Four Souls: A Novel

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Overview

A strange and compelling unkillable woman decides to leave home, and the story begins. Fleur Pillager takes her mother's name, Four Souls, for strength and walks from her Ojibwe reservation to the cities of Minneapolis and Saint Paul. She is seeking restitution from and revenge on the lumber baron who has stripped her reservation. But revenge is never simple, and she quickly finds her intentions complicated by her own dangerous compassion for the man who wronged her.

Editorial Reviews

Fleur Pillager, one of Erdrich's most intriguing characters, embarks on a path of revenge in this continuation of the Ojibwe saga that began with Tracks. As a young woman, Fleur journeys from her native North Dakota to avenge the theft of her land. In Minneapolis, she locates the grand house of the thief: one John James Mauser, whom she plans to kill. But Fleur is patient and stealthy; she gets herself hired by Mauser's sister-in-law, Polly Elizabeth, as a laundress. Polly acts as the household manager, tending to the invalid Mauser as well as her sister, the flaky and frigid Placide. Fleur upends this domestic arrangement by ensnaring Mauser, who marries her in a desperate act of atonement. Revenge becomes complicated as Fleur herself suffers under its weight: she descends into alcoholism and gives birth to an autistic boy. In Erdrich's trademark style, chapters are narrated by alternating characters-in this case Polly Elizabeth, as well as Nanapush, the elderly man from Tracks, and his wife, Margaret. (Nanapush and Margaret's relationship, and the jealousies and revenge that ensue, play out as a parallel narrative.) More so than in other of Erdrich's books, this tale feels like an insider's experience: without the aid of jacket copy, new readers will have trouble feeling a sure sense of place and time. And Fleur herself-though fascinating-remains elusive. Nevertheless, the rich detail of Indian culture and community is engrossing, and Erdrich is deft (though never heavy-handed) in depicting the struggle to keep this culture alive in the face of North American "progress." The themes of fruitless revenge and redemption are strong here, especially when combined with the pull of her lyrical prose; Erdrich may not ensnare many new readers, but she will certainly satisfy her already significant audience. Agent, Andrew Wylie. (July 2) Copyright 2004 Reed Business Information. -- PUBLISHERS WEEKLY.

Author Information

Bio of Louise Erdrich

The daughter of a full-blooded Chippewa, Louise Erdrich was born on July 6, 1954 in Little Falls, Minnesota, the daughter of Ralph and Rita Erdrich, both of whom were employed by the Bureau of Indian Affairs. Erdrich's heritage may explain her focus and interest in the Native Americans who populate her writing. In speaking of her childhood, Erdrich relates how her father used to give her a nickel for every story she wrote and her mother would provide construction paper for book covers. She always felt like a published author. In 1981 Erdrich married Native American author Michael Dorris and together they published The World's Greatest Fisherman, which won the Nelson Algren Award in 1982. In 1984 she won the National Book Critics Circle Award for Love Medicine, which is an expansion of the story she cowrote with Dorris. Love Medicine was also awarded the Virginia McCormick Scully Prize (1984), the Sue Kaufman Prize (1985) and the Los Angeles Times Award for best novel (1985). In addition to her prose, Erdrich has written several volumes of poetry, a textbook, and short stories and essays for popular magazines. She has been the recipient of numerous awards for professional excellence, including the National Magazine Fiction Award in 1983 and a first-prize O. Henry Award in 1987. Erdrich has also taught writing at Johns Hopkins University and Dartmouth College.

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Additional Info

Imprint

HarperCollins

Filesize

786.40 KB

Number of Pages

240

eBook ISBN

9780061158896

Awards

  • New York Times Notable Books of the Year
  • PEN Center USA West Literary Awards

Excerpt from: Four Souls by Louise Erdrich

The Roads

Nanapush

Fleur took the small roads, the rutted paths through the woods traversing slough edge and heavy underbrush, trackless, unmapped, unknown and always bearing east. She took the roads that the deer took, trails that hadn't a name yet and stopped abruptly or petered out in useless ditch. She took the roads she had to make herself, chopping alder and flattening reeds. She crossed fields and skirted lakes, pulled her cart over farmland and pasture, heard the small clock and shift of her ancestors' bones when she halted, spent of all but the core of her spirit. Through rain she slept beneath the cart's bed. When the sun shone with slant warmth she rose and went on, kept walking until she came to the iron road.

The road had two trails, parallel and slender. This was the path she had been looking for, the one she wanted. The man who had stolen her trees took this same way. She followed his tracks.

She nailed tin grooves to the wheels of her cart and kept going on that road, taking one step and then the next step, and the next. She wore her makizinan to shreds, then stole a pair of boots off the porch of a farmhouse, strangling a fat dog to do it. She skinned the dog, boiled and ate it, leaving only the bones behind, sucked hollow. She dug cattails from the potholes and roasted the sweet root. She ate mud hens and snared muskrats, and still she traveled east. She traveled until the iron road met up with another, until the twin roads grew hot from the thunder and lightning of so many trains passing and she had to walk beside