Books and Islands in Ojibwe Country (Directions Series)
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Overview
Setting out with her infant daughter and the baby's father, an Ojibwe spiritual leader and guide, Louise Erdrich embarks on an evocative journey to the islands of her forebearers in southern Ontario. She arrives in a small boat on Lake of the Woods to visit powerful, centuries-old rock paintings that are still read by contemporary Ojibwe as ''teaching and dream guides.'' In this rich memoir Erdrich compellingly writes about the Ojibwe spirits and songs, language, and sorrows that have passed down through generations. Erdrich later travels to Rainy Lake, to an island of real books, the world of an exuberant eccentric and close friend to the Ojibwe, who established an extraordinary library there a hundred years ago. Set against powerful prose about her own family and contemporary life Books & Islands in Ojibwe Country is an intensely thoughtful, intimate, and fascinating cultural excursion.
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Author Information
Bio of Louise Erdrich
The daughter of a full-blooded Chippewa, Louise Erdrich was born on July 6, 1954 in Little Falls, Minnesota, the daughter of Ralph and Rita Erdrich, both of whom were employed by the Bureau of Indian Affairs. Erdrich's heritage may explain her focus and interest in the Native Americans who populate her writing. In speaking of her childhood, Erdrich relates how her father used to give her a nickel for every story she wrote and her mother would provide construction paper for book covers. She always felt like a published author. In 1981 Erdrich married Native American author Michael Dorris and together they published The World's Greatest Fisherman, which won the Nelson Algren Award in 1982. In 1984 she won the National Book Critics Circle Award for Love Medicine, which is an expansion of the story she cowrote with Dorris. Love Medicine was also awarded the Virginia McCormick Scully Prize (1984), the Sue Kaufman Prize (1985) and the Los Angeles Times Award for best novel (1985). In addition to her prose, Erdrich has written several volumes of poetry, a textbook, and short stories and essays for popular magazines. She has been the recipient of numerous awards for professional excellence, including the National Magazine Fiction Award in 1983 and a first-prize O. Henry Award in 1987. Erdrich has also taught writing at Johns Hopkins University and Dartmouth College.
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Additional Info
Imprint
National Geographic
Filesize
1.92 MB
Number of Pages
160
eBook ISBN
9781426201844
Excerpt from: Books and Islands in Ojibwe Country (Directions Series) by Louise Erdrich
CHAPTER ONE
Books and Islands
My travels have become so focused on books and islands that the two have merged for me. Books, islands. Islands, books. Lake of the Woods in Ontario and Minnesota has 14,000 islands. Some of them are painted islands, the rocks bearing signs ranging from a few hundred to more than a thousand years old. So these islands, which I'm longing to read, are books in themselves. And then there is a special island on Rainy Lake that is home to thousands of rare books ranging from crumbling copies of Erasmus in the French and Heloise's letters to Abelard dated MDCCXXIII, to first editions of Mark Twain (signed) to a magnificent collection of ethnographic works on the Ojibwe that might help explain the book-islands of Lake of the Woods.
I am not traveling alone. First my eighteen-month-old and still nursing daughter and I will pop over the Canada-U.S. border and visit Lake of the Woods and the lands of her namesake, her grandmother. Then we'll dip below the border and travel east to Rainy Lake. We'll put about a thousand miles on our car and several hundred on other people's boats. I'm forty-eight years old and I can't travel aimlessly. I always seem to have a question that I would like to answer. Increasingly, too, it is the same question. It is the question that has defined my life, the question that has saved my life, and the question that most recently has resulted in the questionable enterprise of starting a bookstore. The question is: Books. Why? The islands are really incidental. I'm not much in favor of them. I grew up on the Great Plains. I'm a dryland-for-hundreds-of-miles person, but I've gotten mixed up with people who live on lakes. And then these islands have begun to haunt me, especially the one with all of the books.
Mazina'iganan is the word for "books" in Ojibwemowin or Anishinabemowin, and mazinapikiniganan is the word for "rock paintings." Ojibwemowin is the Algonquin language originally spoken by the Ojibwe people living throughout Michigan, Minnesota, Ontario, Manitoba, and on into North Dakota. As you can see, both words begin with "mazina." It is the root for dozens of words all concerned with made images and with the substances upon which the images are put, mainly paper or screens. As the Ojibwe people began to watch television and go to movies, the word came in handy. Mazinaatesewigamig. Movie Theater. Mazinatesijigan. Television set. They had a root word ready to make into a verb way back when Edward Curtis and later Ernest Oberholtzer came to photograph them. Mazinaakizo. To be photographed. (Nothing about stealing souls in the word mazinaakizo. Photographers did not take Ojibwe souls, it wasn't that easy. Soul theft required the systematic hard work of inventive humiliations and abuse by the government and by Catholic nuns and priests.)
The Ojibwe had been using the word mazinibaganjigan for years to describe dental pictographs made on birchbark, perhaps the first books made in North America. Yes, I figure books have been written around here ever since someone had the idea of biting or even writing on birchbark with a sharpened stick. Books are nothing all that new. People have probably been writing books in North America since at least 2000 B.C. Or painting islands. You could think of the lakes as libraries. 2000 B.C. is only the date of the oldest archaeological evidence people left in the area we are going to visit. Traditional Anishinaabe people find the land-bridge theory a concept convenient to non-Indians and insist they've been here forever. And in truth, since the writing or drawings that those ancient people left still makes sense to people living in Lake of the Woods today, one must conclude that they weren't the ancestors of the modern Ojibwe. They were and are the modern Ojibwe.
Books. Why?
Because our brains hurt.














