Dark of the Moon

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Overview

Virgil Flowers-tall, lean, late thirties, three times divorced, hair way too long for a cop's-had kicked around for a while before joining the Minnesota Bureau of Criminal Apprehension. First, it was the army and the military police, then the police in St. Paul, and finally Lucas Davenport had brought him into the BCA, promising him, "We'll only give you the hard stuff." He'd been doing the hard stuff for three years now-but never anything like this.

In the small town of Bluestem, where everybody knows everybody, a house way up on a ridge explodes into flames, its owner, a man named Judd, trapped inside. There is a lot of reason to hate him, Flowers discovers. Years ago, Judd had perpetrated a scam that'd driven a lot of local farmers out of business, even to suicide. There are also rumors swirling around: of some very dicey activities with other men's wives; of involvement with some nutcase religious guy; of an out-of-wedlock daughter. In fact, Flowers concludes, you'd probably have to dig around to find a person who didn't despise him.

And that wasn't even the reason Flowers had come to Bluestem. Three weeks before, there'd been another murder-two, in fact-a doctor and his wife, the doctor found propped up in his backyard, both eyes shot out. There hadn't been a murder in Bluestem in years-and now, suddenly, three Flowers knows two things: This wasn't a coincidence, and this had to be personal.

But just how personal is something even he doesn't realize, and may not find out until too late. Because the next victim . . .may be himself.

Filled with the audacious plotting, rich characters, and brilliant suspense that have always made his books "compulsively readable" (Los Angeles Times), Dark of the Moon is vintage Sandford, further proof that he "is in a class of his own" (The Orlando Sentinel).

Editorial Reviews

Virgil Flowers, introduced in bestseller Sandford's Prey series (Invisible Prey, etc.), gets a chance to shine in his own vehicle and does so brightly. The thrice-divorced, affable member of the Minnesota Bureau of Criminal Apprehension (BCA), who reports to Prey series hero Lucas Davenport, operates pretty much on his own as he tackles a murder wave that hits the little town of Bluestem. At the center of the story is old Bill Judd, hated by many who blame him for the Jerusalem artichoke scheme that made him rich and others poor. Other motives abound as do suspects--including a religious/survivalist cult headed by a felon or some of the many who participated in the long ago orgies Judd orchestrated. Flowers likes to stir things up and see what happens, and plenty does as the killings continue. Sandford keeps the reader guessing and the pages turning while Flowers displays the kind of cool and folksy charm that might force Davenport to share the spotlight more often. 500,000 first printing. (Sept.)
Copyright (c) Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
-- PUBLISHERS WEEKLY.

Author Information

Bio of John Sandford

Like the best writers in this genre--Dashiell Hammett, Elmore Leonard, Ed McBain among them--John Sandford evokes his netherworld with authentic dialogue and meticulous details."--Minneapolis Star Tribune John Sandford is the pseudonym of the Pulitzer Prize-winning journalist John Camp. Camp was born in 1944 and was raised in Cedar Rapids, Iowa. He received his B.A. in American Studies from the University of Iowa, and received his first training as a journalist and reporter when he was in Korea for 15 months working for his base paper. After the army, Camp spent 10 months working for the Cape Girardeau Se Missourian newspaper before returning to the University of Iowa for his Masters in Journalism. From 1971 to 1978, he worked as a general assignment reporter for the Miami Herald, covering killings and drug cases, among other beats, with his colleague, the Pulitzer Prize-winning journalist Edna Buchanan. In 1978, Camp joined the St. Paul Pioneer Press as a features reporter. He became a daily columnist at the newspaper in 1980. In the same year, he was named a finalist for the Pulitzer Prize for an article he wrote on the Native American communities in Minnesota and North Dakota and their modern day social problems. In 1986, Camp won the Pulitzer Prize for feature writing for a series of articles on the farm crisis in the Midwest. Camp has written fourteen books in the bestselling "Prey" series under the name John Sandford. The titles in this series, which features Lucas Davenport, include Rules of Prey, Shadow Prey, Eyes of Prey, Silent Prey, Winter Prey, Night Prey, Mind Prey, Sudden Prey, Secret Prey, Certain Prey, Easy Prey, Chosen Prey, Naked Prey, Broken Prey, Invisible Prey, and now, Phantom Prey. With the "Prey" series, Sandford has displayed a brilliance of characterization and pace that has earned him wide praise and made the books national bestsellers. He has been hailed as a "born storyteller" (San Diego Tribune), his work as "the kind of trimmed-to-the-bone thriller you can't put down" (Chicago Tribune), and Davenport as "one of the most engaging (and iconoclastic) characters in contemporary fiction." (Detroit News)

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Additional Info

Imprint

Penguin Group, Inc.

Filesize

1008.10 KB

Number of Pages

384

eBook ISBN

9781429543293

Excerpt from: Dark of the Moon by John Sandford