 KB

Number of Pages

320

eBook ISBN

9781416531111

Excerpt from: Bones by Max Allan Collins

1
The Present
LIKE A THICK OIL SLICK SPREADING OVER LAKE Michigan, an oppressive wave of heat coated Chicago, as it had since early spring.

The summer-long drought, coupled since late July with a garbage strike, made for long nights and longer days in a city where aromas were high and tempers were short. Piles of garbage accrued over the last seven weeks had become giant disease-bearing compost heaps.

Op-ed writers for the newspapers were referring to Chicago as "Fecund City" and "The City of Big Smoulders," but neither side budged in the strike negotiations, and Mother Nature seemed to have decided to simply parboil the city.

In this town where smiles were rare about now, Special Agent Seeley Booth sat in a meeting room of the Everett M. Dirksen Federal Building barely able to contain his grin.

He'd been working on the case against Chicago Mafia bosses Raymond and Vincent Gianelli for most of the last six months, and now with the help of a Gianelli crony turned informant Booth had father and son in his sights.

Sitting on the prosecution side of the table, Booth exuded quiet confidence. Which was, after all, part of the profile for an FBI agent; but with his square jaw, close-cropped brown hair, and steel-blue eyes, his confidence today approached cockiness.

Even though this wasn't a court day, Booth had worn his "testifying" suit, the number every law enforcement professional kept bagged in the closet for those special days in court.

Booth's was a charcoal gray with a lighter pinstripe and had cost him just a little less than his first car; but today he wanted to look as good as he felt.

Next to Booth, federal prosecutor Daniel McMichael scribbled on a yellow legal pad that lay next to a stack of papers. His black hair receding and parted on the left, McMichael wore a gray suit easily twice as expensive as Booth's.

The prosecutor had dark eyes that could be warm and friendly to those on his side, and icy and aloof to his enemies. A bulbous nose squatted between high, chubby cheeks and over a mouth that turned up a couple of degrees at the corners in what passed for a smile.

Dan McMichael had the wide shoulders and strong arms of an athlete, compromised by the slightly soft look of one whose playing days were long behind him. If his career had been baseball instead of prosecution, McMichael would be the MVP who went on to become the crusty but benign manager who quietly passed advice to his high-strung young players.

Booth had worked a couple of cases with McMichael and respected the attorney's no-nonsense approach. They had carved out convictions both times and the perps were now spending long sentences in federal prisons.

To their left, sitting inconspicuously in a corner, was Anna Jones, a petite blonde court recorder with brown eyes and what Booth interpreted as a slightly openmouthed smile intended just for him.