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Visions in Death

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Overview

A brand-new novel in the number-one New York Times-bestselling In Death series set in 2059 New York City. As technology and humanity collide, Detective Eve Dallas searches the darkest corners of Manhattan for an elusive killer with a passion for collecting souls...

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Author Information

Bio of J. D. Robb

In the spring of 1995, J. D. Robb's first book, Naked in Death, appeared on bookshelves with very little fanfare. Robb introduced readers to New York City in the near future, 2058 to be exact, as seen through the eyes of Eve Dallas, a detective with the New York City Police and Safety Department. The Gothic Journal hailed Robb's work as "a unique blend of hard-core police drama, science fiction and passionate romance" while The Paperback Forum called it "a fantastic new detective series." The popularity of that first book built up through the release of the subsequent Eve Dallas books, Glory In Death, Immortal In Death, Rapture In Death, Ceremony In Death, Vengeance in Death and Holiday In Death. Readers were taken with Eve Dallas's integrity, strength and heart and her burgeoning relationship with the mysterious Roarke. It's been a fairly open secret that J. D. Robb is the pseudonym of the more familiar New York Times bestselling author Nora Roberts. But Ms. Roberts, and her publisher, Berkley, were content to let the Robb books build slowly with very little tie-in to the Nora Roberts's style of romantic suspense. The pragmatic reason for creating J.D. Robb was the astounding pace at which Nora Roberts produces books. With nearly 100 published books to her credit by 1995, she had built up a surplus of titles to be released by her publishers, Berkley and Silhouette, and still was creating more. Reluctant to publish romantic suspense books akin to what she was already writing under a pseudonym, Ms. Roberts was convinced that readers would enjoy romantic suspense with a difference. Thus J. D. Robb was born. The initials were taken from Ms. Roberts's sons, Jason and Dan, while Robb was a shortened form of Roberts. "I wanted to try something a little different. I love writing romance, and suspense, but also wanted a twist," explains Ms. Roberts. "The near future setting provided this, and allowed me to more or less create a world. What would it be like in 2058? I could decide. And I could illustrate my own feeling that while the toys may change, people remain basically the same. They still love and hate and covet, they still have courage and cowardice. They're still human." The In Death books have afforded Ms. Roberts an opportunity to explore a relationship beyond the ending of the first book. Her trilogies and family stories have been hugely popular with fans--the just-completed Chesapeake Bay trilogy, Sea Swept, Rising Tides and Inner Harbor have all spent time at the number one spot on The New York Times bestseller list--but when the story was over, she moved onto other characters. "One of the things I wanted to do was develop those characters over many books rather than tying it all up in one," she says. "I wanted to explore these people, and peel the layers off book by book. Eve and Roarke have given me the opportunity to explore a marriage as well. Each book resolved the particular crime or mystery that drives it, but the character development, the growth and the changes, the tone of the relationships go more slowly. I'm enjoying that tremendously." The experiment has succeeded beyond expectations. The eighth J. D. Robb book, Conspiracy in Death, was released in April 1999 as a lead title from Jove. Loyalty in Death followed in the fall, and Witness in Death was released in March 2000. This time, it's freely acknowledged that J. D. Robb and Nora Roberts are one and the same. An excerpt appeared at the end of Inner Harbor. And the Robb books will appear twice a year, much to the delight of Ms. Roberts' fans who are vocal in their demands for more of Eve Dallas and Roarke. And Nora Roberts--in any guise--will continue to delight that audience with her inimitable combination of romance and suspense in this century or the next.

Bio of Nora Roberts

Nora Roberts is truly a publishing phenomenon. With over 250 million copies of her novels in print, she has come a long way since she wrote her first novel in a spiral notebook using a No. 2 pencil. Now she has published over 150 novels and her work has been optioned and made into films, excerpted in national magazines and translated in over twenty-five different countries. "I always have stories running around in my head," she explains. "Once I start putting them down on paper, I just keep going; I just keep writing." In addition to her amazing success in mainstream fiction, Nora Roberts remains committed to writing for her category romance audience that took her to into their heart in 1981 with her very first book, a Silhouette romance. Nora Roberts continues to write futuristic romantic suspense as J.D. Robb, and her characters Eve Dallas and Roarke have become two of her most popular creations ever. Her J.D. Robb titles are hailed as "a perfect balance of suspense, futuristic police procedure and steamy romance...truly fine entertainment" by Publishers Weekly. Reviewers agree that Nora Roberts deserves praise. The Los Angeles Daily News describes her as "a word artist, painting her story and her characters with vitality and verve." Kirkus Reviews comments on True Betrayals saying "Roberts' style has a fresh, contemporary snap." Roberts is said to be "reminiscent of Jacqueline Briskin and Sidney Sheldon" by Booklist, and Rex Reed lauds her saying, "Move over Sidney Sheldon: the world has a new master of romantic suspense, and her name is Nora Roberts." Publishers Weekly claims "Roberts keeps getting better...[her] prolificness shows no sign of abating." They add, "When Roberts puts her expert finger on the pulse of romance, legions of fans feel the heartbeat." USA Today calls Nora "a consistently entertaining writer." The remarkable Ms. Roberts did not become a success overnight. By the time her first novel, Irish Thoroughbred, was published in 1981, she already had three years of hard work behind her and several rejected manuscripts languishing in drawers. Today, according to Entertainment Weekly, "her stories have fueled the dreams of twenty-five million readers." One of America's leading novelists, her books are published around the world. She is frequently invited to promote her novels in other countries. Her recent travels took her to England, Italy, Australia and Japan to meet fans, fellow authors and aspiring writers. Sanctuary was made into a television movie which aired in 2001 on CBS as "Nora Roberts' Sanctuary." The cast includes Melissa Gilbert, Emmy-winner Kathy Baker and Costas Mandylor. CBS has also optioned The Reef for another television movie. Montana Sky has been optioned by TriStar Television for a two-hour television movie. Her book This Magic Moment became the television film "Magic Moments" starring Emmy-winner John Shea and Jenny Seagrove. Sacred Sins has been optioned for film by Kaleidoscope, and Private Scandals has been optioned by Burt Reynolds Productions. Reflections and The Law is a Lady were selected by Good Housekeeping magazine for presentation as condensed novels. Honest Illusions and Private Scandals were featured as Readers Digest's Condensed Books.

Customer Reviews

  • 5 stars out of 5Another great book from a wonderful series!

    Posted January 04, 2010 by Cuteseminole26, Indianapolis

    I love this series and am thankful that I have started with the first book and have made my way up so to speak. This series and this book never get tiring and leave you wanting to know more. I love the characters as well. It's a great quick read.

Additional Info

Imprint

Berkley

Filesize

370.56 KB

Number of Pages

384

eBook ISBN

9780786575237

Awards

  • RITA Award

Excerpt from: Visions in Death by J. D. Robb

She'd gotten through the entire evening without killing anyone. Lieutenant Eve Dallas, cop to the bone, figured the restraint showed enormous strength of character.

Her day had gone smoothly enough. A morning court appearance that had been as routine as it was tedious, paperwork both extensive and mind-numbing. The single case she'd caught had involved pals and their dispute over who had dibs on the last of the illegals a party mix of Buzz, Exotica, and Zoom they'd been toking on while lazing around on the roof of an apartment building on the West Side.

The dispute had been resolved when one of the afternoon partyers had taken a header off the roof, clutching the last of the illegals in his greedy fist.

He probably hadn't felt much, even when he'd splatted onto Tenth Avenue, but it sure as hell had broken the party mood.

Witnesses, including an uninvolved Good Samaritan from a neighboring building who'd called in the nine-one-one, all stated that the individual who'd been scooped off the sidewalk and into a bag had leaped of his own volition onto the roof ledge, danced an energetic keep-away boogie, lost his precarious balance, and taken flight with a giggling wee-haw.

Much to the surprise and possible entertainment?of the afternoon passengers on an airtram who'd also witnessed the last dance of one Jasper K. McKinney.

One inappropriately delighted tourist had managed to capture the entire incident on his pocket vid.

It all jibed, and the books would close on Jasper as death by misadventure. Unofficially, Eve labeled it death by stupidity, but there wasn't a place on the sheet for that particular observation.

As a result of Jasper and his eight-story dive, she'd clocked out of Cop Central barely an hour past end-of-duty, only to get bogged down in ugly midtown traffic because the temporary vehicle some sadist in Requisitions had tossed at her limped along like a blind, three-legged dog.

She had rank, for God's sake, and was entitled to a decent ride. It wasn't her fault she'd had two units destroyed in two years. Maybe she'd forget strength of character and go maim somebody in Requisitions in the morning.

It sounded like fun.

And after she'd gotten home?okay, almost two hours late?she'd had to transform herself from kick-ass murder cop to fashionable corporate wife.

She was a good cop, she reminded herself, but more than a little shaky in the corporate wife arena.

She supposed she'd been fashionable, since her husband had the entire getup?down to the underwear?set out for her. Roarke knew clothes.

She just knew she was wearing something green with sparkles all over it, and where it wasn't green and sparkly, it showed a lot of skin.