Intensity
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Overview
Chyna Shepherd is a twenty-six-year-old woman whose deeply troubled childhood taught her the hard rules of survival, and whose adult life has been an unrelenting struggle for self-respect and safety. Now rare trust has blossomed for Chyna into friendship with the woman whose family home she is visiting for the weekend: a farm in the Napa Valley surrounded by vineyards and hills, which Chyna can see from the guest-room window where she sits at one o'clock in the morning, fully dressed, unable to sleep. Suspicions she learned in childhood still make her uneasy in unfamiliar houses--even this one, where her closest friend is sound asleep down the hall. And in this case her most disturbing instincts prove reliable. A man has entered the house, a man who lives for one purpose: to satisfy all appetites as they arise, to immerse himself in sensation, to live without fear, remorse, or limits--to live with intensity.
His name is Edgler Foreman Vess. He likes to make words with the letters from his name--GOD, DEMON, SAVE, RAGE, ANGER, FEAR, FOREVER, are just a few of them--and then makes sentences with the words. One of his favorites, GOD FEARS ME, is sometimes the last thing he whispers to his victims. Edgler Vess is a self-proclaimed "homicidal adventurer": On this night, his adventure--murdering everyone in the house--becomes Chyna's long nightmare.
Trapped in Vess's deadly orbit, Chyna thinks only of getting out alive. But when she inadvertently learns the identity of Vess's intended next victim, waiting for him far from Napa Valley, Chyna is gripped with concern for this other person, who is as innocent as Chyna, and as endangered. Driven now by a sense of responsibility for another, by a purpose and meaning beyond mere self-preservation, Chyna rises to unexpected heights of courage and daring--her only hope as the threat of Edgler Foreman Vess closes in and grows more horrifying moment by moment.
Intensity unfolds over the course of just twenty-four hours, but within that brief time frame, Dean Koontz gives us what is perhaps his most inventive, emotionally intricate, and terrifyingly suspenseful novel yet.
From the Hardcover edition.
Editorial Reviews
Koontz's career has mirrored Stephen King's to a remarkable degree the early pseudonymous novels, the bloated blockbusters, the increased use of horror as social commentary albeit at a lag. Keeping step, this uncommonly sleek work is nothing less than Koontz's Gerald's Game: a distillation of what's come before and a slick play to regain the top by a writer whose popularity seemed to have peaked. Koontz even makes the centerpiece of Chyna Shepherd's battle against a serial killer her attempt to free herself from the restraints that bind her to a piece of furniture the very same challenge faced by King's heroine. And just as Gerald's Game reinvigorated King's career and writing, this masterful, if ultimately predictable, exercise in high tension should do the same for Koontz's. This is basically a two-character novel, and both principals are compelling: the spirited Chyna, a youngish psychology student, and her nemesis, homicidal maniac Edgler Vess, who revels in sensation, be it pain or pleasure in the intensity of experience. The two link when Vess kills Chyna's best friend as Chyna hides under a bed. Chyna pursues Vess but is eventually captured by him, after which she must combat not only those cuffs but also Vess's killer dogs, Vess himself and, of course, her own terror. For once, Koontz tamps down on his usual libertarian soapboxing to let the story race which it does fast enough to give readers whiplash as they hold on to what may end up being the most viscerally exciting thriller of the year. 600,000 first printing; Literary Guild main selection.
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
-- PUBLISHERS WEEKLY.
Author Information
Bio of Dean Koontz
Dean Koontz was born in Everett, Pennsylvania, and grew up in nearby Bedford. He won an Atlantic Monthly fiction competition when he was twenty and has been writing ever since. Mr. Koontz's books are published in 38 languages. Worldwide sales total more than 175 million copies, a figure that currently increases at a rate of more than 17 million copies a year. Dean and his wife, Gerda, live in southern California.
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Additional Info
Imprint
Random House
Filesize
1.45 MB
Number of Pages
464
eBook ISBN
9780307414168
Excerpt from: Intensity by Dean Koontz
Chyna Shepherd could not sleep comfortably in strange houses. Throughout her childhood and adolescence, her mother had dragged her from one end of the country to the other, staying nowhere longer than a month or two. So many terrible things had happened to them in so many places that Chyna eventually learned to view each new house not as a new beginning, not with hope for stability and happiness, but with suspicion and quiet dread.
Now she was long rid of her troubled mother and free to stay only where she wished. These days, her life was almost as stable as that of a cloistered nun, as meticulously planned as any bomb squad's procedures for disarming an explosive device, and without any of the turmoil on which her mother had thrived.
Nevertheless, this first night at the Templetons' house, Chyna was reluctant to undress and go to bed. She sat in the darkness in a medallion-back armchair at one of the two windows in the guest room, gazing out at the moonlit vineyards, fields, and hills of the Napa Valley.
Laura was in another room, at the far end of the second-floor hall, no doubt sound asleep, at peace because this house was not at all strange to her.
From the guest-room window, the early-spring vineyards were barely visible. Vague geometric patterns.
Beyond the cultivated rows were gentle hills mantled in long dry grass, silver in the moonlight. An inconstant breeze stirred through the valley, and sometimes the wild grass seemed to roll like ocean waves across the slopes, softly aglimmer with lambent lunar light.
Above the hills was the Coast Range, and above those peaks were cascades of stars and a full white moon. Storm clouds coming across the mountains from the northwest would soon darken the night, turning the silver hills first to pewter and then to blackest iron.
When she heard the first scream, Chyna was gazing at the stars, drawn by their cold light as she had been since childhood, fascinated by the thought of distant worlds that might be barren and clean, free of pestilence. At first the muffled cry seemed to be only a memory, a fragment of a shrill argument from another strange house in the past, echoing across time. Often, as a child, eager to hide from her mother and her mother's friends when they were drunk or high, she climbed onto porch roofs or into backyard trees, slipped through windows onto fire escapes, away to secret places far from the fray, where she could study the stars and where voices raised in argument or sexual excitement or shrill drug-induced giddiness came to her as though from out of a radio, from faraway places and people who had no connection whatsoever with her life.
The second cry, although brief and only slightly louder than the first, was indisputably of the moment, not a memory, and Chyna sat forward in her chair. Tense. Head cocked. Listening.
She wanted to believe that the voice had come from outside, so she continued to stare into the night, surveying the vineyards and the hills beyond. Breeze-driven waves swelled through the dry grass on the moon-washed slopes: a water mirage like the ghost tides of an ancient sea.
From elsewhere in the house came a soft thump, as though a heavy object had fallen to a carpeted floor.
Chyna immediately rose from the chair and stood utterly still, expectant.
Trouble often followed voices raised in one kind of passion or another. Sometimes, however, the worst offenses were proceeded by calculated silences and stealth.
She had difficulty reconciling the idea of domestic violence with Paul and Sarah Templeton, who had seemed as kind and loving toward each other as toward their daughter. Nevertheless, appearances and realities were seldom the same, and the human talent for deception was far greater than that of the chameleon, the mockingbird, or the praying mantis, which masked its ferocious cannibalism with a serene and devout posture.
Following the stifled cries and the soft thump, silence sifted down like a snowfall. The hush was eerily deep, as unnatural as that in which the deaf lived. This was the stillness before the pounce, the quietude of the coiled snake.
In another part of the house, someone was standing as motionless as she herself was standing, as alert as she was, intently listening. Someone dangerous. She could sense the predatory presence, a subtle new pressure in the air, not dissimilar to that preceding a violent thunderstorm.
On one level, six years of psychology classes caused her to question her immediate fearful interpretation of those night sounds, which conceivably could be insignificant, after all. Any well-trained psycho-analyst would have a wealth of labels to pin on someone who leaped first to a negative conclusion, who lived in expectation of sudden violence.










