Lord of the Nutcracker Men

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Overview

Ten-year-old Johnny eagerly plays at war with the army of nutcracker soldiers his toymaker father whittles for him. He demolishes imaginary foes. But in 1914 Germany looms as the real enemy of Europe, and all too soon Johnny's father is swept up in the war to end all wars. He proudly enlists with his British countrymen to fight at the front in France. The war, though, is nothing like what any soldier or person at home expected.

The letters that arrive from Johnny's dad reveal the ugly realities of combat -- and the soldiers he carves and encloses begin to bear its scars. Still, Johnny adds these soldiers to his armies of Huns, Tommies, and Frenchmen, engaging them in furious fights. But when these games seem to foretell his dad's real battles, Johnny thinks he possesses godlike powers over his wooden men. He fears he controls his father's fate, the lives of all the soldiers in no-man's land, and the outcome of the war itself.

Editorial Reviews

War idealistic, brutal, awe inspiring, numbing, jingoistic and ultimately heartbreaking is the central theme of this thoughtful and thought-provoking novel. The Great War has begun, and Johnny watches his kindly toymaker father turn against the German shopkeepers and neighbors in the family's London community. Soon after his father joins the army and travels to France to fight, Johnny is sent to live with his curmudgeonly Auntie Ivy in a small town on the south coast of England. Most chapters begin with a letter from Johnny's father, and from these the boy (and readers) derive an increasingly complex and horrifying vision of life in the trenches. Accompanying each letter, and providing vivid illustration of the events described in the missive, is a wooden soldier carved by Johnny's father, which the boy adds to the ranks of his toy army. As the weeks go by, Johnny entertains himself by staging vast battles with this army, until in a series of scenes that unflinchingly convey a child's conflicting feelings of omnipotence and vulnerability he grows to fear that his play is somehow magically affecting his father's life at the front and, indeed, the entire war. His father's account of the Christmas Truce of 1914 and Johnny's own role in reuniting a grieving family with a shell-shocked soldier are among the events that bring the novel to its solemn, yet quietly hopeful, close. Both its timing and its message are eerily resonant. Ages 10-up.

Copyright 2001 Cahners Business Information, Inc.

Author Information

Bio of Iain Lawrence

"Writing for young readers is almost like dipping into a fountain of youth; for hours a day, I am a child again."--Iain Lawrence Iain Lawrence is a journalist, travel writer, and avid sailor, and the author of many acclaimed novels, including Ghost Boy, Lord of the Nutcracker Men, and the High Seas Trilogy: The Wreckers, The Smugglers, and The Buccaneers.

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Additional Info

Imprint

Laurel Leaf

Filesize

1.16 MB

Number of Pages

240

eBook ISBN

9780307537898

Awards

  • Beehive Young Adults' Book Award
  • Virginia Reader's Choice Awards

Excerpt from: Lord of the Nutcracker Men by Iain Lawrence

Chapter 1 My dad was a toy maker, the finest in London. He made miniature castles and marionettes, trams and trains and carriages. He carved a hobbyhorse that Princess Mary rode through the ballroom at Buckingham Palace. But the most wonderful thing that Dad ever made was an army of nutcracker men. He gave them to me on my ninth birthday, thirty soldiers carved from wood, dressed in helmets and tall black boots. They carried rifles tipped with silver bayonets. They had enormous mouths full of grinning teeth that sparkled in the sun. They were so beautiful that every boy who saw them asked for a set for himself. But Dad never made others. "They're one of a kind," he said. "Those are very special soldiers, those." I had no other army to fight them against, so I marched my nutcracker men across the kitchen floor, flattening buildings that I made out of cards. I pretended that no other army even dared to fight against those fierce-looking soldiers. When I was ten, the war started in Europe, the war they said would end all wars. The Kaiser's army stormed into Luxembourg, and all of Europe fled before it. But for me, the war really began on the day the butcher vanished, when I found his door mysteriously locked. Inside, the huge carcasses hung on their hooks, and the rows of pink meat lay on the counters. Yet there was no sign of Fatty Dienst, who had greeted me there just the day before--as he always had--with a great smile and a laugh, with a nub of spicy sausage hidden in his apron pocket. He'd pulled it out in his hand that had no thumb, and said--as always--"Ach, look what I've found, Johnny." His accent turned my name into Chonny. "That's goot Cherman sausage there, Chonny," he'd told me. That night I asked my dad, "What happened to Fatty Dienst?" "That butcher?" said Dad. "I suppose he's gone home to be with all the other butchers. To join that army of butchers." I didn't understand; they had always been friends. Many times I had seen Dad laughing at Fatty's jokes, or the German winking as he slipped an extra slice of ham in with the rest. "I never trusted that man," said Dad. Then the others vanished: Mr. Hoffman the barber, Henrik the shoemaker, Willy Kempf the doorman. They slipped away one by one, and soon only Siegfried was left from all the Germans I'd ever known, poor little Siegfried who worked as a waiter. I went to school with one of his sons. But it wasn't much longer until I saw him leaving too, with his wife and their children, each with a suitcase made out of cardboard. A crowd of boys and barking men drove them along like so many sheep. Some of my pals ran in circles around the poor man, who walked so slowly and sadly that I felt like crying. Dad was watching beside me, in the window of our flat. He looked furious. "Do you know what that fellow was doing?" "Serving people?" I asked. "Telling them he was Swiss," said Dad, his hands clenched. "But I demanded to see his passport, and showed up the rotter for what he was." Off they went, with their little cardboard suitcases, down toward the railway station on Victoria Street. Dad flung open the window and shouted after them, "Go along home!" It made no sense; their home was in London, just around the corner. Only the week before, I had seen Dad get up from our supper at Paddington Station and press a tanner into little Siegfried's hand. But now he seemed full of hate, and I thought I would never understand how a man could be his friend one day, and his enemy the next. Then the Kaiser's army stormed into Belgium. I saw them at the picture show, hundreds of soldiers looking just like my nutcracker men, all in black boots and silver-tipped helmets. They flickered across the screen, their arms held stiff at their sides but