After: A Novel
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Overview
Police officer Carson Pierce is cocky and confident and, he believes, untouchable, until the night he pulls over a young man for driving his Lexus without headlights. A brief scuffle leaves the son of an affluent black family dead, his hand holding the cell phone Pierce assumed was a gun. With a surgeon's precision, Marita Golden gets inside the mind of a man caught in a nightmare. She traces his descent through a maze of self-recrimination and shame; his bouts of drinking; the humiliation he suffers when his wife and children leave him; and his alienation from his colleagues. As Pierce struggles to put his life back together, Golden creates rich and telling portraits of his family: his devoted wife, Bunny, who watched as years of wearing the "suit"-the phrase she uses to describe her husband's uniform-changed the man she married; his estranged father; and his son, Juwan, whose uneasy relationship with his father grows more difficult as Juwan accepts his identity as a gay teen.
Editorial Reviews
The author of half a dozen books on race, both fiction and nonfiction, Golden tackles the subject from a different perspective in her latest novel about a black policeman who kills an innocent young black man. Thinking the driver he just pulled over is reaching for a gun, Maryland police officer Carson Blake shoots first. But what Carson thought was a gun turns out to be a cellphone. Carson; his wife, Bunny; and their three children struggle through the aftermath as Golden explores the baggage that comes with the badge for a black family man. The story has potential, but Golden's flat prose and bloodless dialogue drain it. She does offer some studied insight into a fraught dynamic, but the novel as a whole is standard and sentimental. (May) Copyright 2006 Reed Business Information. -- PUBLISHERS WEEKLY.
Author Information
Bio of Marita Golden
MARITA GOLDEN has written both fiction and nonfiction, including Migrations of the Heart, The Edge of Heaven, A Miracle Every Day, and Saving Our Sons. She is the editor of Wild Women Don ' t Wear No Blues: Black Women Writers on Love, Men and Sex and the coeditor of Gumbo: An Anthology of African American Writing and of Skin Deep: Black Women and White Women Write About Race. She is the founder and CEO of the Hurston/Wright Foundation, which supports African American writers, and lives in Maryland. Please visit Marita at www.maritagolden.com.
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Additional Info
Imprint
Random House
Filesize
646.98 KB
Number of Pages
256
eBook ISBN
9780385517027
Awards
- Black Caucus of the America Library Association Award
Excerpt from: After by Marita Golden
The bullets discharge from the muzzle of Officer Carson Blake's sixteen-round Beretta with the tinny, explosive popping sound of a toy gun. He will not remember exactly how many shots he fires so wildly. Fires with pure intent. Fires, he is sure, to save his life. In the first seconds after the shattering sound of the bullets subsides, he would say, if asked right then, that he had fired every bullet in his gun. Never before has his gun been so large. Never before has it weighed so much. He's dizzy and breathless. His heart beats so fast, he can't believe he is still standing.
When he shoots the man, everything, all of it, unfolds as if in slow motion. He wants to look away. He dares not turn his gaze. The first bullet boring through the man's thick neck riddled with razor bumps, the force twisting his head to the side, as though he is looking with those astonished, horribly open, not yet dead eyes to see where the bullet comes from. The second bullet piercing the skin of the black leather jacket, lodging in the flesh of his shoulder. The third bullet, fired at his groin, bringing him to his knees and then onto his face, sprawled flat out on the parking lot forty feet from the entrance to the Chinese restaurant The House of Chang.
Carson stands staring at the man on the pavement, his body a bloody heap illuminated by the fluorescence of the mall parking lot lights, and sees the cell phone a few feet from the man's hand, and he prays for the ground beneath his feet to shift in a cataclysmic rumble and swallow him whole. A cell phone, he thinks, unbelieving. A cell phone. Not a gun. He hurls a howl, deep and guttural, into the night. Sinking to his knees, he touches the man, turns him over onto his back, sees the bulbous, bloody wound in his neck, smells the sharp odor of his sodden groin, desperate now to find, to feel, a pulse. There is none. There is only the cell phone. Looking up in desperation, Carson sees a sky unfamiliar and frightening, in which he can fathom not a single star, a vastness that makes him wish for wings.
Carson tries to stand but cannot, and he crawls a few feet away and vomits. When there is no more sickness to spill from his gut, he wipes his mouth and shouts at the dead man, through trembling lips stained with a blistering splash of tears, "What the fuck were you doing Why didn't you just do what I said "
* * *
There is nothing on this night that hints at disaster. After twelve years on the force, Carson can tell when a shift will be hell on wheels. On those shifts, the dispatcher begins reciting an address and an "incident" (car crash, domestic disturbance, robbery, brawl, accident, murder) even before Carson is belted behind the wheel. Then there are the calm, quiet shifts when hour after hour he's numb with boredom, cruising the nine square miles of his police service area, and after a couple of hours he begins looking for a safe place to park and take a nap.














