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Clemente

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Overview

On New Year's Eve 1972, following eighteen magnificent seasons in the major leagues, Roberto Clemente died a hero's death, killed in a plane crash as he attempted to deliver food and medical supplies to Nicaragua after a devastating earthquake. David Maraniss now brings the great baseball player brilliantly back to life in Clemente: The Passion and Grace of Baseball's Last Hero, a book destined to become a modern classic. Much like his acclaimed biography of Vince Lombardi, When Pride Still Mattered, Maraniss uses his narrative sweep and meticulous detail to capture the myth and a real man.

Anyone who saw Clemente, as he played with a beautiful fury, will never forget him. He was a work of art in a game too often defined by statistics. During his career with the Pittsburgh Pirates, he won four batting titles and led his team to championships in 1960 and 1971, getting a hit in all fourteen World Series games in which he played. His career ended with three-thousand hits, the magical three-thousandth coming in his final at-bat, and he and the immortal Lou Gehrig are the only players to have the five-year waiting period waived so they could be enshrined in the Hall of Fame immediately after their deaths.

There is delightful baseball here, including thrilling accounts of the two World Series victories of Clemente's underdog Pittsburgh Pirates, but this is far more than just another baseball book. Roberto Clemente was that rare athlete who rose above sports to become a symbol of larger themes. Born near the canebrakes of rural Carolina, Puerto Rico, on August 18, 1934, at a time when there were no blacks or Puerto Ricans playing organized ball in the United States, Clemente went on to become the greatest Latino player in the major leagues. He was, in a sense, the Jackie Robinson of the Spanish-speaking world, a ballplayer of determination, grace, and dignity who paved the way and set the highest standard for waves of Latino players who followed in later generations and who now dominate the game.

The Clemente that Maraniss evokes was an idiosyncratic character who, unlike so many modern athletes, insisted that his responsibilities extended beyond the playing field. In his final years, his motto was that if you have a chance to help others and fail to do so, you are wasting your time on this earth. Here, in the final chapters, after capturing Clemente's life and times, Maraniss retraces his final days, from the earthquake to the accident, using newly uncovered documents to reveal the corruption and negligence that led the unwitting hero on a mission of mercy toward his untimely death as an uninspected, overloaded plane plunged into the sea.

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Author Information

Bio of David Maraniss

David Maraniss is an associate editor at The Washington Post. He is the winner of the 1993 Pulitzer Prize for National Reporting and has been a Pulitzer finalist two other times for his journalism and again for They Marched Into Sunlight, a book about Vietnam and the sixties. The author also of bestselling works on Bill Clinton, Vince Lombardi, and Roberto Clemente, Maraniss is a fellow of the Society of American Historians. He and his wife, Linda, live in Washington, DC, and Madison, Wisconsin. Visit the author at www.davidmaraniss.com.

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Additional Info

Imprint

Simon & Schuster

Filesize

1.10 MB

Number of Pages

416

eBook ISBN

9781416534105

Excerpt from: Clemente by David Maraniss


Memory and Myth

The familiar sounds of modern baseball, pings of aluminum bats punctuating the steady drone of a crowd, can be heard from the street a half-block away. It is late on a Sunday afternoon in February, overcast and drizzly in Carolina, Puerto Rico. Inside the stadium, there is a game going on, the Escuela de Deportiva against Bayamýn. Nothing special, just teenage boys playing ball, the way they do every afternoon, and then the right fielder from Deportiva scoops up a base hit and fires to second, his throw a bullet -- low, hard, right on the bag. Groups of men huddle in the stands, talking, laughing, playing cards, barely paying attention, or so it seems until the throw. It elicits a murmur of recognition, and suddenly they come alive, stirred by communal memory. All fires are one fire, the novelist Julio Cortýzar once wrote. And all arms are one arm. The throw from right field reminds them of the original, the unsurpassable arm of the man for whom the stadium is named, Roberto Clemente.

Beyond the stadium, closer to the street, stands a cenotaph thirty feet long and seven and a half feet high. It is the nearest thing to a headstone for Carolina's favorite son. On its three panels the sculptor Josý Buscaglia has etched the stations of the cross of Roberto Clemente's thirty-eight years on this earth. In the far left panel, Roberto is a babe, held in the arms of his mother in the barrio of San Antýn, and his father is seen working in the nearby cane fields. In the far right panel, Clemente passes from greatness into legend; first he is being honored for his three-thousandth hit, then his spirit is received by a figure of death in the Atlantic's watery grave, and finally his widow holds the plaque for his induction into the National Baseball Hall of Fame. But the center panel is the most telling. There, between scenes of Clemente batting, running, fielding, throwing, visiting hospitals, and consoling the sick and the poor, he is depicted standing regal and alone, holding a lamb.