Great Tales and Poems of Edgar Allan Poe

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Overview

Enduring Literature Illuminated By Practical Scholarship

A collection of the Gothic master's classic works in prose and verse.

This Enriched Classic Edition Includes:


A concise introduction that gives the reader important background information

A chronology of the author's life and work

A timeline of significant events that provides the book's historical context

An outline of key themes and plot points to guide the reader's own interpretations

Detailed explanatory notes

Critical analysis, including contemporary and modern perspectives on the work

Discussion questions to promote lively classroom and book group interaction

A list of recommended related books and films to broaden the reader's experience

Enriched Classics offer readers affordable editions of great works of literature enhanced by helpful notes and insightful commentary. The scholarship provided in Enriched Classics enables readers to appreciate, understand, and enjoy the world's finest books to their full potential.

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Author Information

Bio of Edgar Allan Poe

Edgar Allan Poe (1809 - 49), was born in Boston, USA. His parents were actors but both suffered from tuberculosis and died in 1811. The two-year-old Edgar was taken in by John Allan, a wealthy merchant - hence the middle name. He had a very happy childhood as the only child of a rich family. He did well at school, especially in languages and athletics. In 1926 Edgar went to the University of Virginia. In his first term her did no work, spending his time on wine, women and song! He had a huge row with his step-father and ran away to join the army. A few years later Mrs Allan begged her husband to find him and make up the quarrel. This happened but the two men never managed to have a good relationship again. When his wife died, John Allan remarried and his new wife hated Edgar. So, by 1831 he was out in the world, alone and broke. Edgar was by now writing poetry but with little success. He did find a new family, an aunt and married her fourteen-year-old daughter. They moved from place to place and so Edgar moved from job to job getting the occasional story printed. They were very poor, often cold and close to starvation. His wife was ill and Edgar was almost an alcoholic. When his wife died, Edgar began to court wealthy widows and his writing became more and more tortured. George Bernard Shaw called him, "the finest of finest of artists"; but he died alone in pain and poverty when he was only forty. Almost his last words were: "I wish to God someone would blow my damned brains out." - it is not difficult to see why some of his best-remembered stories are grotesque and macabre.

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Additional Info

Imprint

Simon & Schuster

Filesize

1.48 MB

Number of Pages

432

eBook ISBN

1416561900

Excerpt from: Great Tales and Poems of Edgar Allan Poe by Edgar Allan Poe

The Tell-Tale Heart

True! -- nervous -- very, very dreadfully nervous I had been -- and am; but why will you say that I am mad? The disease had sharpened my senses -- not destroyed -- not dulled them. Above all was the sense of hearing acute. I heard all things in the heaven and in the earth. I heard many things in hell. How, then, am I mad? Hearken! and observe how healthily -- how calmly I can tell you the whole story.
It is impossible to say how first the idea entered my brain; but once conceived, it haunted me day and night. Object there was none. Passion there was none. I loved the old man. He had never wronged me. He had never given me insult. For his gold I had no desire. I think it was his eye! yes, it was this! One of his eyes resembled that of a vulture -- a pale blue eye, with a film over it. Whenever it fell upon me, my blood ran cold; and so by degrees -- very gradually -- I made up my mind to take the life of the old man, and thus rid myself of the eye for ever.
Now this is the point. You fancy me mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded -- with what caution -- with what foresight -- with what dissimulation I went to work! I was never kinder to the old man than during the whole week before I killed him. And every night, about midnight, I turned the latch of his door and opened it -- oh, so gently! And then, when I had made an opening sufficient for my head, I put in a dark lantern, all closed, closed, so that no light shone out, and then I thrust in my head. Oh, you would have laughed to see how cunningly I thrust it in! I moved it slowly -- very, very slowly, so that I might not disturb the old man's sleep. It took me an hour to place my whole head within the opening so far that I could see him as he lay upon his bed. Ha! -- would a madman have been so wise as this? And then when my head was well in the room, I undid the lantern cautiously -- oh, so cautiously -- cautiously (for the hinges creaked) -- I undid it just so much that a single thin ray fell upon the vulture eye. And this I did for seven long nights -- every night just at midnight -- but I found the eye always closed; and so it was impossible to do the work; for it was not the old man who vexed me, but his Evil Eye. And every morning, when the day broke, I went boldly into the chamber, and spoke courageously to him, calling him by name in a hearty tone, and inquiring how he had passed the night. So you see he would have been a very profound old man, indeed, to suspect that every night, just at twelve, I looked in upon him while he slept.
Upon the eighth night I was more than usually cautious in opening the door. A watch's minute hand moves more quickly than did mine. Never before that night had I felt the extent of my own powers -- of my sagacity. I could scarcely contain my feelings of triumph. To think that there I was, opening the door, little by little, and he not even to dream of my secret deeds or thoughts. I fairly chuckled at the idea; and perhaps he heard me; for he moved on the bed suddenly, as if startled. Now you may think that I drew back -- but no. His room was as black as pitch with the thick darkness (for the shutters were close fastened, through fear of robbers), and so I knew that he could not see the opening of the door, and I kept pushing it on steadily, steadily.
I had my head in, and was about to open the lantern, when my thumb slipped upon the tin fastening, and the old man sprang up in the bed, crying out -- "Who's there?"
I kept quite still and said nothing. For a whole hour I did not move a muscle, and in the meantime I did not hear him lie down. He was still sitting up in the bed listening; -- just as I have done, night after night, hearkening to the death watches in the wall.