There's a (Slight) Chance I Might Be Going to Hell: A Novel of Sewer Pipes, Pageant Queens, and Big Trouble
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Overview
The first novel from the New York Times bestselling author of The Idiot Girls' Action-Adventure Club is a rollicking tale of small-town peculiarity, dark secrets, and one extraordinary beauty pageant.
When her husband is offered a post at a small university, Maye is only too happy to pack up and leave the relentless Phoenix heat for the lush green quietude of Spaulding, Washington. While she loves the odd little town, there is one thing she didn't anticipate: just how heartbreaking it would be leaving her friends behind. And when you're a childless thirtysomething freelance writer who works at home, making new friends can be quite a challenge.
After a series of false starts nearly gets her exiled from town, Maye decides that her last chance to connect with her new neighbors is to enter the annual Sewer Pipe Queen Pageant, a kooky but dead-serious local tradition open to contestants of all ages and genders. Aided by a deranged former pageant queen with one eyebrow, Maye doesn't just make a splash, she uncovers a sinister mystery that has haunted the town for decades.
Editorial Reviews
Humorist Notaro (The Idiot Girls' Action-Adventure Club, etc.) transitions to fiction with a comic mix of wife lit and smalltown suspense. When Maye Roberts's husband, Charlie, gets a tenure-track job at prestigious Spaulding University, childless, 30-something Maye leaves her tight-knit group of friends and job as a Phoenix reporter to move to the school's eponymous Washington State burg. While Charlie fits in easily, Maye, after a faculty dinner run-in with Dean Spaulding's wife, Rowena, feels lonely and bored. When she learns about the Sewer Pipe Queen pageant, a local tradition that guarantees the winner a town full of friends, she enters with her singing dog, inflaming Rowena further. As tensions thicken, Maye's rather notorious pageant sponsor, Ruby, may hold the key to Rowena's continuing rage and to the decades-old incident that sparked it. Though some of the plot falls flat, Notaro makes Maye's perspective strong enough to hold the story together, and the book is filled with the same winningly acerbic riffs that drive Notaro's popular essays. (June) Copyright 2007 Reed Business Information. -- PUBLISHERS WEEKLY.
Author Information
Bio of Laurie Notaro
Laurie Notaro writes a weekly humor column for the Arizona Republic newspaper. She lives with her husband and pets in Phoenix, AZ.
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Additional Info
Imprint
Random House
Filesize
747.67 KB
Number of Pages
320
eBook ISBN
9780345500045
Excerpt from: There's a (Slight) Chance I Might Be Going to Hell by Laurie Notaro
Prologue
SPRING, 1956
The moment the girl stepped onto the stage, the circle of a
spotlight swung toward her, announcing her presence
above the audience in a sheer, clean illumination. The crowd before
her suddenly quieted, as if expecting something truly spectacular
to occur. It would have to be spectacular; after all, Mary
Lou Winton, the contestant before her, had let loose a greased
baby pig onstage, which she managed to lasso, hog-tie, and
brand--with a branding iron fashioned to look like a sewer pipe,
no less--in a definitive nine seconds flat. It was, in fact, confirmed
by the audience, who counted down as Mary Lou whipped
that rope and then stomped over to plunge the glowing iron. And
it was further rumored that Ruth Watson was planning to bring
her rifle out onto the stage and shoot every winged fowl right out
of the sky, all in her evening gown attire, for her talent segment.
Farm antics, the girl scoffed to herself, wondering if such a
thing really could be considered as a talent or just an episode of
unfortunate breeding. She knew she could not let any of that
concern her as she looked out over the crowd, searching the
faces. She knew almost everyone--everyone who was waiting to
hear her sing.
She smiled softly, an expression that seemed gentle.
If only I had ruby slippers, she thought to herself. The light
that would have caught them would have been astounding, the
sparkle would have bounced off of them like rockets, far more
impressive than an oily piglet or dead birds. She looked down at
her feet, at her pair of last year's Sunday shoes--now buffed a
bright cherry red by her father, who had been so proud when he
surprised her with them--and saw that they did not sparkle, but
produced a dull, minuscule shine.
Behind her, she heard Mrs. A. Melrose from the church choir
begin playing the piano; this was her cue, and the pianist had
better keep time. Although she considered herself a devoted
Christian woman overflowing with generosity, Mrs. Melrose
thought little of donating her time to the endeavor and suggested
that instead she exchange her musical services for the girl's scrubbing
a week's worth of the accompanist's and her flatulent husband's
laundry. Despite the gruesome task that lay ahead in the
Melroses' wash bin the next day, the girl continued to smile as she
drew a deep, full breath, so full that the replica blue gingham
pinafore fashioned from a picnic tablecloth seemed to expand
slightly, making the ketchup stains that stubbornly remained on
the cloth look like she had encountered Ruth Watson's rifle. She
waited: one, two, three.
The next note was hers. She was ready.
"Somewheeeeere over the rainbow . . ."
Her voice glided sweetly over the stage into the audience and
twirled in the air above them like magic. She could see it on the
faces of the people watching her, listening to her, heads tilted
slightly to the side, as they smiled back at her. This was no pig
roping event, and no explosion of feathers was going to trickle
down from the clouds.
This was talent.
I have it, she thought giddily to herself as she finished the first
verse, as her voice continued on clear, strong, and with the right
touch of delicacy. It is mine.
She saw him, standing in the back, far beyond the crowd assembled
in the square--the most handsome man she had ever
seen in real life, the one who could save her. With a bouquet
spilling with flowers in the crook of his arm, he leaned up against
his brand-new powder-blue Packard Caribbean convertible with
its whitewall tires and gleaming, curvaceous chrome bumpers. It
was a glorious machine.













