Sapphire's Grave

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Overview

The debut of a major new talent, SAPPHIRE'S GRAVE tells the stories of several generations of African-American women, bringing their spirit and their sorrow to life with a power, sensitivity, and immediacy.

In 1749 in Sierra Leone, a woman of fierce dignity is captured and forced onto a slave ship. On the harrowing voyage to the Americas, she is beaten for her unrelenting will and staunch pride. When she arrives, she gives birth to a daughter who is called Sapphire because of the "black-blue-black" complexion she shares with her mother. Sapphire has also inherited her mother's strength and defiant spirit, and despite a life of poverty and opression, she grows up to mother several daughters of her own. Even when tragedy strikes and part of Sapphire dies, her strength gives rise to a legend that will sustain the women who follow her, "each carrying something of her mother, her grandmother, her aunts; each passing on to her own daughters blessing and cursing, the consequences of her own choosing.

Through the lives of Sapphire and her descendants, Hilda Gurley-Highgate not only creates a poignant and engrossing saga of black women in America, she brilliantly illuminates the meaning of roots and the links between women and their female ancestors, a tie that often appears tenuous, undefined, and distant, but is strong, palpable, and much closer than we imagine. Written in luminous prose, SAPPHIRE'S GRAVE is an astonishing work by an author poised to take the literary world by storm.

Editorial Reviews

Gurley-Highgate makes her debut with an overplotted tale tracing the fortunes of a line of African-American women over two centuries. The story begins in 1749 with a defiant, unnamed woman kidnapped in Sierra Leone and sold as a slave in South Carolina. She gives birth to a daughter, Sapphire, who is sold at age five. Sapphire's life, like her mother's, consists of trials "that exceeded the limits of human tolerance"-she is beaten and raped, and she develops a hardness and a rebellious streak that she passes on to her three daughters and their offspring. Sister, the last of Sapphire's descendants to be born a slave, finds herself struggling to raise two children while enduring the betrayals of a philandering husband after the Civil War. Her granddaughter, Vyda Rose, defiantly embraces prostitution and eventually commits suicide to avoid arrest for killing a white man in self-defense. Vyda Rose's daughter, Jewell, bucks tradition in another way: she has a child by a white lover. Her biracial daughter becomes an acclaimed artist, expressing the legacy of her forebears in her paintings and sculptures of women. The dramatic developments come fast and furious, but though some of the women's stories are affecting, the characters themselves are thinly drawn. Gurley-Highgate waxes lyrical about Sapphire's legacy ("in the blood and the spirit and the person of this child lived all of the ancestors; and the child's own spirit, rising, on great black wings bearing without shame the scarlet past"), but her hurried sketches don't allow for a nuanced examination of slavery's toll.
Copyright 2002 Reed Business Information, Inc. -- PUBLISHERS WEEKLY.

Author Information

Bio of Hilda Gurley Highgate

HILDA GURLEY-HIGHGATE is an attorney in Detroit, Michigan. This is her first novel.

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Additional Info

Imprint

Random House

Filesize

239.13 KB

Number of Pages

256

eBook ISBN

9780307419217

Excerpt from: Sapphire's Grave by Hilda Gurley Highgate

Warren County, North Carolina
May, 1863

One generation passeth away, and another generation cometh.
-Ecclesiastes 1:4

At first, the people did not believe; not when they were gathered together, the music of their whispered prayers, their plaintive sighs, silenced; hoes in hand, their faces expectant; their feet caked with the red mud of the field, the lush, May grass beneath them, they listened but did not hear the message, the messenger, through lies and deceit, having lost the faith of the congregants many decades ago. They could go, or they could stay--it was up to them entirely. The people stood stunned, the messenger thought, into a silence of incredulity and joy. But it was only the silence of disbelief, and the fear of deception kept their feet frozen to the grass. The fear of lashing and the loss of children, limbs, bound their feet to the muddy soil, and flattened the grass of a fine spring day, when freedom came four months late to taunt them, pitiless and unkind.

It was not until they were dismissed, by the nod of the messenger, his face crimson, his eyes afraid, that they turned en masse to return to the fields, the stables, the kitchens, and parlors of their labor. In these, their places, they resumed their work--the mindless, often backbreaking toil that blunted their senses and made possible the breaking of their spirits, that part of them which might have otherwise been free. They would not believe. They set their faces. They would not believe until God himself said it.

Sister, too, did not believe that she was free; not when she ventured alone, with caution, to the edge of the field, unsure whether she was seen, then wandered back to the high, dense tobacco field, feeling foolish and sweating, her heart beating wildly. She paused for a moment, her hoe in hand, and placed her free hand on her pounding chest. No one spoke to her. No lash came down on her back, the onerous heat her only oppressor, the silence of the people a void resounding. You may go, or you may stay. Sister would stay. She would wait until a sign came.

She had not thought of liberty. She had not thought of bondage. She had worked, her mind numb, not daring to confront the betrayal of a god who had enslaved. She had been offered this god. She had not received him. She did not think of him. But alone in her cabin, alone in a room filled with others--others numb to all things except the fear of an unknown almighty--she closed her eyes and allowed herself, briefly, to peer into heaven with anxious eyes, eyes fixed on the inner, the eyes of her heart, not her mind. Eyes that heard--freedom whispered. And in the field of her labor, freedom whispered. It did not shout. It did not come.

When freedom came, its name was Prince. On loan to a nearby farm, where he had sired a brood, he had not heard until his return. People saw him running, 'way out across the field. Some took off their hats and stopped to watch him, their hands shielding their eyes from the sun, from whence there came a more acceptable messenger, his shirt loose and flapping, his arms flailing.

He arrived to stand before them breathless, his eyes dancing, his face aglow. He smiled, displaying the empty spaces where there once resided three teeth kicked out by the boot of a Negro overseer; and God spoke in the voice of a fool.

"We free!" he shouted.

The people stood stunned in the silence of incredulity and joy.

"We free!" he repeated, and tilted his head in puzzlement at their silence. Sister set down her hoe. She leapt into his arms, her skirt entangling her legs. He spun her around, chanting. "We free! We is free!"

She lost her hat. Her knees were exposed. She did not care. Freedom had come.

They were married the next year, on an April day, beneath an elm. Sister wore a crown of hibiscus and juniper. A garland draped one shoulder and encircled her narrow waist. Barefoot in a gown made of bleached white sacks, she felt like royalty beside her Prince as they recited their vows in the setting sun, beneath the elm.

They came back to make love there when the guests had dispersed and the sky had grown dark and starry; and again on the night of their first anniversary, and the next year and the next.

Until the babies became children, and her life an uninterrupted blur of domesticity and toil. An overtime schedule of parenting and hard work made the frivolities of youth an indulgence she could no longer spare the time for, much less the energy. Besides, they had moved to town for a time, and the pebble-strewn dirt road to the elm made for an inhospitable journey. And so it was honey let's just do it in the yard it's more convenient; and then honey let's just do it on the floor; and then honey I'm tired let's just do it tomorrow; and finally, they did not do it at all or talk about doing it or, eventually, even think about it.