The Tenth Circle: A Novel

1
Laura Stone knew exactly how to go to hell.

She could map out its geography on napkins at departmental cocktail parties; she was able to recite all of the passageways and rivers and folds by heart; she was on a first-name basis with its sinners. As one of the top Dante scholars in the country, she taught a course in this very subject and had done so every year since being tenured at Monroe College. English 364 was also listed in the course handbook as Burn Baby Burn (or: What the Devil is the Inferno?), and it was one of the most popular courses on campus in the second trimester even though Dante's epic poem the Divine Comedy wasn't funny at all. Like her husband Daniel's artwork, which was neither comic nor a book, the Inferno covered every genre of pop culture: romance, horror, mystery, crime. And like all of the best stories, it had at its center an ordinary, everyday hero who simply didn't know how he'd ever become one.

She stared at the students packing the rows in the utterly silent lecture hall. "Don't move," she instructed. "Not even a twitch." Beside her, on the podium, an egg timer ticked away one full minute. She hid a smile as she watched the undergrads, all of whom suddenly had gotten the urge to sneeze or scratch their heads or wriggle.

Of the three parts of Dante's masterpiece, the Inferno was Laura's favorite to teach?who better to think about the nature of actions and their consequences than teenagers? The story was simple: Over the course of three days?Good Friday to Easter Sunday?Dante trekked through the nine levels of hell, each filled with sinners worse than the next, until finally he came through the other side. The poem was full of ranting and weeping and demons, of fighting lovers and traitors eating the brains of their victims?in other words, graphic enough to hold the interest of today's college students? and to provide a distraction from her real life.

The egg timer buzzed, and the entire class exhaled in unison. "Well?" Laura asked. "How did that feel?"

"Endless," a student called out.

"Anyone want to guess how long I timed you for?"

There was speculation: Two minutes. Five.

"Try sixty seconds," Laura said. "Now imagine being frozen from the waist down in a lake of ice for eternity. Imagine that the slightest movement would freeze the tears on your face and the water surrounding you. God, according to Dante, was all about motion and energy, so the ultimate punishment for Lucifer is to not be able to move at all. At the very bottom of hell, there's no fire, no brimstone, just the utter inability to take action." She cast her gaze across the sea of faces. "Is Dante right? After all, this is the very bottom of the barrel of hell, and the devil's the worst of the lot. Is taking away your ability to do whatever you want, whenever you want, the very worst punishment you can imagine?"

And that, in a nutshell, was why Laura loved Dante's Inferno. Sure, it could be seen as a study of religion or politics. Certainly it was a narrative of redemption. But when you stripped it down, it was also the story of a guy in the throes of a midlife crisis, a guy who was reevaluating the choices he'd made along the way.

Not unlike Laura herself.

* * *

As Daniel Stone waited in the long queue of cars pulling up to the high school, he glanced at the stranger in the seat beside him and tried to remember when she used to be his daughter.

"Traffic's bad today," he said to Trixie, just to fill up the space between them.

Trixie didn't respond. She fiddled with the radio, running through a symphony of static and song bites before punching it off entirely. Her red hair fell like a gash over her shoulder; her hands were burrowed in the sleeves of her North Face jacket. She turned to stare out the window, lost in a thousand thoughts, not a single one of which Daniel could guess.