Chosen Prey

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Overview

A New York Times bestseller! Lucas Davenport returns in the most harrowing and unexpected Prey novel yet -- the story of a congenial man, and his most uncongenial obsession....
Art history professor James Qatar's hobby was taking secret photographs of women. At night when he was all alone he'd dream about them and indulge his fantasies. Then one day his fantasy went too far. Now it's Qatar's turn to become an obsession -- of Davenport's. And for both men there's no turning back.

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Author Information

Bio of John Sandford

Like the best writers in this genre--Dashiell Hammett, Elmore Leonard, Ed McBain among them--John Sandford evokes his netherworld with authentic dialogue and meticulous details."--Minneapolis Star Tribune John Sandford is the pseudonym of the Pulitzer Prize-winning journalist John Camp. Camp was born in 1944 and was raised in Cedar Rapids, Iowa. He received his B.A. in American Studies from the University of Iowa, and received his first training as a journalist and reporter when he was in Korea for 15 months working for his base paper. After the army, Camp spent 10 months working for the Cape Girardeau Se Missourian newspaper before returning to the University of Iowa for his Masters in Journalism. From 1971 to 1978, he worked as a general assignment reporter for the Miami Herald, covering killings and drug cases, among other beats, with his colleague, the Pulitzer Prize-winning journalist Edna Buchanan. In 1978, Camp joined the St. Paul Pioneer Press as a features reporter. He became a daily columnist at the newspaper in 1980. In the same year, he was named a finalist for the Pulitzer Prize for an article he wrote on the Native American communities in Minnesota and North Dakota and their modern day social problems. In 1986, Camp won the Pulitzer Prize for feature writing for a series of articles on the farm crisis in the Midwest. Camp has written fourteen books in the bestselling "Prey" series under the name John Sandford. The titles in this series, which features Lucas Davenport, include Rules of Prey, Shadow Prey, Eyes of Prey, Silent Prey, Winter Prey, Night Prey, Mind Prey, Sudden Prey, Secret Prey, Certain Prey, Easy Prey, Chosen Prey, Naked Prey, Broken Prey, Invisible Prey, and now, Phantom Prey. With the "Prey" series, Sandford has displayed a brilliance of characterization and pace that has earned him wide praise and made the books national bestsellers. He has been hailed as a "born storyteller" (San Diego Tribune), his work as "the kind of trimmed-to-the-bone thriller you can't put down" (Chicago Tribune), and Davenport as "one of the most engaging (and iconoclastic) characters in contemporary fiction." (Detroit News)

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Additional Info

Imprint

Penguin Group E-Books

Filesize

1.60 MB

Number of Pages

416

eBook ISBN

9780786566327

Awards

  • Listen Up Awards

Excerpt from: Chosen Prey by John Sandford

CHAPTER
1
James Qatar dropped his feet over the edge of the bed and rubbed the back of his neck, a momentary veil of depression falling upon him. He was sitting naked on the rumpled sheets, the smell of sex lingering like a rude perfume. He could hear Ellen Barstad in the kitchen. She'd turned on the radio she kept by the sink, and "Cinnamon Girl" bubbled through the small rooms. Dishes tinkled against cups, fingernail scratches through the melody of the song.

"Cinnamon Girl" wasn't right for this day, for this time, for what was about to happen. If he were to have music, he thought, maybe Shostakovich, a few measures from the Lyric Waltz in Jazz Suite Number 2. Something sweet, yet pensive, with a taste of tragedy; Qatar was an intellectual, and he knew his music.

He stood up, wobbled into the bathroom, flushed the Trojan in the toilet, washed perfunctorily, and studied himself in the mirror above the sink. Great eyes, he thought, suitably deep-set for a man of intellect. A good nose, trim, not fleshy. His pointed chin made his face into an oval, a reflection of sensitivity. He was admiring the image when his eyes drifted to the side of his nose: a whole series of small dark hairs were emerging from the line where his nose met his cheek. He hated that.

He found a set of tweezers in the medicine cabinet and carefully tweezed them away, then took a couple of hairs from the bridge of his nose, between his eyebrows. Checked his ears. His ears were okay. The tweezers were pretty good, he thought: you didn't find tweezers like this every day. He'd take them with him -- she wouldn't miss them.

Now. Where was he?

Ah. Barstad. He had to stay focused. He went back to the bedroom, put the tweezers in a jacket pocket, dressed, put on his shoes, then returned to the bathroom to check his hair. Just a touch with the comb. When he was satisfied, he rolled out twenty feet of toilet paper and wiped everything he might have touched in the bedroom and bathroom. The police would be coming around sooner or later.

He hummed as he worked, nothing intricate: Bach, maybe. When he'd finished cleaning up, he threw the toilet paper into the toilet, pressed the handle with his knuckles, and watched it flush.

ELLEN BARSTAD HEARD the toilet flush a second time and wondered what was keeping him. All this toilet flushing was less than romantic; she needed some romance. Romance, she thought, and a little decent sex. James Qatar had been a severe disappointment, as had been all of the few lovers in her life. All eager to get aboard and pound away; none much concerned with her, though they said they were.

"That was really great, Ellen, you're great -- pass me that beer, will ya? Ya got great tits, did I tell you that...?"

Her love life to this point -- three men, six years -- had been a pale reflection of the ecstasies described in her books. So far, she felt more like a sausage-making machine than the lover in the Song of Solomon: Your breasts are like two fawns, like twin fawns of a gazelle that browse among the lilies. Until the day breaks and the shadows flee, I will go to the mountain of myrrh and to the hill of incense. All beautiful you are, my darling, there is no flaw in you."