The Beautiful and Damned
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Overview
The Beautiful and Damned is the story of Anthony Patch and his wife, Gloria. Harvard-educated and an aspiring aesthete, Patch is waiting for his inheritance upon his grandfather's death. His reckless marriage to Gloria is fueled by alcohol and is destroyed by greed. The Patches race through a series of alcohol-induced fiascoes -- first in hilarity, and then in despair.
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Author Information
Bio of F. Scott Fitzgerald
F(rancis) Scott Fitzgerald was born in St. Paul, Minnesota, on September 24, 1896. He was educated at Princeton University and served in the U.S. Army from 1917 to 1919, attaining the rank of second lieutenant. In 1920 Fitzgerald married Zelda Sayre, a young woman of the upper class, and they had a daughter, Frances. Fitzgerald is perhaps best known for his short stories and novels, but his many contributions to American literature also include plays, poetry, music, and letters. He is now highly regarded as an American writer. Ernest Hemingway, who was greatly influenced by Fitzgerald's short stories, wrote that Fitzgerald's talent was "as fine as the dust on a butterfly's wing." Yet during his lifetime Fitzgerald never had a best-selling novel and, toward the end of his life, he worked sporadically as a screenwriter at motion picture studios in Los Angeles. There he contributed to scripts for such popular films as Winter Carnival and Gone with the Wind. Fitzgerald's work is inseparable from the Roaring 20s. Berenice Bobs Her Hair and A Diamond As Big As The Ritz, are two short stories included in his collections, Tales of the Jazz Age and Flappers and Philosophers. His first novel The Beautiful and Damned was flawed but set up Fitzgerald's major themes of the fleeting nature of youthfulness and innocence, unattainable love, and middle-class aspiration for wealth and respectability, derived from his own courtship of Zelda. This Side of Paradise (1920) was Fitzgerald's first unqualified success. The Great Gatsby (1925) is considered by many to be the greatest American novel. Tender Is the Night, a mature look at the excesses of the exuberant 20s, was published in 1934. Much of Fitzgerald's work has been adapted for film, including Babylon Revisited, adapted as The Last Time I Saw Paris by Metro-Goldwyn-Mayer in 1954. The Last Tycoon, adapted by Paramount in 1976, was a work in progress when Fitzgerald died of a heart attack on December 21, 1940, i n Hollywood, California. Fitzgerald is buried in St. Mary's Cemetery in Rockville, Maryland. 030
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Additional Info
Imprint
Scribner
Filesize
897.71 KB
Number of Pages
368
eBook ISBN
9780743247306
Excerpt from: The Beautiful and Damned by F. Scott Fitzgerald
In 1913, when Anthony Patch was twenty-five, two years were already gone since irony, the Holy Ghost of this later day, had, theoretically at least, descended upon him. Irony was the final polish of the shoe, the ultimate dab of the clothes-brush, a sort of intellectual "There!" -- yet at the brink of this story he has as yet gone no further than the conscious stage. As you first see him he wonders frequently whether he is not without honor and slightly mad, a shameful and obscene thinness glistening on the surface of the world like oil on a clean pond, these occasions being varied, of course, with those in which he thinks himself rather an exceptional young man, thoroughly sophisticated, well adjusted to his environment, and somewhat more significant than any one else he knows.
This was his healthy state and it made him cheerful, pleasant, and very attractive to intelligent men and to all women. In this state he considered that he would one day accomplish some quiet subtle thing that the elect would deem worthy and, passing on, would join the dimmer stars in a nebulous, indeterminate heaven half-way between death and immortality. Until the time came for this effort he would be Anthony Patch -- not a portrait of a man but a distinct and dynamic personality, opinionated, contemptuous, functioning from within outward -- a man who was aware that there could be no honor and yet had honor, who knew the sophistry of courage and yet was brave.
A WORTHY MAN AND HIS GIFTED SON
Anthony drew as much consciousness of social security from being the grandson of Adam J. Patch as he would have had from tracing his line over the sea to the crusaders. This is inevitable; Virginians and Bostonians to the contrary notwithstanding, an aristocracy founded sheerly on money postulates wealth in the particular.












