War Trash
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Overview
War Trash, the extraordinary new novel by the National Book Award-winning author of Waiting, is Ha Jin's most ambitious work to date: a powerful, unflinching story that opens a window on an unknown aspect of a little-known war--the experiences of Chinese POWs held by Americans during the Korean conflict--and paints an intimate portrait of conformity and dissent against a sweeping canvas of confrontation.
Set in 1951-53, War Trash takes the form of the memoir of Yu Yuan, a young Chinese army officer, one of a corps of "volunteers" sent by Mao to help shore up the Communist side in Korea. When Yu is captured, his command of English thrusts him into the role of unofficial interpreter in the psychological warfare that defines the POW camp.
Taking us behind the barbed wire, Ha Jin draws on true historical accounts to render the complex world the prisoners inhabit--a world of strict surveillance and complete allegiance to authority. Under the rules of war and the constraints of captivity, every human instinct is called into question, to the point that what it means to be human comes to occupy the foremost position in every prisoner's mind.
As Yu and his fellow captives struggle to create some sense of community while remaining watchful of the deceptions inherent in every exchange, only the idea of home can begin to hold out the promise that they might return to their former selves. But by the end of this unforgettable novel--an astonishing addition to the literature of war that echoes classics like Dostoevsky's Memoirs from the House of the Dead and the works of Siegfried Sassoon and Wilfred Owen--the very concept of home will be more profoundly altered than they can even begin to imagine.
Editorial Reviews
Jin (Waiting; The Crazed; etc.) applies his steady gaze and stripped-bare storytelling to the violence and horrifying political uncertainty of the Korean War in this brave, complex and politically timely work, the story of a reluctant soldier trying to survive a POW camp and reunite with his family. Armed with reams of research, the National Book Award winner aims to give readers a tale that is as much historical record as examination of personal struggle. After his division is decimated by superior American forces, Chinese "volunteer" Yu Yuan, an English-speaking clerical officer with a largely pragmatic loyalty to the Communists, rejects revolutionary martyrdom and submits to capture. In the POW camp, his ability to communicate with the Americans thrusts him to the center of a disturbingly bloody power struggle between two factions of Chinese prisoners: the pro-Nationalists, led in part by the sadistic Liu Tai-an, who publicly guts and dissects one of his enemies; and the pro-Communists, commanded by the coldly manipulative Pei Shan, who wants to use Yu to save his own political skin. An unofficial fighter in a foreign war, shameful in the eyes of his own government for his failure to die, Yu can only stand and watch as his dreams of seeing his mother and fiancee again are eviscerated in what increasingly looks like a meaningless conflict. The parallels with America's current war on terrorism are obvious, but Jin, himself an ex-soldier, is not trying to make a political statement. His gaze is unfiltered, camera-like, and the images he records are all the more powerful for their simple honesty. It is one of the enduring frustrations of Jin's work that powerful passages of description are interspersed with somewhat wooden dialogue, but the force of this story, painted with starkly melancholy longing, pulls the reader inexorably along.
Copyright (c) Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. -- PUBLISHERS WEEKLY.
Author Information
Bio of Ha Jin
Ha Jin was awarded the PEN/Faulkner Award for Waiting and War Trash; Waiting also won the National Book Award. His other books include the novel The Crazed; three short story collections: The Bridegroom, which won the Asian American Literary Award, Under the Red Flag, which won the Flannery O'Connor Award for Short Fiction, and Ocean of Words, which won the PEN/Hemingway Award; and three books of poetry. He is a professor of English at Boston University and lives in the Boston area.
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Additional Info
Imprint
Random House
Filesize
1.25 MB
Number of Pages
368
eBook ISBN
9780307430113
Awards
- Kiriyama Prize
- PEN/Faulkner Award for Fiction
- Pulitzer Prize
Excerpt from: War Trash by Ha Jin
Before the Communists came to power in 1949, I was a sophomore at the Huangpu Military Academy, majoring in political education. The school, at that time based in Chengdu, the capital of Szechuan Province, had played a vital part in the Nationalist regime. Chiang Kai-shek had once been its principal, and many of his generals had graduated from it. In some ways, the role of the Huangpu in the Nationalist army was like that of West Point in the American military.
The cadets at the Huangpu had been disgusted with the corruption of the Nationalists, so they readily surrendered to the People's Liberation Army when the Communists arrived. The new government disbanded our academy and turned it into a part of the Southwestern University of Military and Political Sciences. We were encouraged to continue our studies and prepare ourselves to serve the new China. The Communists promised to treat us fairly, without any discrimination. Unlike most of my fellow students who specialized in military science, however, I dared not raise my hopes very high, because the political courses I had taken in the old academy were of no use to the People's Liberation Army. I was more likely to be viewed as a backward case, if not a reactionary. At the university, established mainly for reindoctrinating the former Nationalist officers and cadets, we were taught the basic ideas of Marx, Lenin, Stalin, and Mao Zedong, and we had to write out our personal histories, confess our wrongdoings, and engage in self- and mutual criticism. A few stubborn officers from the old army wouldn't relinquish their former outlook and were punished in the reeducation program-they were imprisoned in a small house at the northeastern corner of our campus. But since I had never resisted the Communists, I felt relatively safe. I didn't learn much in the new school except for some principles of the proletarian revolution.
At graduation the next fall, I was assigned to the 180th Division of the People's Liberation Army, a unit noted for its battle achievements in the war against the Japanese invaders and in the civil war. I was happy because I started as a junior officer at its headquarters garrisoned in Chengdu City, where my mother was living. My father had passed away three years before, and my assignment would enable me to take care of my mother. Besides, I had just become engaged to a girl, a student of fine arts at Szechuan Teachers College, majoring in choreography. Her name was Tao Julan, and she lived in the same city. We planned to get married the next year, preferably in the fall after she graduated. In every direction I turned, life seemed to smile upon me. It was as if all the shadows were lifting. The Communists had brought order to our country and hope to the common people. I had never been so cheerful.
Three times a week I had to attend political study sessions. We read and discussed documents issued by the Central Committee and writings by Stalin and Chairman Mao, such as The History of the Communist Party of the Soviet Union, On the People's Democratic Dictatorship, and On the Protracted War. Because about half of our division was composed of men from the Nationalist army, including hundreds of officers, the study sessions felt like a formality and didn't bother me much. The commissar of the Eighteenth Army Group, Hu Yaobang, who thirty years later became the Secretary of the Chinese Communist Party, even declared at a meeting that our division would never leave Szechuan and that from now on we must devote ourselves to rebuilding our country. I felt grateful to the Communists, who seemed finally to have brought peace to our war-battered land.
Then the situation changed. Three weeks before the Spring Festival of 1951, we received orders to move to Hebei, a barren province adjacent to Manchuria, where we would prepare to enter Korea. This came as a surprise, because we were a poorly equipped division and the Korean War had been so far away that we hadn't expected to participate. I wanted to have a photograph taken with my fiance before I departed, but I couldn't find the time, so we just exchanged snapshots. She promised to care for my mother while I was gone. My mother wept, telling me to obey orders and fight bravely, and saying, "I won't close my eyes without seeing you back, my son." I promised her that I would return, although in the back of my mind lingered the fear that I might fall on a battlefield.
Julan wasn't a pretty girl, but she was even-tempered and had a fine figure, a born dancer with long, supple limbs. She wore a pair of thick braids, and her clear eyes were innocently vivid. When she smiled, her straight teeth would flash. It was her radiant smile that had caught my heart.













