Shadow Prey
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Overview
Lucas Davenport goes on a city-to-city search for a bizarre ritualistic killer.
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Author Information
Bio of John Sandford
Like the best writers in this genre--Dashiell Hammett, Elmore Leonard, Ed McBain among them--John Sandford evokes his netherworld with authentic dialogue and meticulous details."--Minneapolis Star Tribune John Sandford is the pseudonym of the Pulitzer Prize-winning journalist John Camp. Camp was born in 1944 and was raised in Cedar Rapids, Iowa. He received his B.A. in American Studies from the University of Iowa, and received his first training as a journalist and reporter when he was in Korea for 15 months working for his base paper. After the army, Camp spent 10 months working for the Cape Girardeau Se Missourian newspaper before returning to the University of Iowa for his Masters in Journalism. From 1971 to 1978, he worked as a general assignment reporter for the Miami Herald, covering killings and drug cases, among other beats, with his colleague, the Pulitzer Prize-winning journalist Edna Buchanan. In 1978, Camp joined the St. Paul Pioneer Press as a features reporter. He became a daily columnist at the newspaper in 1980. In the same year, he was named a finalist for the Pulitzer Prize for an article he wrote on the Native American communities in Minnesota and North Dakota and their modern day social problems. In 1986, Camp won the Pulitzer Prize for feature writing for a series of articles on the farm crisis in the Midwest. Camp has written fourteen books in the bestselling "Prey" series under the name John Sandford. The titles in this series, which features Lucas Davenport, include Rules of Prey, Shadow Prey, Eyes of Prey, Silent Prey, Winter Prey, Night Prey, Mind Prey, Sudden Prey, Secret Prey, Certain Prey, Easy Prey, Chosen Prey, Naked Prey, Broken Prey, Invisible Prey, and now, Phantom Prey. With the "Prey" series, Sandford has displayed a brilliance of characterization and pace that has earned him wide praise and made the books national bestsellers. He has been hailed as a "born storyteller" (San Diego Tribune), his work as "the kind of trimmed-to-the-bone thriller you can't put down" (Chicago Tribune), and Davenport as "one of the most engaging (and iconoclastic) characters in contemporary fiction." (Detroit News)
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Additional Info
Imprint
Berkley
Filesize
756.80 KB
Number of Pages
368
eBook ISBN
9780786566792
Excerpt from: Shadow Prey by John Sandford
Ray Cuervo sat in his office and counted his money. He counted his money every Friday afternoon between five and six o'clock. He made no secret of it.
Cuervo owned six apartment buildings scattered around Indian Country south of the Minneapolis Loop. The cheapest apartment rented for thirty-nine dollars a week. The most expensive was seventy-five. When he collected his rent, Cuervo took neither checks nor excuses. If you didn't have the cash by two o'clock Friday, you slept on the sidewalk. Bidness, as Ray Cuervo told any number of broken-ass indigents, was bidness.
Dangerous business, sometimes. Cuervo carried a chrome-plated Charter Arms .38 Special tucked in his pants while he collected his money. The gun was old. The barrel was pitted and the butt was unfashionably small. But it worked and the shells were always fresh. You could see the shiny brass winking out at the edge of the cylinder. Not a flash gun, his renters said. It was a shooter. When Cuervo counted the week's take, he kept the pistol on the desktop near his right hand.
Cuervo's office was a cubicle at the top of three flights of stairs. The furnishings were sparse and cheap: a black dial telephone, a metal desk, a wooden file cabinet and an oak swivel chair on casters. A four-year-old Sports Illustrated swimsuit calendar hung on the left-hand wall. Cuervo never changed it past April, the month where you could see the broad's brown nipples through the wet T-shirt. Opposite the calendar was a corkboard. A dozen business cards were tacked to the corkboard along with two fading bumper stickers. One said SHIT HAPPENS and the other said HOW'S MY DRIVING- DIAL 1-800-EAT-SHIT. Cuervo's wife, a Kentucky sharecropper girl with a mouth like barbed wire, called the office a shithole. Ray Cuervo paid no attention. He was a slumlord, after all.
Cuervo counted the cash out in neat piles, ones, fives and tens. The odd twenty he put in his pocket. Coins he counted, noted and dumped into a Maxwell House coffee can. Cuervo was a fat man with small black eyes. When he lifted his heavy chin, three rolls of suet popped out on the back of his red neck. When he leaned forward, three more rolls popped out on his side, under his armpits. And when he farted, which was often, he unconsciously eased one obese cheek off the chair to reduce the compression. He didn't think the movement either impolite or impolitic. If a woman was in the room, he said "Oops." If the company was all male, he said nothing. Farting was something men did.













