Monster: A Novel

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Overview

A second-rate actor is found mutilated in a car trunk. Then a psychologist at a Los Angeles hospital for the criminally insane is murdered in a similar grisly fashion. Suddenly the incoherent ramblings of an inmate at the presumably secure institution begin to make chilling sense-they are, in fact, horrifying predictions. Yet how can a barely functional psychotic locked behind asylum walls possibly know such vivid details of crimes committed in the outside world Drawn into a labyrinth of secrets, revenge, sex, and manipulation, Dr. Alex Delaware and Detective Milo Sturgis set out to unlock this enigma and put an end to the brutal killings-before the madman predicts their own demise. . . .

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Author Information

Bio of Jonathan Kellerman

Jonathan Kellerman is one of the world's most popular authors. He has brought his expertise as a clinical psychologist to more than thirty bestselling crime novels, including the Alex Delaware series, The Butcher's Theater, Billy Straight, The Conspiracy Club, Twisted,and True Detectives. With his wife, the novelist Faye Kellerman, he co-authored the bestsellers Double Homicide and Capital Crimes. He is the author of numerous essays, short stories, scientific articles, two children's books, and three volumes of psychology, including Savage Spawn: Reflections on Violent Children, as well as the lavishly illustrated With Strings Attached: The Art and Beauty of Vintage Guitars. He has won the Goldwyn, Edgar, and Anthony awards and has been nominated for a Shamus Award. Jonathan and Faye Kellerman live in California and New Mexico. Their four children include the novelist Jesse Kellerman.

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Additional Info

Imprint

Ballantine Books

Filesize

866.27 KB

Number of Pages

416

eBook ISBN

9780345463685

Awards

  • Shamus Awards

Excerpt from: Monster by Jonathan Kellerman

Chapter 1

The giant knew Richard Nixon.
Towering, yellow-haired, grizzled, a listing mountain in khaki twill, he limped closer, and Milo tightened up. I looked to Frank Dollard for a cue. Dollard appeared untroubled, meaty arms at his sides, mouth serene under the tobaccoed gray mustache. His eyes were slits, but they'd been that way at the main gate.

The giant belched out a bass laugh and brushed greasy hair away from his eyes. His beard was a corn-colored ruin. I could smell him now, vinegarish, hormonally charged. He had to be six- eight, three hundred. The shadow he threw on the dirt was ash-colored, amoebic, broad enough to shade us.

He took another lurching step, and this time Frank Dollard's right arm shot out.
The huge man didn't seem to notice, just stood there with Dollard's limb flung across his waist. Maybe a dozen other men in khaki were out on the yard, most of them standing still, a few others pacing, rocking, faces pressed against the chain link. No groups that I could see; everyone to himself. Above them, the sky was an untrammeled blue, clouds broiled away by a vengeful sun. I was cooking in my suit.

The giant's face was dry. He sighed, dropped his shoulders, and Dollard lowered his arm. The giant made a finger gun, pointed it at us, and laughed. His eyes were dark brown, pinched at the corners, the whites too sallow for health.

"Secret service." He thumped his chest. "Victoria's Secret service in the closet underwear undercover always lookin' out for the guy good old Nixon RMN Rimmin, always rimmin wanting to be rimmed he liked to talk the walk cuttin outta the White House night house doing the party thing all hours with Kurt Vonnegut , J. D. Salinger the Glass family anyone who didn't mind the politics heat of the kitchen I wrote Cat's Cradle sold it to Vonnegut for ten bucks Billy Bathgate typed the manuscript one time he walked out the front door got all the way to Las Vegas big hassle with the Hell's Angels over some dollar slots Vonnegut wanting to change the national debt Rimmin agreed the Angels got pissed we had to pull him out of it me and Kurt Vonnegut Salinger wasn't there Doctorow was sewing the Cat's Cradle they were bad cats, woulda assassinated him any day of the week leeway the oswald harvey."

He bent and lifted his left trouser leg. Below the knee was bone sheathed with glossy white scar tissue, most of the calf meat ripped away. An organic peg leg.