Love, etc.

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Overview

Twice shortlisted for the Booker Prize, Julian Barnes continues to reinvigorate the novel with his pyrotechnic verbal skill and playful manipulation of plot and character. In Love, etc. he uses all the surprising, sophisticated ingredients of a delightful farce to create a tragicomedy of human frailties and needs.

After spending a decade in America as a successful businessman, Stuart returns to London and decides to look up his ex-wife Gillian. Their relationship had ended years before when Stuart's witty, feckless, former best friend Oliver stole her away. But now Stuart finds that the intervening years have left Oliver's artistic ambitions in ruins and his relationship with Gillian on less than solid footing. When Stuart begins to suspect that he may be able to undo the results of their betrayal, he resolves to act. Written as an intimate series of crosscutting monologues that allow each character to whisper their secrets and interpretations directly to the reader, Love, etc. is an unsettling examination of confessional culture and a profound refection on the power of perspective.

Editorial Reviews

The ever-brilliant Barnes concocts a mordant sexual comedy for his latest novel, taking over the later lives of three characters he introduced in the earlier Talking It Over. Straight, rather stuffy organic-food kingpin Stuart; his former best friend, the ebulliently witty layabout Oliver; and Gillian, whom Oliver stole from Stuart, address the reader in turns about just what happened (or in Oliver's case, show off for the reader in a dazzling display of verbal pyrotechnics that would bring down the house if this were a play). There's no doubt that in most ways Stuart deserves Gillian more than Oliver does, and the latter's attraction for her seems odd. On the other hand, Oliver is, unexpectedly, quite a good father, and there are hints of obtuseness and brutality about Stuart's bluff self-satisfaction. Poor Gillian, whose French-born mother also comments on the proceedings from a cynical distance, seems quite unable to decide between the two men when Stuart forcibly reenters her life. Out of their often self-serving, sometimes touchingly self-aware accounts of a handful of encounters emerges a funny, occasionally poignant look at the strange confusion between friendship and loveAas well as more than a hint that nobody truly knows just who they really are and what they are capable of. It's slight but telling and, except for Oliver's wonderful and witty set pieces, oddly subdued for Barnes, but it would make an excellent play, in the Tom Stoppard vein. (Feb. 13) Forecast: Although Barnes's succession of clever novels have won him a following here, the strongly English domesticity portrayed in Love, Etc. seems unlikely to gather him many new adherents. For connoisseurs of brilliant invective, however, it's a treat, and Knopf is anticipating that interest with a 40,000 first printing.
Copyright 2000 Reed Business Information, Inc. -- PUBLISHERS WEEKLY.

Author Information

Bio of Julian Barnes

Julian Barnes was born in Leicester, England, on January 19, 1946. Both of his parents were teachers of French, and he studied French Literature and Modern Languages at Oxford University. He has held jobs as a lexicographer for the Oxford English Dictionary, a reviewer and literary editor for the New Statesmen and the New Review, and a television critic. Barnes has written numerous award-winning works including Metroland, which won the Somerset Maugham Award in 1980, and Flaubert's Parrot, which won both the Geoffrey Faber Memorial Prize and a Prix Medicis. Barnes's works are noted for their literary depth, intellectual tone, and British styling. Barnes writes detective novels under the pseudonym Dan Kavanaugh and has given Kavanaugh a biographical identity of his own. Duffy, the hero of Duffy, Fiddle City, and Putting the Boot In, is a bisexual excop. In sharp contrast to the works under his real name, the detective stories are violent, comical, action-packed thrillers. Barnes resides in London. <P 030

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Additional Info

Imprint

Random House

Filesize

722.13 KB

Number of Pages

240

eBook ISBN

9780307426734

Awards

  • New York Times Notable Books of the Year

Excerpt from: Love, etc. by Julian Barnes

i remember you

Stuart Hello!

We've met before. Stuart. Stuart Hughes.

Yes, I am sure. Positive. About ten years ago.

It's all right--it happens. You don't have to pretend. But the point is, I remember you. I remember you. I'd hardly forget, would I? A bit over ten years, now I come to think of it.

Well, I've changed. Sure. This is all grey for a start. Can't even call it pepper-and-salt any more, can I?

Oh, and by the way, you've changed too. You probably think you're pretty much the same as you were back then. Believe me, you aren't.

Oliver What's that companionable warble from the neighbouring wankpit, that snuffle and stamp from the padded loose-box? Could it be my dear, my old--old as in the sense of former--friend Stuart?

'I remember you.' How very Stuart. He is so old-, so former-fashioned that he likes naff songs which actually predate him. I mean, it's one thing to be hung up on cheap music synchronous with the primal engorgement of your own libidinous organs, be it Randy Newman or Luigi Nono. But to be hung up on the sun-lounger singalongeries of a previous generation--that's so very, so touchingly Stuart, don't you find?

Lose that puzzled expression. Frank Ifield. 'I Remember You.' Or rather, I remember yoo-oo, / You're the one that made my dreams come troo-oo. Yes? 1962. The Australian yodeller in the sheepskin car-coat? Indeed. Indeedy-doo-oo. And what a sociological paradox he must have represented. No disrespect to our bronzed and Bondi'd cousins, of course. In the
world's fawning obeisance before every cultural sub-grouping, let it not be said that I have anything against an Australian yodeller per se. You might be one yourself. If I prod you, do ye not yodel? In which case, I would give you honest eye-contact and an undiscriminatory handshake. I would welcome you into the brotherhood of man. Along with the Swiss
cricketer.

And if--by some happy whim--you actually are a Swiss cricketer, an off-spinner from the Bernese Oberland, then let me just say, simply: 1962 was the very year of the Beatles' first revolution at forty-five turns per minute, and Stuart sings Frank Ifield. I rest my case.

I'm Oliver, by the way. Yes, I know you know. I could tell you remembered me.

Gillian Gillian. You may or may not remember me. Is there some problem?

What you have to understand is that Stuart wants you to like him, needs you to like him, whereas Oliver has a certain difficulty imagining that you won't. That's a sceptical look you're giving me. But the truth is, over the years I've watched people take against Oliver and fall under his spell almost at the same time. Of course, there've been exceptions. Still, be warned.

And me? Well, I'd prefer you to like me rather than the reverse, but that's normal, isn't it? Depending on who you are, of course.

Stuart I wasn't actually referring to the song at all.

Gillian Look, I actually haven't the time. Sophie's got music today. But I've always thought of Stuart and Oliver as opposite poles of something . . . of growing up, perhaps. Stuart believed that growing up was about fitting in, about pleasing people, becoming a member of society. Oliver didn't have that problem, he always had more self-confidence. What's that word for plants which move in relation to the sun? Helio something. That's what Stuart was like. Whereas Oliver--

Oliver --was le roi soleil, right? The nicest spousal compliment I've had in some time. I've been called some things in this sublunary smidgeon which goes by the name of life, but King Sol is a new one. Phoebus. Phoe-Phi-Pho-Phumbus--

Gillian --tropic. Heliotropic, that's the word.

Oliver Have you noticed this change in Gillian? The way she puts people into categories? It's probably her French blood. She's half French--you remember that? 'Half French on her mother's side': that ought to mean quarter French, logically, don't you think? Yet what, as all the great moralists and philosophers have noted, has logic got to do with life?

Now, had Stuart been half French, in 1962 he would have been whistling Johnny Hallyday's Gallic version of 'Let's Twist Again.' That's a thought, isn't it? A pungent pensee. And here's another: Hallyday was half Belgian. On his father's side.

Stuart In 1962 I was four years old. Just for the record.

Gillian Actually, I don't think I do put people into categories. It's just that if there are two people in the world I understand, they're Stuart and Oliver. After all, I have been married to both of them.

Stuart Logic. Did someone use the word? I'll give you logic. You go away, and people think you've stayed the same. That's the worst piece of logic I've come across in years.

Oliver Misprise me not about les Belges, by the way.