The Return of Skeleton Man
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Overview
It's not over, that voice says. Some dreams, rabbit, are like this one I just sent you. They are messages and warnings.
And even though it sends a shiver down my spine, I understand what this message, this warning, means.
Skeleton Man will return.
Molly thought she'd put her traumatic past behind her when she escaped from Skeleton Man last year. She rescued her parents and tried to get her life back to the way it used to be. She thought her family would live happily ever after and just be normal again. She thought wrong.
Skeleton Man is back for revenge--but this time Molly is ready.
In this long-awaited sequel to the award-winning Skeleton Man, Joseph Bruchac revisits his most terrifying villain yet.
Editorial Reviews
Spooky fiction will appeal to an older crowed. Molly, whom PW called the "gutsy" narrator from Skeleton Man, is back to defend her family and herself in The Return of Skeleton Man by Joseph Bruchac, illus. by Sally Wern Comport. The pencil and charcoal illustrations, along with the tale of the suspenseful faceoff between the heroine and her nemesis, will surely keep readers turning pages. Copyright 2006 Reed Business Information.
Author Information
Bio of Joseph Bruchac
Joseph Bruchac lives with his wife, Carol, in the Adirondack mountain foothills town of Greenfield Center, New York, in the same house where his maternal grandparents raised him. Much of his writing draws on that land and his Abenaki ancestry. Although his American Indian heritage is only one part of an ethnic background that includes Slovak and English blood, those Native roots are the ones by which he has been most nourished. He, his younger sister Margaret, and his two grown sons, James and Jesse, continue to work extensively in projects involving the preservation of Abenaki culture, language and traditional Native skills, including performing traditional and contemporary Abenaki music with the Dawnland Singers. He holds a B.A. from Cornell University, an M.A. in Literature and Creative Writing from Syracuse and a Ph.D. in Comparative Literature from the Union Institute of Ohio. His work as a educator includes eight years of directing a college program for Skidmore College inside a maximum security prison. With his wife, Carol, he is the founder and Co-Director of the Greenfield Review Literary Center and The Greenfield Review Press. He has edited a number of highly praised anthologies of contemporary poetry and fiction, including Songs from this Earth on Turtle's Back, Breaking Silence (winner of an American Book Award) and Returning the Gift. His poems, articles and stories have appeared in over 500 publications, from American Poetry Review, Cricket and Aboriginal Voices to National Geographic, Parabola and Smithsonian Magazine. He has authored more than 70 books for adults and children, including The First Strawberries, Keepers of the Earth (co-authored with Michael Caduto), Tell Me a Tale, When the Chenoo Howls (co-authored with his son, James), his autobiography Bowman's Store and such novels as Dawn Land, The Waters Between, Arrow Over the Door and The Heart of a Chief. Forthcoming titles include Squanto's Journey (Harcourt), a picture book, Sacajawea (Harcourt), an historical novel, Crazy Horse's Vision (Lee & Low), a picture book, and Pushing Up The Sky (Dial), a collection of plays for children. His honors include a Rockefeller Humanities fellowship, a National Endowment for the Arts Writing Fellowship for Poetry, the Cherokee Nation Prose Award, the Knickerbocker Award, the Hope S. Dean Award for Notable Achievement in Children's Literature and both the 1998 Writer of the Year Award and the 1998 Storyteller of the Year Award from the Wordcraft Circle of Native Writers and Storytellers. In 1999, he received the Lifetime Achievement Award from the Native Writers Circle of the Americas. As a professional teller of the traditional tales of the Adirondacks and the Native peoples of the Northeastern Woodlands, Joe Bruchac has performed widely in Europe and throughout the United States from Florida to Hawaii and has been featured at such events as the British Storytelling Festival and the National Storytelling Festival in Jonesboro, Tennessee. He has been a storyteller-in-residence for Native American organizations and schools throughout the continent, including the Institute of Alaska Native Arts and the Onondaga Nation School. He discusses Native culture and his books and does storytelling programs at dozens of elementary and secondary schools each year as a visiting author.
Bio of Sally Wern Comport
Sally Wern Comport has been making pictures professionally since the age of sixteen. Her images have been seen in the editorial, advertising, and publishing markets worldwide, and her work includes the picture book Brave Margaret: An Irish Adventure, by Robert D. San Souci. She lives in Annapolis, Maryland, with her studio partner -- husband and their two daughters, Taylor and Olivia, and she recently completed her graduate education at Syracuse University to further her passion for the art of illustration.
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Additional Info
Imprint
HarperCollins e-books
Filesize
1.28 MB
Number of Pages
144
eBook ISBN
9780061908927
Excerpt from: The Return of Skeleton Man by Joseph Bruchac
Chapter One
Arriving
"Look up there, Molly. That's Sky Top Tower."
I shift my gaze up, way up. There, far in the distance, at the top of a huge cliff, is a tall stone tower. I can hardly believe it. Here we are, on a late-autumn day, speeding along the New York State Thruway in the midst of a twenty-first-century seventy-mile-per-hour stream of traffic, dodging Winnebagos (the trucks, not the Indians) and people more interested in their cell phone conversations than in staying in their own lane, and I'm staring at something that looks like it belongs in a Dracula movie.
"Wow," I gasp. Then, just to show my parents how articulate I am, I say it again. "Wow!"
But I'm not the only one awed by the sight.
"Is that really where we're going?" my mom asks in a tone that indicates she hopes the answer is yes.
In the rearview mirror I can see the big grin that spreads over my father's face. He'd always loved to surprise us in the past, but over the last year or so, he's been avoiding springing things on Mom and me unexpectedly, which is understandable considering the recent events we barely survived. I haven't seen that wide a smile on his face for months. It makes me so happy that I wiggle in my seat like a puppy.
"Uh-huh," Dad says in that slow, confident voice of his. "That's where the conference is taking place." He carefully checks his mirrors and puts on his blinker to move into the exit lane for New Paltz. "Well, not exactly in that tower. There's a huge old Victorian hotel on that mountaintop, just below the tower, with 251 rooms."
"Cool," I say.
Dad nods. "Way cool, indeed, Molly girl. It's called the Mohonk Mountain House, and when you are up there you feel like there's no place else in the world. Totally isolated in the middle of a vast forest preserve."
"Mohonk?" my mother asks. "Isn't that where they had the Friends of the Indian conferences back in the 1880s, honey?"
I lean back to listen. It's going to be one of those discussions between my mom and dad that's as much a seminar as a conversation. Some people might find it boring, but my dad is a natural storyteller and my mom has this way of explaining historical events that just makes them come alive for me.
I hug myself as I listen and look out the window. My dad explains that two brothers, the Smileys, started building the Mohonk Moun-tain House back in 1869. It began as one building, but wings got added on and it just kept getting bigger and bigger. All kinds of major events have taken place at Mohonk, starting at the end of the nineteenth century with the Friends of the Indian--who did do a lot to make things better for native people--right up to the present day. In recent years the Smiley family has added many modern facilities, from videoconferencing rooms to an Olympic-size ice-skating rink. The Mountain House restaurants are famous, and people come to the hotel from all over the world for weekend getaways. It's also a favorite place for business conferences like the seminars my father's bank is sending him to. This is his second visit but the first time we are joining him.
Their discussion pauses only when we go through the tollbooth; then we are off the thruway. The tower is out of sight now. We're heading into the town of New Paltz, one of those places that used to be surrounded by farms but is gradually sprawling out with development. There are the usual fast-food places and chain stores, but when we drive into the town itself it gets better.
"Ambience," Mom says.
I know what she means. The buildings are old and the storefronts are all different here. They reflect the kind of stuff you see in places dominated by a big university like New Paltz--trendy little ethnic restaurants, colorful hand-painted signs, and small, unique stores.
"Walking and shopping later this weekend?" Mom says, turning back for a moment to look at me, her own smile almost as big as my dad's was.
"Def!" I say. I can already picture Mom and me strolling down the streets, the warm autumn sun shining as we window-shop or have tea at that little place there, or check out that bookstore on the corner here.
It all seems too good to be true.
We're through the town now, passing over a bridge across a little river and taking a winding road that leads up the mountain. The Smileys, whose descendants still run the place, loved nature. So they bought up thousands of acres of the Shawangunk Mountain range just to keep it wild. Then, in 1969, they turned sixty-four hundred acres of their land into the Mohonk Preserve--which surrounds the Mountain House--the biggest private nature preserve in all of New York State.
"Wow!" is going through my head again. The glaciers that sculpted the Shawangunk range made spectacular cliffs everywhere. The narrow road we're following is winding back and forth like a snake along the tops of those sheer drops. I catch a couple of glimpses of the town and the roads below, but most of the time all I can see is an endless expanse of evergreen forest. Hemlock and pine and cedar and spruce.
"Like going back into the past, isn't it?" my dad says to us. He doesn't take his eyes off the road. My dad is Mr. Safe Driver. Both hands on the wheel. "Except for this little highway, it's kind of what it was like a thousand years ago when it was just our people and the land here."
"Not our people," my mom says with a little smile. History being her thing, she can't resist the opportunity to correct him. "This area was Lenape land, not Mohawk."













